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#1 |
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diyAudio Member
Join Date: Dec 2001
Location: Romania
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Dear Friends,
I need your opinions about this project : 24dB/octave Phase Coherent Crossover based by Rod Elliot project 09. This crossover it would be better becouse combine the quality of 24db/octave Linkwitz-Riley filters with best phase-coherency and 24db/octave subsonic and ultrasonic filters. Daniel djdan40@hotmail.com |
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#2 |
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diyAudio Member
Join Date: Aug 2001
Location: Bath, UK
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My only comment is your use of 1uF and 100nF caps: what kind of tolerence are you aiming for? Sallen & Key filters are rather suseptable to variations in the RC constant caused by component tolerence.
I built something similar over the summer and used 1% polystyrene caps and 1% metal film resistors throughout. Regards, David |
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#3 |
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diyAudio Member
Join Date: Dec 2000
Location: -
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DJdan
I built the LR Xover of Rod Elliott and it worked fine, however, in the sound department I found it lacking (ie cold though not bright, mostly not very musical or involving), I can't really be more specific than that . At this time I am ready to concede that it is probably due to the effect of the op amps not to the LR concept itself although I have heard that people temd to like lower order XOVER arrangment better. |
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#4 |
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diyAudio Member
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At first glance it looks like an equaliser. You can't expect good sonics from an op amps farm although it may measure well.
__________________
www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#5 |
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The one and only
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For some obscure reason, I've never been able to warm
up to the sound of 24 dB/oct. It can measure great, and I've tried it many times, but have always gotten better sonic results with fewer poles. Go figure. |
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#6 |
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diyAudio Member
Join Date: Dec 2001
Location: Romania
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Schematics looks very complex , but this is nothing compare with a very good mix console where the sound is routed by 8 - 20 integrated circuits.
In fact , the music (80%) on CD or LP it is not such HI-FI to our expectations , so a 4 or 5 another circuits don't change it so much. Fake STEREO ( a smart trick using PAN pot.) or, Fake REVERB , DELAY , HALL etc. Fake VOICE tonality maked by EQ, COMPRESOR, etc. This is what we hear allmost the time when play music. Anyway , if it is something better ( analog ) , I am very excited to see. Regards ! |
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#7 |
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diyAudio Member
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I always recommend this crossover i need and GOOD active XO Since it comes from Nelson Pass, you can't go wrong with it. It's two way but by combining 2 you can have three way. It's using discreet op amps, and by updating semiconductors you can improve it even more. Actually, the whole idea is not that far from his current design (just few less variations
__________________
www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#8 |
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diyAudio Member
Join Date: Dec 2001
Location: NYC
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I ordered PCB's for Rod Elliot's Project 09 on Friday... Haven't received them yet, but his descriptions say that the same boards may be used for 12db/octave or 24db/octave. I'm hoping that parts substitutions will allow me to avoid the cold sound Grataku reported.
I built a three-way designed by Mr. Linkwitz (as part of the Phoenix project) using OPA2134's and am happy with it. Any comments on the OPA2134? Any suggestions for a better opamp for the next XO? BTW, this XO will be used with rear speakers, not as a replacement for Mr. Linkwitz's boards. |
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#9 |
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diyAudio Member
Join Date: Dec 2000
Location: -
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djdan
let's not get into the whole argument about how many opamps there are in a mixer, please. That is a real tragedy and we don't need to be reminded of that. I probably own a total of 3 CD that "sound" good the rest of them...never mind you got to listen to something. All my classical music CD are so bad that is almost impossible for me to listen to standing in front of the stereo, I mostly play them as a background. However, when I listen to my "good' CD I need a certain level of performance that quite frankly I wasn't getting from the LR xover setup. The technology is there to produce good sounding CD the problem is with time and money and good audio engineers. dc did you actually build the phoenix? How do you like it? I use some lm6172, I think, There are many other "audio" grade opamps out there. One only needs some money to experiment with various models. There are several lists of recommended OpAmp available on the web and on this site too. |
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#10 |
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frugal-phile(tm)
diyAudio Moderator
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A LR 4th order filter means that all the drivers are connected in phase, but it is not phase coherent thru the XO point. I have a Marchand which is a state-variable 4th order XO. It definetly adds a veil when in circuit. It uses a lot fewer op-amps than the posted scema. Could you not put a 2nd order filter on each op-amp and get away with half the active parts in the filter stages?
I plan on replacing my Marchand with a home brew subtractive XO (using tubes if i can figure it out). Or with just a 1st order PLLXO (might need more extended woofers thou). dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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| Group Buy: Linkwitz-Riley 24db/oct xover PCB's | substrate | Group Buys | 21 | 10th March 2005 11:44 PM |
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