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#11 |
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diyAudio Member
Join Date: Feb 2008
Location: Lancashire
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What he said.
Another idea is to make a speaker where the drivers are at opposite sides of the box, both in phase. The result is that the box doesn't vibrate (provided you brace it properly), so colouration is kept to a minimal. You could port this design if you wish. Chris
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I know not why, but my new cables made a distinct change to the sound. I used to use ~2mm^2 cables, now it's twice that. You'll never convince me they need burning in though. |
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#12 |
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diyAudio Member
Join Date: Sep 2002
Location: Calcutta, India
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Thanks - but wouldn't I get the same gain in output level if I use 2 separate boxes twice the size of the Isobaric box? I also was thinking two subs would be significantly easier to place than a single humongous one. I do get the fact about the net cancellation of forces within the box with opposed dirvers, though, just wondering which approach will work better.
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#13 | |
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diyAudio Member
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Quote:
http://www.svsound.com/products-sub-box-pb13ultra.cfm Yes to your most recent question, two boxes that allow you to position them more favorably with your mains. |
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#14 |
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diyAudio Member
Join Date: Sep 2002
Location: Calcutta, India
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Thanks, that's very reassuring
Re. ports, would you think a 4x3 square port will do the job? It's already pretty long this way, a bigger port will become bigger than the length of the box itself And wouldn't more ports also become pretty long? I seem to get 2-3x the length of a single a port when I add more (keeping port diameter the same, and I don't want to drop to 2 inch ports with a sub this big even given that I'm not pushing too much air)...I suppose a downfiring port allows a slightly shorter length - in which case, how much of the floor volume should I lump with the port volume? Half? More? Less? |
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#15 |
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diyAudio Member
Join Date: Dec 2006
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Art over on the PSW Lab sub forum has much experience with this driver in small(ish) cabinets.
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#16 |
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diyAudio Member
Join Date: Sep 2002
Location: Calcutta, India
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Thanks for that Daniel, guess I should go stalk him there
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#17 |
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diyAudio Member
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The Lab12 has a foam surround. Eminence says that it's compressed from a large chunk of foam material. Foam typically rots in our hot humid climate . However they have not had any complaints. Does this version of foam really manage to stay without deterioration ? ( Bangalore isn't quite as hot or humid as other parts of the country !)
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#18 |
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diyAudio Member
Join Date: Sep 2002
Location: Calcutta, India
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I don't know about that. I have a set of four locally made woofers with foam surrounds, which had been in storage for the last five years (and are about seven years old). The storage conditions were abysmal - they were wrapped in newspaper and left in a very hot attic, and the humidity in Calcutta hits 95% at times.
They seem to be fine, with no cracks or other damage at all, and the woofers seem to be working just as well as they did when I put them away. I think foam rot may be long-term issue, like 15 years maybe. I have not yet encountered it myself. |
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#19 |
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diyAudio Member
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Yes, all foam surrounds are not the same. I have seen some rot within 18 months ! Some do last very much longer. It's possible that the material used nowadays is also quite different or treated some way. But it always worries me. Rubber surrounds are much better here . At least they don't fall apart with time.
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#20 | |
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diyAudio Member
Join Date: Dec 2006
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Quote:
I don't recall how long it has been... maybe nine years. They still perform well after being stored pratically outdoors in Texas all this time. They will be part of an outdoor festival rig next weekend. |
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