|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#21 |
|
diyAudio Member
Join Date: Sep 2008
|
What a concept! I just sent the link to your video to my mentor, who is also extremely knowledgeable about RF and Radar, along with the following remarks:
I wouldn't go so broad as to limit the entire spectrum going into the subs, but rather, I would use swept sine waves and setup multiple parametric compressors, a la the Behringer. The excursion graphs on subs are very linear and go straight up and back down, so one compressor for the leading edge, one for the peak, and one for the trailing edge of the excursion peak should get it right. |
|
|
|
|
#22 |
|
diyAudio Member
|
That's an interesting idea. I first thought of a sliding high-pass filter, but banded limiters would be interesting especially when tuned to a particular cab's behavior. A TH for example has a large displacement bump in the passband above the cutoff and completely unloads below it. If you tuned the filters to those ranges, you'd have something nice.
The whole idea is just to prevent audible distortion from the driver traveling too far, so you can operate it under it's passband for low level operation without fear. With your banded idea, you can hit the thresholds much harder without adverse side affects.
__________________
|
|
|
|
|
#23 |
|
diyAudio Member
Join Date: Sep 2008
|
You know.. a couple of hours after sending that email and making the post.. I was on the interstate and I saw one of those hopped-up trucks on 35" wheels with lifted suspension, it said "Excursion Limited" on the back, as in, Ford Excursion, Limited Edition.. so it got me thinking about this again. Not to demean your work, but the radar is basically irrelevant (yet still very cool!). You haven't demonstrated the ability to measure the excursion in millimeters, but rather, the ability to measure physical artifacts associated with overextruding the cone. I submit that this can and should be measured audibly instead. That's essentially what you're after - detecting audible distortion. I guess in an extreme case, you could brush up on Xlim whilst barely creating any audible artifacts (read: less than 5 or 10% distortion, which is the wideband threshold that I, personally, can detect audible distortion - YMMV). But overall, if your radar can see that distortion, so can a microphone - and I would think that audible distortion is a good indicator as to whether you're asking the transducer to do something that it wasn't designed to do. The question then becomes, how to build a cheap distortion analyzer? Maybe this is better done with software?
|
|
|
|
|
#25 |
|
diyAudio Member
|
Do your own homework. I was going to explain how to do it, but felt otherwise and deleted it. It doesn't require an interferometer to do it. Why should I explain how?
__________________
|
|
|
|
|
#26 | |
|
diyAudio Member
Join Date: Sep 2008
|
Wow.. where to begin?
Quote:
Getting back to the part where I said "the radar is basically irrelevant", what I was attempting to convey is that I'm not sure we care about Xmax. Distortion metering is the be-all, end-all methodology, IMHO. If we're not approaching the point of cone damage, or thermal damage, then distortion is the only thing left. It would take a sort of "compensating" distortion analyzer, which would be aware of the massive phase shifts and group delays associated with speaker enclosures, but it could definitely be done, and even automated with sine and amplitude sweeps. i.e. "Show me what voltage level at the speaker terminals will produce 10% distortion or less, and draw the distortion graph". Maybe such a thing exists already? p.s. If you're stuck on this radar thing, a good source of transducers is old microwave-based waveguides used to automatically open the sliding doors at grocery stores. You'll quickly recognize them because the enclosures are rectangular, perhaps 7 inches long or so, as opposed to the modern ones which use infrared and are considerably smaller. But I reeeeally think you're barking up the wrong tree..
|
|
|
|
|
|
#27 |
|
diyAudio Member
|
Yeah, same here. You've missed the boat. The part you got correct is "absolute distance referenced to a standard" is irrelevant. I built that unit from a $35 toy. Any project that combines hardware and software with regards to the DSP method using a microphone you described, would at minimum be a full-time project for you that would last 6 months. I built mine from a toy, and it took me 3 days. Good luck on your direction, and if we were competing with products (not that I'm considering it), I'd beat you to market.
__________________
|
|
|
|
|
#28 |
|
diyAudio Member
Join Date: Sep 2008
|
Apparently I have. After I explained the foregoing to my mentor, he reminded me that distortion analyzers are nothing more than a voltmeter with a steep notch filter to null out the signal-under-test. Whatever voltage is left over comprises distortion.
So I was wrong about the "compensation" - phase and delay are completely irrelevant. All that'd be necessary to pull off the aforementioned is a quality automatic distortion analyzer with a digital output, like this one: Krohn-Hite Model 6900B 1MHz Distortion Analyzer along with a microcontroller (to translate the BCD from the analyzer into something usable for a PC), and a laptop connected to the microcontroller via serial. The code for the microcontroller can be whipped up in a matter of minutes and tweaked/tested in a couple of hours. The programming for tone generation and data logging/graphing on the PC would take perhaps a day. As we're both trying to hypothetically market these things, methinks my product beats yours to market because it doesn't have to undergo any kind of radiation testing or independent Part 68 certification as yours does ![]() I've already got everything it takes to build such a thing, except the distortion analyzer, and i'll probably build one if/when I ever get serious about sound reinforcement. |
|
|
|
|
#29 |
|
diyAudio Member
|
Ask yourself this... Where does the distortion in a subwoofer come from? Microphones are wonderful when you want to mix the rest of the world in your test signal.
__________________
|
|
|
|
|
#30 |
|
diyAudio Member
Join Date: Sep 2008
|
No clue where the distortion comes from, as I've yet to meter one with a distortion analyzer. But overall, I'd have to assume distortion comes from resonances within the box or the environment. That's precisely why I chose an arbitrarily high (and presumably audible) amount of distortion in the example above (10%). In the real-world, I have a feeling that subwoofer distortion doesn't sound obnoxiously bad until you reach 40% or so. But the essence of my premise is that the test apparatus captures all of the ills of a subwoofer, be they environmental, internal, or fill-in-the-blank.
I should reiterate that the radar is "still very cool", I just don't think it tells the whole tale. |
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Radar Detectors | DavidWardlaw | Everything Else | 1 | 22nd June 2007 03:46 AM |
| WTB Siemens .22uF MKV, radar/transmitting chokes | Tweeker | Swap Meet | 0 | 15th December 2005 12:06 AM |
| radio , tv station and radar stations still use the best single end class a amplifier | single end | Tubes / Valves | 16 | 30th August 2005 07:45 PM |
| driver displacement | joelives | Multi-Way | 2 | 11th June 2003 06:02 PM |
| Dhaen sneaks under the radar... 1k posts! | pinkmouse | Everything Else | 3 | 11th February 2003 08:40 PM |
| New To Site? | Need Help? |
| Page generated in 0.16546 seconds (82.63% PHP - 17.37% MySQL) with 11 queries |