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#1 |
diyAudio Member
Join Date: Feb 2002
Location: Perth, Australia.
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It seems that when ever amplifiers with DC servo operation are mentioned, that they are almost universally met with derision and scorn.
Why is this so, and what sonic deleterious effects are noted ?. Eric.
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I believe not to believe in any fixed belief system. |
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#2 |
Electrons are yellow and more is better!
diyAudio Member
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My believe is that DC-servos have very little (none?) influence on the sound. The servo should be quite and be "lagom" slow, not too slow because then you can get trouble with moving air and very slow noise. The servo should be not too slow and not too fast but yoou can also make a bass roll off with a DC-servo in order to avoid a big electrolytic cap.
Kevin Gilmore has made a interesting DC-servo in his headphone amp. He is manipulating the current sources of the input stage. Very elegant! http://headwize2.powerpill.org/proje...lmore3_prj.htm Check also my DC-servo in my RIAA amp This servo injects currents into the input stage and thier collector loads.
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#3 |
On Hiatus
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My guess is that it's because some people don't know how to design a servo properly (especially choice of pole frequencies) and blame the circuit for the problems they have. I'm unaware of any valid listening tests that show a deleterious effect from a properly-designed servo.
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#4 |
Banned
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#5 |
The one and only
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There's nothing wrong with Servos (incorrect term)
except that they're boring. |
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#6 | |
Electrons are yellow and more is better!
diyAudio Member
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Quote:
Elso's theory that a 10000 µF capacitor (MC preamp maybe) is better than a nice working DC-servo, ... don't believe it for a minute! The distortion from any opamp at 0,1-1 Hz is not very great! I try to filter out the servo signal in order to reduce influence. I have made this in both QSXM2 and QSXM3. My DC-servo really works with "DC-signals". I don't feel well if I'm forced to have electrolytic caps in the signal path.
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/Per-Anders (my first name) or P-A as my friends call me Group buy: DCT03 DC trap for big toroidal transformers. Sign up for interest HERE. 35 pcb's in interest. |
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#7 | |
Electrons are yellow and more is better!
diyAudio Member
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Quote:
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__________________
/Per-Anders (my first name) or P-A as my friends call me Group buy: DCT03 DC trap for big toroidal transformers. Sign up for interest HERE. 35 pcb's in interest. |
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#8 | |
diyAudio Member
Join Date: Aug 2002
Location: Cascais
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quote:
Quote:
Elso shared some subjective observations, not a theory peter |
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#9 |
diyAudio Member
Join Date: Nov 2002
Location: Florida
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I am not a fan of servo's, though I say that with totally no experience with them, so you know what my opinion on the matter may be worth!
That said, my general distrust of them is I believe that the servo can impact the sound. That is, the output of the servo drives the non-inverting input of the first voltage amplifier stage, summed along with the negative feedback (though the servo could also be summed with the input signal at the inverting input). As such, the servo amp's signal is every bit as much a part of the signal path as is the main signal input from the preamp and as is the feedback. If we accept this, then we have to accept that the op amp is also in the signal path. Not that op amps operating near DC are necessarily bad, but ..... Any distortions in the servo amp (which admittedly should be quite small) will be applied to the diff amp and will be amplified, and will impact the sound. While, ideally, only the dc offset will be impacted, there has to be some small ac response by the servo amp. I presume that this low frequency error signal (which is what the servo output is) could possibly generate some type of sub-audio 'motorboating' or, in more technical terms, IMD, that could impact the resulting sound. (I am trying to figure out a reason for why some say a servo could impact the sound, which some claim, and to explain why a well-designed servo amp might sound neutral). This may all be pure conjecture! (I am trying to learn here myself, so I welcome anyone shooting down my thoughts.) To me, the capacitor to ground in the feedback loop is a better way to handle dc offsets. If we design the amp for minimual DC offset to begin with (i.e. we match our components), then with unity gain, the resulting DC offset should be pretty low. Use of a servo amp to get rid of those last few millivolts of DC, especially if there is a chance the sound will be altered, may not be worth it. Yes, getting rid of the NFB electrolytic capacitor would be nice, and I agree what we need to use a high quality capacitor there, but note that we still need a high quality capacitor in the servo amp. While the servo amp may not need an electrolytic, it does not eliminate the need for a capacitor, and that capacitor does appear in the series signal path (compared to the NFB capacitor, which at least appears in shunt and is isolated by a resistor). SY may be correct that servos can be neutral in sound, but unless it can be shown that it actually improves the sonics, rather than simply match those of a cap to ground in the feedback loop, then I would favor the simpler approach. I mean, looked at from a systems failure point of view, if the capacitor in the feedback loop fails, the worst that can happen is the DC offset increases by 20 to 30 times. If we already have a low offset because we properly matched our transistors, the resulting value should be low enough to not damage anything. If our servo amp rails out due to some failure, then then results might not be so benign (there may be some type of overvoltage protection with the servo amp output to limit such problems - if not, there should be). Even so, we now have DC from the servo and DC from the feedback being summed in, and that has to be a worse operating condition. In reading the link Elso provided, I am shocked at Bongiorno's response. There is no reason I am aware of such that the Ampzilla can't have its servo amp disabled and NFB loop modified. The response that only engineers can possibly know what is best is a bit condesending (even though I am an engineer). It has been demonstrated many times that what the design engineer thinks is the best turns out to have terrible sound. I have no knowledged of the sound of the Ampzilla, either with or without the servo, but when one does an experiment and reports that he feels the sound is better without the servo he does not deserve to get blasted in such a manner. At the least, a list of technical reasons for not doing what he did would be appropriate, but I found nothing to show that what was done was wrong, other than that he shouldn't have done it because he didn't have 40 years of audio engineering design experience. My two cents. |
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#10 |
On Hiatus
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Speculation aside, it's pretty easy to put on a scope probe and see what the servo is putting back into the circuit. With any of the well-designed servos I've looked at (including Bongiorno's), the answer is "nothing." Just DC. Just fer-shure-fer-shure on my preamp servos, I stuck in a passive pole at 50 Hz on the servo output before it returned to that stage's input. I couldn't hear a blessed bit of improvement, but it made me feel better about myself.
Just my own two cents, but I wouldn't "believe that the servo can impact the sound" (assuming a competent servo design) without having tried it and conducted a valid listening test. But then again, I've got a constricted imagination. |
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Surface mount components poorly regarded | jwb | Parts | 52 | 7th September 2010 03:27 PM |
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