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#1 |
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diyAudio Member
Join Date: Mar 2004
Location: Melbourne
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I recall a couple of friends constructing a pair John Linsley Hood integrated stereo amp kits in the early/mid 70s. They were solid state and somewhere in the region of 50-70w, and included (I think) a parametric tone control. I think the articles appeared in Wireless world, but I could be wrong. A search of the web came up with the "Direct-Coupled High Quality Stereo Amplifier" but I can't be sure if this was the one. At the time we thought they were the 'ants pants', but remember ....this was the 70's!
Anyway, my questions are.... Does anyone have more details? Can anyone comment on the performance of the amp? Cheers, Kim |
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#2 | |
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Magneto the Gravity Man
diyAudio Member
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Quote:
Hi. I remember this well. I don't recall the details but I think a company called Hart (?) marketted a kit form. Reviews were excellent. Andy
__________________
If it ain't broke, break it !! Then fix it again. It's called DIY ! |
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#3 |
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diyAudio Member
Join Date: Apr 2001
Location: UK
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You will find an (almost) complete list of JLH articles on my website:
http://www.tcaas.btinternet.co.uk/jlharticles.htm The 'Direct-Coupled High Quality Stereo Amplifier' was published in Hi-Fi News and Record Review between Nov '72 and Feb '73. I have a copy of the power amp schematic but unfortunately not the full article. This amp used a BJT output stage and was rated at 75W. As you will see from the list of articles, there were later designs with a similar power rating but using a MOSFET output stage published in WW and ETI in the early '80s. |
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#4 |
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diyAudio Member
Join Date: May 2003
Location: Bangalore
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Hi Geoff,
Can u display the circuit here. Thanks pgbhat |
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#5 | |
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diyAudio Member
Join Date: Apr 2001
Location: UK
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Quote:
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#6 |
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diyAudio Member
Join Date: Oct 2003
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Geoff,
Why not put it on your website ? Patrick |
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#7 |
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diyAudio Member
Join Date: Feb 2004
Location: Queensland
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Yes, Geoff's right Re: reference. (A) it didn't have a parametric tone control. But it wasn't a completely conventional tone control either. The difference was that JLH included switched capacitors to allow the turn over frequencies to be varied. Other than that it was a classic Baxandall feedback type. (B) performance. JLH always placed a high premium on stability and square wave performance. It had low THD, good stability. The other feature is that he used a shunt feedback RIAA circuit that seems to get better response from listeners that the series type.
It would still sound good in the 21st Century!!! Kimbo, I've just reviewed your post and notice that you live in Melb'. I see also that you are "incomunicado" via email. But as an ex-Melbournian (and Essendon fan) can I ask that you contact me via my email (bright@gil.com.au) and, as they say in the movies "you will learn something to your advantage". Just a hint. None of the Melb' libraries carry back copies of HFN/RR that go back that far (bitter experience)..........but "Brisvagas" does (deep joy)...... Jonathan Bright
__________________
"It was the Spring time of the year when aunt calls to aunt like mastodons across the frozen waste." P.G. Wodehouse. |
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#8 | |
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diyAudio Member
Join Date: Apr 2001
Location: UK
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Quote:
Done (plus one or two others http://www.tcaas.btinternet.co.uk/index-5.htm Geoff |
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#9 |
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diyAudio Member
Join Date: Oct 2003
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Geoff,
How can we ever do without you !! Cheers, Patrick |
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#10 |
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diyAudio Member
Join Date: May 2003
Location: Bangalore
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Hi Geoff,
Thank you -pgbhat |
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