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#1 |
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diyAudio Member
Join Date: Dec 2001
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Hello everybody!
I need a good preamp, line and RIAA stage. As for the line stage, I need approximetely 6 dB of amplification. I just browsed the solid state forum looking for a simple answer but, unfortunately I got more and more perplexed So there are few questions: - what op-amp for RIAA stage (I thought about AD 797, would this one be a good idea?), anyone got good shematics for this? - what op-amp for line level, after reading, reading and reading the forum I have three favourites: OPA627, AD825 and AD6810. Simple question, considering the ideal aplication for each three, which one would be the 'ultimate'??? - I guess I need buffer. BUF634 or antyhing else? Or maybe a discrete buffer? Any schematics welcome. - Power supply. I guess it's very important. Would battery PS be a good idea? Where can I get schem. for circuit that would load batteries when empty? - Volume control. Actually I want it to be IC-based, but how about the sund of such ic-based volume regulators? Sorry for such a lame questions, but finally I have some time and just want start some soldering ![]() Thanks, Adam
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#2 |
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Electrons are yellow and more is better!
diyAudio Member
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If you are looking for a work horse, check out OPA134/2134/4134 from Texas. This opamp can deliver rather much current also. The noise level is sufficient for MM RIAA amps but for a little bit lower noise, check for a opamps with 2-6 nV/SRQHz. Less than 1 nV is needed only for MC pickups.
OP37 LT1028 LT1128 LT1115 AD797 NE5534 (not so bad!) plus many more....
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/Per-Anders (my first name) or P-A as my friends call me Tube Buffered Gainclone in work |Thread |
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#3 |
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diyAudio Member
Join Date: Dec 2001
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Thanks Peranders,
but I am looking more for a specialized audio op-amps, dfferent for RIAA and different fo Line levels. I assume that because the difference in signal level between phono and line I will need different op-amps to meke the most of the signal am I right (I mean that the different op-amp will sound the best in RIAA and different in 'live-level' application)? Adam |
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#4 |
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Electrons are yellow and more is better!
diyAudio Member
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OPA134 and others are very suitable for audio, read the datasheets to be convinced. Almost any opamp with slew rate >5v/µs will work but some works better. Some opamps are more suitable for "gain" than others. These are often not stable at gain lower than 3-10. Check for instance LT1028.
OPA134 will work for everything except for extremely low noise applications. I have put in OPA134 in my headphone amp (QRV-02) and I am impressed by it's technical clean performace. The step response is perfect down to gains at 1.
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/Per-Anders (my first name) or P-A as my friends call me Tube Buffered Gainclone in work |Thread |
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#5 |
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diyAudio Member
Join Date: Dec 2001
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Peranders,
What do you think about AD6810 and AD797? Greetz, Adam |
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#6 | |
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Electrons are yellow and more is better!
diyAudio Member
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Quote:
AD797 is a typical opamp for phono/mic stage
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/Per-Anders (my first name) or P-A as my friends call me Tube Buffered Gainclone in work |Thread |
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#7 |
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diyAudio Member
Join Date: Dec 2001
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Peranders,
I would have to pay about 8 $ for AD8610. I think I'll go for this one certain op-amp As for AD797 - i though about using it in an RIAA circuit, would this be a good bet? Greetz, Adam |
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#8 |
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Electrons are yellow and more is better!
diyAudio Member
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If you don't plan to connect MC pickups AD8610 is quite sufficient, if we talk noise.
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/Per-Anders (my first name) or P-A as my friends call me Tube Buffered Gainclone in work |Thread |
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#9 |
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diyAudio Member
Join Date: Apr 2002
Location: Belleville, IL.
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Hi Adam,
I have a PCB layout that would let you use either an OPA627 or AD825 with a BUF634(TO 220 package) on the output. Below is the schematic: G
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Gavin |
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#10 |
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diyAudio Member
Join Date: Apr 2002
Location: Belleville, IL.
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Here is an image of the PCB:
G
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Gavin |
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