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#41 |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Hi AAK,
I used the FFT-option in PSpice. Mike |
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#42 |
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diyAudio Member
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Hello Mike,
Congratulations on your excellent design....... happy amping, K a n w a r
__________________
It's a fruitless endeavor to try and educate a fool that rejoices in ignorance
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#43 |
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diyAudio Member
Join Date: Feb 2004
Location: Recife - Brasil Northeast
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adaptations of my words.
Metalic when metal instruments are played...hitting metal, sound is metalic...grumpf!....grrrrr. Or, explaining better; Metalic spoken as the quality, founded in some good amplifiers, that make them reproduce metalic sounds correctly, with all their harmonics, this reproduction makes them reproduce as bell as a real bell playing, not a bell sounding alike a plate beeing hitted. hummm...think about that Miky...have to make some interpretation...some decodification... a gift for ya! Uncle Charlie.
__________________
Try to build an amplifier folks ... it is pure adrenaline!.. when not work first time, then becomes a nice challenge...and we usually overcome the trouble... and we feel very well to be mastering the machine. |
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#44 |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Bratwurst !
![]() Okay, got your point ! Mike |
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#45 |
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diyAudio Member
Join Date: Feb 2004
Location: Recife - Brasil Northeast
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nice place to visit or to stay.... land of Milk and honey. ahahaha!
Roast means toasted...people use to eat that with Rice, and some of them use to drink wine also. regards, Carlos
__________________
Try to build an amplifier folks ... it is pure adrenaline!.. when not work first time, then becomes a nice challenge...and we usually overcome the trouble... and we feel very well to be mastering the machine. |
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#46 |
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diyAudio Member
Join Date: Sep 2001
Location: Melbourne, Australia
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Hi Mike,
Good design, very like the 1972 Hitachi AN double diff amp. Point of difference is the cascoded drone side of the second diff pair; the Vbe multiplier, and the charge suckout on the output stage. I'm a little concerned that you have only between four and five mA on the VAS stage, which is only 2.5mA at most driving the double emitter follower. Is this enough? You have measured 133 watts from the amp and strong imaging performance, which means phase shift is minimal, but is this drive current sufficient for current hungry loads? Aside from that, and your conventional use of CCS and mirrors, it's a competent, well refined circuit and I give you credit. BUT, it's pretty standard fare, which in view of your earlier emitter drive for the VAS really surprised me! Cheers, Hugh |
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#47 |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Hi Hugh !
Thanks for the compliments, I use this standard ccs to be independent from supplyvoltage, and practical testings showed me that this 2bjt-ccs is the most stable for PSRR. I was also surprised that a low current vas is able to drive a doubledarlington, even with these rloads and 660pf to gnd. I have big 4ohm vented speakers, beeing quite hungry and the syamasym plays effortless at high levels with these speakers. It's correct that the idlebias of the vas is 2.8ma, but because of the symetric nature of the vas this current goes up to 5.6ma when swinging. Because of some interesting ft-effects in 2nd diffamp this current peaks to 15ma when reaching slewratelimit. So i have the advantage of using fast and linear smallsignal-bjts for the VAS. Yes, the amp is pretty standard topology, but outperformed my other constructions, looks like old prooven concepts work best ? The really difficult part was getting this gainmonster stable without any overshooting or ringing... Finetuning the feedbackcompensation seems to be the key to good sounding amp. The audible difference between symasym4 and 5 is not subtile, but both are stable. The phasehift of this amp is not very low, but very constant, enforced by the "big" caps to gnd in the vas. This seems to hide dynamic phasehifts, which might be the reason for some amps to have poor soundstage ? Mike |
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#48 |
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diyAudio Member
Join Date: Sep 2001
Location: Melbourne, Australia
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Thank you Michael,
I will think hard on your comments. You have mixed in a lot of careful calculation and measurement; again, I give you full credit. I agree that capacitor choice and dimensioning have the most profound effects in audio amplifier design. Of course, there are minor differences in designer style, but I recognise this as an excellent amplifier. You might now like to try voicing it for something really musical - an art, rather than a science - this is a wonderful approach that Carlos will help you with as well! Thank you for sharing, Hugh |
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#49 |
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diyAudio Member
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HI Mikeb! I didn't see you for a long time . ! Are you a programmer ?
Which way did you calculated TIM by? Your schematic used 1 current mirror in VAS . Is it easy to build it ? Did you match these transistor ? Thanks !
__________________
Justice for Victims of Agent Orange http://www.petitiononline.com/AOVN/Thank all of you! |
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#50 |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Hi thanh !
Yes, we have met long time ago... Yes, i am a programmer, the last days i hate it... My TIM calculation is not very precise, that's why i've put a "~". I mixed a 4khz and a 7khz signal (50:50), both having 6v swing at output. In fft i've checked the frequencies, the peaks at 3khz and 11khz are the IMD, all other freqs were much lower. the 2 peaks were 150uv. 150uv/6v -> 0.0025%. This is for sure not an accurate method... This amp is easy to build, the transistors are matched by pairs, the 2 mpsa18, the 2 2n5401 in 2nd diffamp, and the 2 2n5551 in currentmirror. Matching between 2n5401 and 2n5551 is not necessary. Layout is critical because of the high gain, inputdiffamp must use exactly the same gnd-level for input and feedback, or will get massive hum. For first powering up, i set the pot for bias to middle, and then adjust the quiscent current to 50ma. Mike |
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