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#101 | |
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diyAudio Member
Join Date: Jan 2003
Location: Now back in Sweden
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Forr wrote:
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BTW, it is very interesting thread, I must say I agree with PMA, the easiest way to avoid any problems with feedback is to keep BW high and good linearity for the open loop, I can't see how there can be any delay or phase problems in that case. Regards Hans |
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#102 | |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Hi, FORR,
I remember reading something about "linearizing before feedback" in Doug Self book. In my book (1st edition) it is on page 44 : Quote:
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#103 | |
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diyAudio Member
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Mike, If we connect a signal voltage to a coil, wisdom has it that the current lags the voltage 90 degrees. So, we are tempted to say that there is a signal delay. But, that current starts to flow immediately when the voltage is connected. In the same way, the feedback voltage at the inverting input is there immediately when the output voltage (containing the error) is there. There is no "after the fact". And that fb has an effect immediately on the Vout: as soon as the immediate fb voltage is at the inverting input, with the same reasoning it also immediately causes changes in voltages and current throughout the amp to the output. It is however the phase shift through the amplifier that causes the correction to be out of phase with the original error so the correction / cancellation is less than perfect. OTOH, the delay view is probably equally valid. I remember long time ago when I tried to understand how a scope can display a signal portion before the trigger that caused the sweep to start. Easy: you put the signal through a delay line consisting of C's and L's. Then, when the trigger arrives that starts the sweep, a portion of the signal before the strigger is stil 'present' in the delay line and since the delay line output is connected to the display system, you can actually see something that happened in the past.... Jan Didden BTW 3000Hz is between the 7th and 8th harmonic of 20Hz.....
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#104 | |
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diyAudio Member
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David, see my previous post. Jan
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#105 | ||
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diyAudio Member
Join Date: Jun 2002
Location: Left Coast
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Quote:
Quote:
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#106 |
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diyAudio Member
Join Date: Jun 2002
Location: Left Coast
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On further cosideration, I think the problem of comprehension is partly that we are so thoroghly taught to reject or at least be suspicious of "action at a distance" and of the concept of simultaneity that the cases where this doesn't apply trip us up.
I think it was A. Clarke that wrote an explanation of how certain events can appear to exceed C. The analogy he used was a wave breaking along a long straight beach. It starts to break at one end and the break point proceeds rapidly along the beach front. The break point appears to move and can move faster than C. It can even be simultaneous. If we assume causality it can even appear to be time travel. The glitch in our thinking iswhen we think that causality points from the immedeate break point to the next, whereas in actuality origin of causality is elsewhere. |
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#107 | |
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diyAudio Member
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Sam, I have to come out now. If you really, really look hard at it, there is no simultaneity. There is a 'true' delay in any component or circuit. The speed of signal propagation is ultimately limited by C and in practise lower. But what is the delay through, say, 2 inch (5.08 cm) of wire or pcb track? Assume 0.5C prop speed, that comes out to 5.08/15 * 10e-9, lets say 300 picosecs. (Did I get that right?). For perspective, that a 20kHz phase shift of about 3/5*10e-5 * 360 degrees, or 0.0022 degrees. Now, I don't think even the most die-hard audio freak would say that messes up de feedback. Or anything else. Jan Didden
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#108 |
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diyAudio Member
Join Date: Dec 2004
Location: Next door
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LUMANAUW
As previously said, delay at the output of amps using feedback (I very much prefer) or no feedback are so small than they are strictly irrelevant to audio. One of the advantages of feedback is that is speeds up the output (less phase shift than when using no feedback). Congratulations for your reading of the D. Self's book. I am unware of any other book dealing so simply and deeply with amplifiers. Linearisation amp before applying feedback : Self shows some ways to do it. Have a look too at Gerard Perrot's patents (at Free Patents On Line), Halcro patents and Mike Renardson's site. TUBETVR "This is only true for designs using a dominant pole, there are other better ways of creating stability and keeping high open loop gain, either with multipoles or by using phase correction networks ala Bode." I know double pole compensation described by Douglas Self in his book, scheme advocated by John Linsley Hood and Nelson Pass, nested loops by Ed Cherry and scheme by Matti Ottala whose stablity was not very good despite the low feedback. I would be interested to know other references, if you have them. ~~~~~~~ Forr §§§ |
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#109 |
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diyAudio Member
Join Date: Sep 2004
Location: Montevideo
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By the tune of several recent posts, it looks like my post #78 somehow was overlooked or (probably) I did not a good job of explaining myself.
A couple of observations to abound on this issue. 1. Put into a black box a true delay line (an appropriately long transmission line) making sure it is properly impedance matched at both ports. Put into a second black box a lumped component circuit (designed at will) that approximates to a very high degree a linear phase/frequency dependency at least within a restricted frequency range. If you test both black boxes within the specified frequency range, they will be indistinguishable. 2. The discussion on whether negative feedback is good or bad is moot if not placed on an actual application context. It will attenuate forward path nonlinearities by an amount depending on loop gain *including the frequency dependency* of this loop gain. To make it clearer, an amplifier with a dominant first order pole at 1KHz and 60 dB of loop gain will improve performance by a factor of 1000 at 1KHz (*), but by 630 at 2KHz and so on, down to by 63 at 16 KHz. In reality it will be worst, for most probably at 16 KHz additional higher frequency poles may begin to show off. This is only an extreme example of course. Rodolfo (*) By 708 actually |
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#110 |
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diyAudio Member
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Rodolfo,
Yes I overlooked your post too. Another missed opportunity to disagree with you I agree to your post, but would like to make one distinction, in that the fb signal doesnot come too late. But, for exact error cancellation the feedback returned error must exactly cancel the original error (must have same waveshape and amplitude but inverted). Because of the loop phase shift, the waveshape is NOT the same, so cancellation is incomplete. The higher the freq, the less complete the cancellation. But the correction signal is not delayed, it is there immediately (give or take 300 picosecs Jan Didden
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