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#1 |
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diyAudio Moderator Emeritus
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I noticed that the good sounding opamps all have high PSRR.
Is there any way of using common opamp (NE5532, TL072) to have better PSRR? How to make supply to feed the opamp (+/-15) that can boost the resulting PSRR of the whole CCT? |
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#2 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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David, there Is a reason I keep mentioning the Sackinger paper
http://www.diyaudio.com/forums/showt...61#post1146461 read it, at least look at the pictures, read the text explaining them if psrr is measured properly a op amp with high psrr on both rails must have high loop gain |
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#3 |
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diyAudio Moderator Emeritus
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Hi, JCX,
It's a very good paper. With my limited brain, I have not understand this single paper wholy. It will take some time for me to digest it. I'm not very good with math. For now, the usefull picture is fig4 and fig6, this can be implemented in discrete designs. Fig8 is implementable with more complicated CCT. Since NE5532 or TL072 only have 8pins, all have been used, and we cannot access to the internal CCT of it, I come to conclusion that the "usually overlooked" pins that "may" give better audio performance is pin 4(-suppy) and pin8 (+supply). Giving better supply (maybe?) will extract more reproduction with these ordinary opamps. But what is to be connected with pin4 and pin8 that can give better audio performance for these ordinary opamps? |
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#4 |
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diyAudio Moderator Emeritus
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From STAX patent #4366432, I came with this drawing.
The supply is higher than +/-15V needed (coming from +/-25V), connected to the opamp by CCS (10mA), and put zener 15V to maintain the voltage in the opamp's supply. The idea is that a CCS will have high output impedance, have smaller disturbance. Pin4 and pin8 will see neglected amount of +/-25V's ripple. Then we will need a zener to set the voltage. It makes a second loop in the zeners as a second load besides the opamp itself. But after looking at the drawing one more time, what could be the difference between this and ordinary usage of opamp (which connects pin4 and pin8 directly to +/-15V without zeners)? Will the CCS+zener method make better supply rail for the opamps? |
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#5 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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http://www.diyaudio.com/forums/showt...110#post951110
In that sim, if you change U2 to the opa227 model which better models psrr you can then move the AC stimulus to the V1 and then the V2 power supplies to see the psrr boost by looking at the V(boot) and the V(out) performance in the .ac sweep this connection increases psrr by the added loop gain, ~ 60 dB extra for a total of 120 dB psrr @ 10 KHz with the composite op amp circuit of post #1 in that same thread you can filter or sub reg U1 power supply for very high psrr too Zener shunt regulated supplies can acheive good high frequency regulation, where active 3 terminal regs run out of loop gain and psrr |
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#6 | |
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diyAudio Moderator Emeritus
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Hi, JCX,
Thanks . So your trick is to add OL gain to improve PSRR?I found something interesting in your thread. Bootstrapped power supply (Msbootstrap.asc). How good is this method to improve PSRR? Back again to picture in post#1 in that post. I have 2 questions about this picture : 1. Is it really important to make U2 integrator (feeding back R4-C4 in local loop)? I read somewhere that cascaded opamp design should have the second opamp much faster to inhibit instability. 2. What is the function of R6-R7 (10k to rails). UCD appnote also uses this R, it is said to improve PSRR, but I really don't understand what is the mechanism. In my simple thinking, putting R to rail will worsen PSRR, not improving it. Quote:
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#7 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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The Sackinger paper makes clear that adding gain or a ac gnd ref terminal are the ways to increase psrr
in the composite amp adding sub regulation of the input op amp pwr can be thought of as adding a ac gnd ref to the composite V gain in the output stage of a composite amp is useful to reduce distortion, the modified integrator in the compos.asc circuit lets more low frequency gain be visible in the outer loop where it can greatly reduce input op amp signal levels and therefore the distortion coordinating high frequency gain/bandwidth of the output amp with the loop gain intercept of the input op amp isn't too hard but understanding the use of Bode plots helps most examples I've seen/built have relied on much faster output op amps so the dominant pole comensation of the input op amp can control composite loop stability in the compos circuit from post #1 in my thread R6,7 just add bias to the diode clamp bridge so that in normal operation D1,2 are slightly revese biased to reduce leakage current error and diode junction capacitance that would add more distortion to the feedback node if the clamp diodes weren't biased |
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#8 |
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diyAudio Moderator Emeritus
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Opamp's supply lead seems really can affect the opamp's performance. I found this article from Analog Device, AN-232 by Walt Jung. The supply bootstrapped towards output lowers the distortion. But why he only put it on negative supply, none in positive supply?
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#9 |
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diyAudio Member
Join Date: Dec 2006
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i wouldn't know for sure without looking at the internal circuits of the op amps, but it's possible that the neg side is bootstrapped because the input diff current sources and output (which may be class a instead of class ab) pulldown resistors are sourced from the negative rails. quite often the pos and neg rail PSRR on some op amps are very different.
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Vintage Audio and Pro-Audio repair ampz(removethis)@sohonet.net spammer trap: spammers must die |
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#10 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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Walt's negative supply bootstrap of the AD744 "cascodes" out the effect ot the input fet body-substrate capacitance which is nonlinear with input common mode voltage - and low noise fet input transistors can be large, the AD743 and OPA134 warn of this distortion source with higher source impedances:
(OPA134 datasheet) "SOURCE IMPEDANCE AND DISTORTION For lowest distortion with a source or feedback network which has an impedance greater than 2k[Ohm], the impedance seen by the positive and negative inputs in noninverting applications should be matched. The p-channel JFETs in the FET input stage exhibit a varying input capacitance with applied common-mode input voltage. In inverting configurations the input does not vary with input voltage since the inverting input is held at virtual ground. However, in noninverting applications the inputs do vary, and the gate to- source voltage is not constant. The effect is increased distortion due to the varying capacitance for unmatched source impedances greater than 2k[Ohm]. To maintain low distortion, match unbalanced source impedance with appropriate values in the feedback network as shown in Figure 3. Of course, the unbalanced impedance may be from gain-setting resistors in the feedback path. If the parallel combination of R1 and R2 is greater than 2k[Ohm], a matching impedance on the noninverting input should be used. As always, resistor values should be minimized to reduce the effects of thermal noise." the choice of rail is specific to this particular op amp, psrr can be very high as mentioned when the compensation/VAS is not referenced to this rail since the VAS/gain/Miller comp is referenced to (the other) one of the supply rails you get major instability if you try to use the buffered output of the op amp to bootstrap away the effect of the compensation - by for instance bootstrapping both op amp supply pins: Quote:
I really need to finish up an article on these issues that has been lying around my computer for years now - by comming up with that ref it makes me worry that David's looking at my hard drive |
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