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#1 |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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The hand-drawings of Nelson Pass hasn't stop inspiring people. The patent #3,995,228 has given birth to Hawksford Error Correction and NP-PMA Error Correction.
In the discussion on "Back EMF" (IF this speaker back-EMF existed AT ALL), the Hawksford type will be weak in this situation. It will convert the distortion of loudspeaker's back EMF to higher orders one (with smaller level, offcourse), because in Hawksford EC, the EC connects the speaker directly to the bases of the EC, any back EMF will be magnified because they are entering base(s). NP-PMA error correction is much better facing back-EMF, because the EC transistors are operated in common base mode. This time I'm inspired by patent #4,107,619. In Error Correction cct's, there are 2 loops, one is the major audio loop and the 2nd is the smaller EC loop. Usually this EC loop is placed at the output stage. Looking at the fig2 of this patent http://www.diyaudio.com/forums/attac...mp=1123354150. It has the main audio loop around device 51, and smaller current loop around device 59. Then NP gives me this post http://www.diyaudio.com/forums/showt...75#post698475. He is saying that the whole concept can be made by a much simpler way, and he is right Then I draw this (attachment). At a glance, it seems nothing special, it is ordinary CFP output stage. But I think it works quite differently, it has EC loop around T4,T5,T6,T7,R5,R6,R7. The main audio loop takes feedback from point A, it is not directly to the speaker node, but bridged by R5. I think about 10ohm for R5 and 100ohm for R6+R7. The whole audio loop will determine the condition on point A, not the speaker node (point B). If there is any voltage imbalance in R5, it will makes T6/T7 gives current until voltage A=B again. For example : A is more positive from B. The current will be flowing from A to B. This means, the same current will be flowing in R6, since T4 is common base transistor for this case. The rising voltage in R6 (10x voltage rise in R5, 100ohm/10ohm), will be activating T6 to give current to point B until A=B=balanced condition. The "CFP like" output stage is actually having local EC loop, without affecting the main loop Another interesting properties is the feedback take point is separated by R5 value to the speaker, in this example is by 10ohm resistor. I hope any nonlinearity caused by loudspeaker back EMF (it it existed) will be taken care by the local EC loop on the output stage, not entering the differential, because the feedback node is from point A. I have 2 questions. -Is my thinking above works AT ALL? -If it works, what is the output impedance of the whole system? Is it 10ohm output impedance (since the feedback take point is 10ohm away from the speaker)? |
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#2 |
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diyAudio Member
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This is a classic common feedback pair (CFP).
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#3 |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Is it?
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#4 |
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diyAudio Member
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I think so. and R5 degrades performance since (non-linear) base currents of T6 and T7 multiplied by R5 are substracted from output voltage as an error voltage that feedback has no chance to correct.
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#5 | |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Hi, EVA,
Aha, I see the difference in our point of view. I remember somewhere you said that the whole feedback amp is an EC itself, why bother making the so called "EC"? You're right here, the feedback system is an "EC" itself. Quote:
If I wanted that the main loop fix it, I would take the feedback point from B, and R5 will have to dissappear. I have tought that not everybody will agree with the basic concept itself. Anyway,EVA, do you know what is the output impedance of the idea? I don't know how to calculate output impedance from a schematic. |
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#6 |
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diyAudio Member
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It's hard to estimate output impedances, but you can put upper and/or lower limits to them very quickly.
For your circuit, output impedance won't be smaller than R5 divided by the instantaneous current gain of Q6 or Q7 depending on wich one is conducting. Note that this current gain changes with frequency and with collector current, so it's a potential source of distortion (that neither the main loop nor the CFP loop can't attenuate). I think that you are overlooking the effects of base currents and transistor non-linearities, while error correction is based just in the opposite practice. |
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#7 |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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Yes, this is a traditional CFP output stage, I have it also in one of my amplifiers, operating in class A. But with different bias circuit.
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#8 |
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diyAudio Member
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David,
Just for the record, there are many error correction schemes around, but the Hawksford one is a very specific one. It does return the error to the correction point in exactly the correct amount to cancel it. Make it larger or smaller and you are back at some form of feedback (even if it is called error correction). The difference is that with fb, the larger the loop gain, the lower the final error or distortion. In the Hawksford case, lower or higher fb will increase the error. Only at the precise point where the correction factor is exactly one will there be a minimum of error. The other schemes you mention in your first post are NOT Hawksford error correction. PMA's design is error correction, but NOT Hawksford EC. NP's patent did NOT lead to Hawksford EC because it is something else. Reading Hawksford paper will make it clear. Jan Didden
__________________
/Another new issue: Linear Audio Volume 3! |
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#9 | |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Two member said that I'm drawing CFP, maybe that is what I do
Funny thing, is, that I got the final shape of CFP is from step-by-step thinking, resulting the same CFP. I'm not thinking at all at first to draw CFP. That's just what it looks like in the end. At the process, I also think about "current drive" effect of R5 operation, I tought waw, I draw something here. Janneman should be smiling at me now. At least, I learn what is the power burried inside the simple CFP I think I'm not alone in "inventing the wheel". Douglas Self is also doing the same "circling around the world". You don't believe me? Look at his book about the "VAS OPERATION" chapter. It is on page 78 in my book (first edition). In figure 4.17, he draws 6 variations of VAS. The interesting one is the (f) one. He said this is "Alternative buffering, bootstrapping VAS load R" Complicated, eh...... In the explenation he wrote this : Quote:
Why don't he just say 2 words : "CFP VAS"? |
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#10 | |
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diyAudio Member
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Quote:
Would you buy a book with just two pages? Jan Didden
__________________
/Another new issue: Linear Audio Volume 3! |
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