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Old 4th November 2008, 08:26 PM   #31
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Infinia, I don't do exactly the same thing that simon5 does - I just use the same approach.

It's not quite an EBS tuning, as the target response is a curve that slopes gently downward at about 3 dB per octave, then of course rolls off rapidly below the tuning frequency. Perhaps this approach deserves its own acronym. I propose "RGC", for "Room Gain Complimentary" tuning.

It's not really all that difficult, but like anything else you have to do some modelling to find woofers that will do what you want in a box size you can live with.

Duke
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Old 4th November 2008, 10:18 PM   #32
simon5 is offline simon5  Canada
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Here's an example...

This is an example, using Dan Wiggins ShivaMKIV.

I will post the FR curve shortly.
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Old 4th November 2008, 10:21 PM   #33
simon5 is offline simon5  Canada
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Here's the FR curve measured in room. It was measured by hand and plotted in Excel. It's not perfect but it does give an idea.
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Old 4th November 2008, 10:34 PM   #34
infinia is offline infinia  United States
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Nice... gets very loud also, no subsonic filter needed.
How did you measure in room?
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Old 4th November 2008, 11:03 PM   #35
simon5 is offline simon5  Canada
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It was measured using a simple Ratshack dB meter on the C weighted rating and using a compensation chart.

As I said, not perfect, but it gives an idea.
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Old 5th November 2008, 07:43 PM   #36
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Simon5, thanks for posting an example. I didn't have time to yesterday.

Regarding your posted in-room measurement, I would have expected to see a peak-and-dip pattern at the microphone position due to room interaction. Is that a spliced close-miked measurement, or an average of several microphone locations? Or, were you using warble-tones?

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Duke
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Old 6th November 2008, 11:23 AM   #37
simon5 is offline simon5  Canada
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Quote:
Originally posted by audiokinesis
Regarding your posted in-room measurement, I would have expected to see a peak-and-dip pattern at the microphone position due to room interaction.
It's not what you would call a professional FR curve hehe ! It was measured with a computer frequency generator, using a Creative Audigy 4, single sinusoidal frequency at a time. Input 16 Hz, take a measurement, repeat at interval of 4 Hz or so, up to 125 Hz. So it was about 20 discrete measurements...

That's why I stated several times that it's not perfect, but it gives an idea.

You could post a better design with a better FR curve, I'm sure !
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