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#11 |
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diyAudio Member
Join Date: Sep 2003
Location: Midland, Michigan
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"Will this bullsh%t about time delay ever stop?"
Probably not. I have designed video DA's (distribution amplifiers) using Analog Devices AD-847JN chips. I use inverse feedback in my design and they perform beautifully into the multi-MHz region. Still .... Inverse feedback is not a cure-all. It works well when used to improve the performance of a well-designed amplifier. The bottom line is this: If the amplifier sounds like h**l without inverse feedback, it will sound like h**l when you add feedback. Get the design right and then use a little stage-by-stage feedback to make your design "shine".
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Frank |
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#12 |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Hi !
My expierience is, the really problematic thing about feedback is to adjust the correct feedbackcompensation, not only to keep the amp from oscillating, to avoid all forms of overshooting and ringing. (Internal ringing, not visible at output) But, 1us delay to rise to max slew is incredibly slow ! A very good amp is completely finished with slewing after 1us. I remember ~50ns for this delay in sims, but have to recheck. Anytime i "improved" feedbackbehaviour, the amp sounded better... I have not found out yet what kind of distortions are caused by "improper" feedback, but seems to be related to reactive loads. The less gain an amp has, the easier it is to get this proper behaviour. Mike |
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#13 | |
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diyAudio Member
Join Date: Apr 2001
Location: Brazil
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Quote:
1 - There is no BS re time delay. 2 - I'm not aware of the guys selling snake oil. This posting is not related to them or they 'magic'. 3 - Not only does a Spice simulator takes in account the speed of electric signals, but in this very simple simulation it was taken in account. It can give useful results because the amp has a pole at 80Hz (8MHz bandwidth and gain of 100k). This is the real signal delay. Electron speed, etc has very little to do with feedback audio amps. The time to charge/discharge the compensating cap dominated the transient response. |
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#14 | |
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diyAudio Member
Join Date: Apr 2001
Location: Brazil
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Quote:
And, believe one or not, no bad things are happening during the transient. After the inital rise, the feedback signal is just following the applied waveform (look at the second figure's slopes). |
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#15 | |
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Account Disabled
Join Date: May 2005
Location: none
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Quote:
if you go through the numbers, you will realize that you need the signal pass to be very very long (on the scale of thousands of miles) to be of a concern on audio signals. |
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#16 | |
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Account Disabled
Join Date: May 2005
Location: none
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Quote:
to me, the real bottom line is will the amp with feedback sound more or less like h**l than the original amp does. |
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#17 |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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All of the music signal coming from CD player is BW limited at 22kHz, that means about 17us rise time (10%-90%). The only quicker signal apparent at the amp input is EMI/RFI interference or DAC converter residuals. All of them no greater than milivolts or ten milivolts. Contemporary amp should have rise time no longer than hundreds of nanoseconds, that means 100 times faster than the steepest audio signal.
P.S.: it is a good practice to make an amp fast and to reduce bandwidth by input RC filter, so do not speak about feedback delay in this case please .... |
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#18 |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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The "discoveries" shown here are well known to every engineer as a feedback basis, and should not be misinterpreted.
Anyway, nothing new. Search for articles about slew distortion and transient distortion from the early seventies. |
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#19 | |
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diyAudio Member
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Quote:
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#20 |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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The error signal itself is not a problem unless the input stage is saturated, this causes slew distortion. The cure is BJT LTP emitter degeneration or JFET input stage. Or CFB amp.
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