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#1551 | |
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diyAudio Member
Join Date: Jun 2005
Location: West Vlaanderen
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They're not, look at the baseplate and the feet of the enclosures, a little bit of too in.
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#1552 | |
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diyAudio Member
Join Date: Jun 2009
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#1553 | |
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diyAudio Member
Join Date: Jan 2008
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That means you would need almost two 2242H to equal the output of one BC18SW115. Of course, if you subscribe to the multiple location sub approach, and don't need 122-128 dB output per sub, both these drivers are overkill. |
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#1554 | |
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diyAudio Member
Join Date: May 2011
Location: San Francisco, California
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Less than a year ago I drove some sr4719xs with dual 2241s(reconed) with over 2000w each to the point where I heard the vc former touching(euphemism) the back plate. Naturally practically toppled the entire crowd of people on my way to adjust, but held it at just a bit inside what we can call xlim. This was probably right around 2000w. Amazed at the new found power handling I kept this up for 3-4 nights a week for 3 months. The only failure I had was one broken lead wire that was easily repaired. The unique venting that the 224x series has deserves a closer look I think. @Bateman thanks for sharing that tidbit, it makes me feel all warm inside. It would seem high spl testing is important, I guess us pro sound guy can be of some use after all Send me your drivers and I will break them! ![]() And just to tie us back to the topic: driving multiple subs at eigenmode mode node points is good, but how does one deal with problems in the height of a room? -Matt |
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#1555 | |
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diyAudio Member
Join Date: Jan 2008
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Usually one deal with problems in the height of a room with a building contractor, but as this is a DIY forum, go ahead and get out the chainsaw and wrecking bar. I have not measured the 2241 or 2242, just going from the JBL TS spec sheet, which shows 7.62mm Xmax for the 2241, 7.87mm for the 2242. I have measured the BC18SW115-4, it definitely has 15mm Xmax with distortion under 10%. It also will not "bottom out" with 120 volts (about 3600 watts) of sine/square wave, as I found out three times in a row when I made a testing mistake .Art |
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#1556 | |||
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diyAudio Member
Join Date: Aug 2004
Location: ATL
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Dr. Geddes, a few questions about your statements this ~week:
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![]() But - leaving aside the lower distortion of the 4th order BP (I never thought that would be a major concern if one uses basically good drive-units to start with), you're not longer that impressed with the efficiency gains of the bandpass? That is to say, with enough cones pumping and sufficient power, you're no longer convinced that the efficiency bump a 4th order BP provides in the bottom half (or so) of its passband is that useful. Does that change (assuming a suitable PR is available - I had no idea PE discontinued their "shallow" subs and PRs) if one takes a "2-way" sub approach, i.e. in your terminology separate "BroadBand" fairly high-tuned boxes to play in the modal region, and a single closed box for the ULF? Quote:
After all, isn't the "efficiency" of a subwoofer at the bottom of its range determined substantially by the size of the box, regardless of the driver's native efficiency? Quote:
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#1557 | |
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diyAudio Member
Join Date: Jan 2008
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"As expected people are confusing thermal compression with thermal modulation. they are related but distinctly different effects. "Thermal compression" is well understood, documented and sometimes even measured. It is a long term effect that happens after a long exposure to a signal and the entire motor structure heats and eventually reaches a thermal equilibrium. In this effect the heat dissipation is critical as it determines the long term temperature." And in 1541: "Thermal modulation is also, for the most part, independent of the current voice coil temperature." The thermal modulation Earl believes happens in ultralight voice coil dome tweeters would not happen in the large, heavy voice coils used in a good subwoofer, and thermal compression is not a problem unless high average levels are maintained. As he wrote in post #1517: "The time constants tend to be too long to be a factor for low frequencies, but not for tweeters. A burst of HF material and the tweeter heats and a burst about 1 ms later will be lower in level with a change in frequency response. This is dominately a HF effect, which is why its kind of out of place here." Art Last edited by weltersys; 16th January 2013 at 04:45 PM. |
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#1558 |
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diyAudio Member
Join Date: Jun 2009
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What studies show that lower sensitivity drivers, for let's say frequencies below 200 Hz, leads to inferiour sound quality?
Do we know this for sure? Isn't it possible to avoid power compression with multiple high quality smaller drivers and suited amplifier power? |
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#1559 |
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diyAudio Member
Join Date: Oct 2012
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Cabinet design affects a drivers output more than sensitivity, but I dont think there is a direct relationship between sensitivity resultant sound quality. You can avoid power compression by using a high power handling driver in a cabinet that results in it only using half that power, and there are driver out there like that. You just need enough headroom in your system so your not pushing it too hard and you will avoid things like power compression whether your using one big sub or multiple subs that are large or small.
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#1560 | ||
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diyAudio Member
Join Date: Dec 2004
Location: Novi, Michigan
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Subs have no issue with "thermal modulation", its a mid to high frequency problem. And diffraction at sub frequencies is not an issue either. For subs its all about how much SPL can be achieved without massive overloading, i.e. distortion in the 10's and 20% as occurs when something is being used beyond its design limitation. As I said, I find that this is usually an amp that is too low power, but sometimes a driver that goes beyond its magnetic gap limits. The magnetic gap thing however can be very low order and hence inaudible, while the amp clipping is very high order and highly audible. So, to me, X-max is less of an issue in a good sub driver than power handling and efficiency. |
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