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#1 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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This is something that has been in the back of my mind for ages, but it was the thread a while ago about someone selling very expensive op-amps potted in copper tubes that prompted me to actually have a go at it...
The idea is to create a discrete op-amp small enough to directly replace a DIP8 IC op-amp, ideally surpassing the performance of one of similar cost (materials cost is ~£7 for a one-off, plus a few hours work). What has put me off trying before is the fact that to keep the footprint small enough it needs to be constructed entirely from SMT components, which are a pain to solder by hand. For the first attempt I wanted to keep it as minimalistic as possible to ensure that the size target was reachable. The resulting schematic is attached (shown in a non-inverting configuration). It is a standard 3-stage topology with absolutely no components not essential to operation. Ten components in total (Q1 and Q2 are a monolithic current mirror in a SOT143 package). The input stage uses SST113 JFETs, which need to be matched (unfortunately I couldn't find any SMT dual JFETs) with a constant current diode in the tail and loaded with a current mirror. The current mirror has no degeneration resistors to reduce the component count by two. This means increased DC offset even with matched BJTs, so the LTP's degeneration resistors are replaced by a tiny potentiometer, allowing DC offset to be reduced to arbitrarily low levels. The Vas uses a MOSFET (ZVP3306F) to present a high impedance to the input stage. It too is biased by a constant current diode. Dominant pole compensation encompasses the output stage rather than being taken from Vas output, which necessitates a larger value of capacitor and therefore lower slew rate and bandwidth but greatly reduced distortion, especially at higher frequencies. The output stage is a complementary JFET source-follower, which is just about the simplest output stage possible.
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#2 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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To best fit the circuit into the available space, I split it into two double-sided PCBs mounted parallel to each other. One contains the input stage, the other the Vas and output stage. The offset pot is sandwiched between the two boards, conveniently spacing them to exactly the width of a DIP8. Three jumpers physically bond the boards together.
A photo of the completed item is attached (stuck in a chip carrier to keep the pins straight). It's 12x20x9mm, excluding the pins. I could have squished it down to a smaller size, but I didn't want to push my luck on the first attempt; it's small enough anyway.
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#3 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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Performance is better than expected for such a simple circuit. Slew rate is a rather ordinary 10V/us, although I think I overdid the compensation capacitor, so higher should be reachable without problems (LTP current could also be increased from the present 1mA to the same end, but I want to keep quiescent current reasonably low). It's stable into capacitive loads of up to 1nF or so. I can't measure the bandwidth, but sims say the GBP should be around 36MHz with the 100pF compensation. Open-loop gain is about 120dB.
I can't yet make accurate THD measurements, but there is no discernible difference in distortion spectrum between the test signal from my soundcard (2nd harmonic at about -96dB, decreasing above that) and the op-amp output, so it can't be adding very much distortion. Sims say all harmonics are better than -160dB, or something ridiculous like that. Noise is almost below my ability to measure too; it just pops up above the noise floor of my soundcard at -120dB (relative to 2V peak). Output voltage swing is to within just a few tenths of a volt of the rails. Clipping is clean. Maximum supply voltage is about +/-18V. Open-loop output impedance is about 40 Ohms. Input impedance is very high. I'm pretty happy with how it's turned out.
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#4 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi MrEvil,
the most read disadvantage of miller comp is the inability to source current from the LTP thus limiting slew rate. A Less referenced disadvantage is the effect on sound quality. Your 2 stage feedback is a similar toplogy that some writers have criticised. Please comment on the pros & cons of 2 stage vs miller comp and on the sound quality of your discrete opamp. What maximum output voltage at reasonable distortion can you achieve, +24dbu? (12.4Vrms).
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regards Andrew T. |
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#5 |
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diyAudio Member
Join Date: Oct 2003
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>unfortunately I couldn't find any SMT dual JFETs
Linear Systems (www.linearsystems.com) has a variety of matched JFETs in SMD packages. And they would send you some samples. Unfortunately, none of them (or indeed any SMD JFETs I could find) comes close to 2SK389 / 2SJ109 in terms of low noise and high transconductance. Patrick |
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#6 | |||
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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Quote:
The advantage is reduced distortion. The gain of the Vas is used to reduce crossover distortion. Reduced crossover distortion can only be good! Other than that it's virtually identical to normal Miller compensation. As for how it sounds: It's the equal of any op-amp I've ever heard. Much better than cheap, common op-amps. I don't have any expensive op-amps spare to compare it with. Quote:
That's with +/-15V rails, giving 9.9Vrms. Assuming performance is similar with +/-18V rails (I don't want to push it to the limit since it's the only one I have right now) then that would be 12Vrms. Note that it won't be able to drive heavy loads at that level or the output stage might be damaged. Quote:
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#7 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Thanks MrEvil,
-70db @ 1v below rails sounds not bad for an absolute peak in music signal. What is limiting the circuit to +-18Vrails? What is the minimum load impedance?
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regards Andrew T. |
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#8 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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Actually, going over the datasheets again I see it won't be able to get maximum output swing at +/-18V because although the n-JFETs (j113) are rated for 35V, the p-JFET (j177) is only 30V. So if it were used at +/-18V, an output swing greater than +12V peak might break something. Even if they were both rated 35V, swinging to within 1V of +/-18V rails would be right at the limit.
Other than that, the current diodes (SST505) are rated at 45V and the MOSFET (ZVP3306F) at 60V, which would limit the suppl voltage to +/-22V and +/-30V respectively. The output current capability will vary depending on the exact specs of the output stage JFETs. In the worst case it will be about 9mA. Higher Idss/Vgs(off) devices may give 20mA. Minimum load impedance will be whatever doesn't exceed that. Exceeding that current will cause the gate-source junctions to be forward biased and current will be drawn through the gate. In the negative direction this will be limited to 1mA by the current source, so no damage will occur (as long as the power rating is not exceeded). In the positive direction there is no limit. The maximum gate current is given as 50mA for j113, then it dies (much more than that and the MOSFET won't be too happy either). Somewhat higher output current could be acheived by putting a resistor between the two gates of the output JFETs, with the n-channel one being attached to the negative side, the p-channel to the positive side. That would decrease quiescent current and increase the maximum output current before forward-biasing occured.
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#9 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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With all the talk about output impedance recently, I thought this might be interesting: It's a graph of simulated output impedance vs. frequency for normal Miller compensation (blue) and output-stage-inclusive compensation (green) at a non-inverting gain of ten.
Including the output stage in the compensation feedback loop gives an extra two decades of flat output impedance.
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#10 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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I can make better distortion measurements now, so here's an FFT of the output, 1kHz, 5V peak, 10K load, +/-15V supplies, non-inverting gain of 10. The fundamental is reduced by 30dB, so the actual relative amplitude of the harmonics can be read directly off the scale. THD is about 0.003%
It's not as good as I was hoping for; it only just manages to match an OPA604 and falls short of better op-amps. It does have much smoother clipping though. I suspect that the output stage is responsible for much of the distortion. I'll try BJT and MOSFET output stages at some point.
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