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#1 |
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diyAudio Member
Join Date: Oct 2005
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Have been impressed by all the talk and results of Tapped-Horn designs recently -
About to launch into a tapped sub/bass horn of my own . This is to integrate into a four-way horn system where the next unit up is a 120-700 Hyperbolic horn using B&C 8PE21 ( that's the way it's looking at the moment ) . It's a HiFi system for playing at moderate levels ( in contrast to a lot of the other subwoofer projects here ! ) I have read with interest the sites by 'Volvotreter' and Will Cowan ; also the descriptions and pics of JLH's 40Hz horn using B&C 8PE21 . In fact it was JLH's postings in other forums that got me interested initially . Now, there are a few specific things I want to get from this design : * Small footprint - so it's going to be built as a simple vertical pillar * Around 35 or 40Hz at the low end . * As much extension as possible at the upper end to allow best integration - 130+ but hopefully somewhat higher and want explore how to get the best roll-off * I would like to achieve maybe 2-3dB roll-off from 100Hz to 40Hz to offset increasing room-gain . * Not very bothered about driver cost, but would like to do this with max. 8" driver if possible * No DSP will be used in this system - I will be quad-amping and can filter in the amps . So far, JLH's 40Hz horn and Cowan's 60-240 Hz horn are the most relevant I've seen Any input gratefully received - Mark J |
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#2 |
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diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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You can should be able to get there with the Eminence Definimax 4012HO. However, the 18 Sound 10W400 is has some of the best bandwidth available for a tapped horn. It will not play as loud as the 4012HO, but you will have bandwidth to spare. The Ciare 10NDH-3 can get you there with the aid of a 2mH coil. With a hyperbolic horn loaded with the 8PE21 I think you will need a little bit more peak SPL capability than my 40Hz tapped horn.
Rgs, JLH
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Ah, how beautifully the orchestra sounds before a rain! In a dry sunny day there is no way for the instruments to sound this way! |
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#3 |
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diyAudio Member
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I've heard that even the best tapped horns will cover 2 octaves before the response gets ragged.
If you could get the B&C down to 100Hz, you'd have many more tried-and-tested designs available to you...
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"Throwing parts at a failure is like throwing sponges at a rainstorm." - Enzo My setup: http://www.diyaudio.com/forums/multi...tang-band.html
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#4 |
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diyAudio Member
Join Date: Oct 2005
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Thanks for the advice on drivers JLH, that was just what I was looking for . I will get the data on the 18Sound and try to cook up a Hornresp file . I already have yours and the Volvotreter one stored as starting points. One problem I may need to sort out, is that I'm not so sure that 18 Sound are easily available in the UK - a quick search the other day didn't show any - but European dealers often have other things and can ship quickly .
Hi Chris Looking forward to hearing your TH sub - when's the next Yorkshire meeting, do you know ? As far as the freq range goes, although 25-100 would be more common, I have to be sensible and not try to 'stretch' the next horn down too far - main reason being the mouth would have to get bigger ; and I have to get good top-end coverage to mate smoothly with the 425Hz Azurahorn . I'm quite happy to design a custom TH myself anyway . Cheers Mark |
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#5 |
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diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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Try these two and see what you think. I know they might be a bit bigger than you want, but I'm not 100% sure what is available across the pond.
__________________
Ah, how beautifully the orchestra sounds before a rain! In a dry sunny day there is no way for the instruments to sound this way! |
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#6 |
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diyAudio Member
Join Date: Oct 2005
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That was pretty quick !
Thanks...however they both look a bit big for what I need in the room . Here is my first effort with the 10W400, based on some of the numbers I got from Will Cowan's drawing . It's actually quite close in freq response - range and shape - to what I'd like . I have this idea in my head that the response at 35-40Hz is going to be more like 2Pi , whereas the response at 100Hz + would be more like 1Pi - so I've been looking at both options on the Sims . What I would like to avoid is a unit that has too much output at 40Hz in the room compared to 100Hz - which would force me to sometimes turn down the bass & get a mis-match going over to the bass/mid horn . I notice this sim and Cowan's design seem to use relatively low compression . Anyway, looks like I can get 18Sound driver in the UK or from Germany, so no problems there . I would still like to get a smaller footprint though, so I might look at the 8M400 next . |
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#7 | |
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diyAudio Member
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Quote:
With a bit of luck and a following wind, I'll get the back of the 2nd one sorted over the weekend, stereo subs here I come! Would your subwoofer be possible with direct radiating drivers? They'd reach the higher notes you're looking for, but potentially at the expense of efficiency in the low end... Chris PS - if you can hang on until the meet, I have some 8" DVC woofers that might work. MCM Audio Select 8'' Dual Voice Coil Woofer | 55-1455 (551455) | MCM Audio Select I know Xmax is slim at 3mm, but they pass it reasonably smoothly. One of them has lost it's paper gasket on the front, so I'm selling them off cheap. Here's the T/S specs if you're interested... Mmd - 25g Sd - 0.0216 m^2 Re - 11.6ohm (coils in series) BL - 12.8 Le - 0.59mH Hopefully, those will be okay to enter in Hornresp. I couldn't find Rms on the spec sheet I have...
__________________
"Throwing parts at a failure is like throwing sponges at a rainstorm." - Enzo My setup: http://www.diyaudio.com/forums/multi...tang-band.html
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#8 |
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diyAudio Member
Join Date: Oct 2005
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Thanks Chris, I will try those driver params soon .
A conventional sub would be either much bigger, or have much worse distortion from what I've learned . The tapped horn provides a pretty interesting combination of sensitivity, extension and low group delay in the compact package . I would also have struggled to find space for the whole system, otherwise . Meanwhile, attached a couple of pics of latest effort using the 18 Sound 8M400, which looks pretty good. Maybe a couple of dB more sensitive than JLH's 40Hz sub, and the low-end is about where I want it ( maybe 4 dB down at 35Hz ) . I will try to sketch-out the layout in more detail now and check the area numbers in more detail . More soon MJ |
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#9 |
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diyAudio Member
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Those sims you've posted would be almost perfect.
The only problem I can see is the large peak just above where you want to roll them off. A notch filter to make it flat-ish, then a steep low pass would probably solve it though... In reality though, THs tend to be flatter (and a little less efficient) than what hornresp predicts. Perhaps adding some stuffing/lining in some of the corners would help with the peaky-ness, by adding an acoustic low pass...
__________________
"Throwing parts at a failure is like throwing sponges at a rainstorm." - Enzo My setup: http://www.diyaudio.com/forums/multi...tang-band.html
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#10 |
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diyAudio Member
Join Date: Oct 2005
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Spot-on Chris, these are the issues.
Well, I will be rounding the internal ( upper ) corners as much as I can, but the sim doesn't even include that ! .. as it goes straight from the driver to the driver ( 2nd input ) then to the mouth . However.... I'm just experimenting with 4 sections, to allow a different area at the top fold . Seems a little bit useful but not much . The spike at 2.25 to 2.5 octaves above the lowest frequency is a typical problem and I guess it's something to do with the first half-wave resonance not being cancelled by the driver back-wave or something of that sort, maybe JLH or someone will comment on this . I'm not sure if anything can be done with this, but open to suggestions . I will now go and have a bit more of a look though the 'collaborative horn' thread . MJ |
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