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#1 |
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diyAudio Member
Join Date: Dec 2005
Location: New York
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What is true balance output? Mark Levinson says it has true balance design from input to output but how does it convert a RCA input to balance?
What is non-"true balance"? What are the differences between these two? If I have an XLR output, how do I know it is true balance? Too many questions. Thank you. |
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#2 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi,
it appears that the most important aspect of a balanced output is very accurate balancing of the source impedances. The voltages seem to be less important due to the next stage being able to amplify the DIFFERENCE between the voltages. It is the ability of the balanced input amp to work on the voltage difference that allows it to accept RCA unbalanced input with just acceptable performance. Look up http://www.rane.com/note110.html for some balanced to unbalanced and back interconnects. there is a good section on signal grounding as well.
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regards Andrew T. |
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#3 |
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diyAudio Member
Join Date: Oct 2002
Location: Croatia
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#4 |
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diyAudio Member
Join Date: Aug 2001
Location: Ingolstadt Germany
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Hi,
Mark Levinson refers to true balance when they use two amps (one for +IN, one for -IN) and not an inverter stage at the end of a normal gain stage. You should be able to telll if yours is "true balance" by looking at the schematic or inside the amp. William
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een ooievaar is geen konijn want zijn oren zijn te klein! |
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#5 |
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diyAudio Member
Join Date: Dec 2005
Location: New York
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Thank you for the responses but I am not an electronic guru that is why I am having some difficulties to understand the information as stated in the link. Anyhow, appreciate the help but would be grateful if someone can put it in more layman terms.
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#6 |
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diyAudio Moderator
Join Date: Jun 2004
Location: Georgetown, On
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Hi Aaron,
Don't you love advertising guys? Unless you know electronics and can read the schematic, there is no way to know for sure if something is properly balanced. In studio terms, "balanced" means both phases of the XLR connector are driven exactly equally, 180° out of phase. The 0 Vu level is +4 dBm (ref 600 ohms, 0.775V). That would be a good hint that it is correct. A microphone operates at a much lower level, but is balanced. To add to the confusion, there are wiring differences between the US standard and Japanese standard. One of the phases and cable shield are swapped. I can't remember off-hand which phase it is. A sure bet something is wrong is a 1/4" plug labeled both ways. This is almost always a +4dBm /-10dBu type. It's unbalanced as the two phases run at different levels. Avoid unless you plan to run at -10 dBu (around 0.316 V) Your RCA's standard level is also -10dBu. Have I confused you? -Chris |
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#7 | |
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diyAudio Member
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Quote:
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#8 |
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diyAudio Member
Join Date: Dec 2005
Location: New York
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Many thanks for the input.
For the RCA to balance conversion, I can see there is one output from OPA627 to two opamp. How does it divide the +ve and -ve because there is no caps to shift the phrase? |
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#9 |
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Did it Himself
diyAudio Member
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The top op-amp is non-inverting and the bottom is inverting... simple
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www.readresearch.co.uk my website for UK diy audio people - designs, PCBs, kits and more |
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