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#31 |
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diyAudio Member
Join Date: Oct 2007
Location: Preston, Idaho
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Infinia, I don't do exactly the same thing that simon5 does - I just use the same approach.
It's not quite an EBS tuning, as the target response is a curve that slopes gently downward at about 3 dB per octave, then of course rolls off rapidly below the tuning frequency. Perhaps this approach deserves its own acronym. I propose "RGC", for "Room Gain Complimentary" tuning. It's not really all that difficult, but like anything else you have to do some modelling to find woofers that will do what you want in a box size you can live with. Duke |
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#32 |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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Here's an example...
This is an example, using Dan Wiggins ShivaMKIV. I will post the FR curve shortly.
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#33 |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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Here's the FR curve measured in room. It was measured by hand and plotted in Excel. It's not perfect but it does give an idea.
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#34 |
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diyAudio Member
Join Date: May 2005
Location: Californication
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Nice... gets very loud also, no subsonic filter needed.
How did you measure in room?
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#35 |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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It was measured using a simple Ratshack dB meter on the C weighted rating and using a compensation chart.
As I said, not perfect, but it gives an idea.
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#36 |
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diyAudio Member
Join Date: Oct 2007
Location: Preston, Idaho
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Simon5, thanks for posting an example. I didn't have time to yesterday.
Regarding your posted in-room measurement, I would have expected to see a peak-and-dip pattern at the microphone position due to room interaction. Is that a spliced close-miked measurement, or an average of several microphone locations? Or, were you using warble-tones? Thanks, Duke |
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#37 | |
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diyAudio Member
Join Date: Nov 2004
Location: Québec, Québec
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Quote:
That's why I stated several times that it's not perfect, but it gives an idea. You could post a better design with a better FR curve, I'm sure !
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