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#11 |
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diyAudio Member
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Thanks for your comments Don.
Jogi59, can you please put up the URL for that picture. I get a blurb saying " No hotlinking allowed !" It says " use the first link after the completed upload ". I guess you know what to do . Maybe this is an opportunity to sort out the differences between the two implementations. I'm sure each has its own merits and demerits. However the conclusions will help in choosing the solution for others who have not made the comparisons themselves. Cheers.
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AM |
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#12 | |
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diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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Quote:
Ditto |
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#13 | ||
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diyAudio Member
Join Date: Jul 2006
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Quote:
Quote:
the tapped horn runs out of Xmax first Visaton in germany measured a tapped horn and a vented box of the same size in their anechoic room. The surprising result was: the vented box went louder
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#14 |
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diyAudio Member
Join Date: Jan 2006
Location: Texas
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Post #13
Hi joqi59: Very interesting data. That has to be one big anechoic chamber to reach down to 20/30Hz. Looking at the left hand graph (1W/1m?), I doubt that this is a well designed tapped horn. It would be nice to get more data on the build. Do you have any more information pertaining to the tests, e.g.: which woofer was used, enclosure's layout, drive power? Regards,
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Oliver |
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#15 |
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diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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I think a size distinction needs to be made here. If you are willing to live with a 300 L box, then maybe a ported enclosure is fine for some people. However, the main advantage to the tapped horn is its ability to play low, clean, and loud in enclosures smaller than what is needed for a ported box. Regardless the sizes, the tapped horn is more musical because it has a broader tuned bandpass than a ported enclosure. I've never heard a ported enclosure play anything but one note bass. That's what happens when you only have a tuned port to work with.
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#16 | |||
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diyAudio Member
Join Date: Jul 2006
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Quote:
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To compare it with hornresponse simulations, add 12dB (1.0xpi) or 18dB (0.5xpi) Quote:
http://www.visaton.de/vb/showthread.php?t=18417 Simulation is in post 28 Enclosure in post 40 Used driver TIW 300 |
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#17 |
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diyAudio Member
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Those pictures look very familiar...
I did some corner braces (piece of wood 2''x2''x12'' on each of the inside fold corners. I also filled in that gap with expanding spray foam after it was completed. That space would be perfect though, for putting in a resonator or two, once you had figured out the correct length/tuning/etc. I am thinking of having mine in a corner firing into the room through an opening in the door, and I would need to put on a small mouth extension to the horn. I am wondering if this would lower the tuning much. |
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#18 |
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diyAudio Member
Join Date: Jan 2006
Location: Texas
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Hi joqi59,
Neat chamber picture. :-) As to the 1W/1m curve of the TH: I was talking more about the shape of the curve than about its amplitude. Thanks a lot for the links and the driver info. Regards,
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Oliver |
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#19 |
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diyAudio Member
Join Date: Apr 2007
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The TIW300 has an Fs of 25Hz. Optimal frequency for a Tapped Horn is .707*Fs or 17.6 Hz. This driver doesn't appear to be a
good choice for a tapped horn, especially a 30Hz Tapped Horn. Might I suggest a Beyma 12LX60 in a 30Hz Tapped Horn. |
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#20 |
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diyAudio Member
Join Date: Apr 2007
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Here is my layout for the Beyma. Use the Beyma, it's much better than the Definimax.
With a little polyester fiberfil (1" thick) and a little EQ, this horn is usable from 30 to 150 Hz. Can you say "apples and oranges?" |
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