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#1 |
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diyAudio Member
Join Date: Nov 2002
Location: Bangalore, India
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Hi,
I would like to know why there is a resistor at the output of inverted gainclone at http://www.decdun.fsnet.co.uk. Is it not against the belief that in orger to keep the driver in tight control, an amp should have a very low impedance presented to the driver? Thanks in advance, Goldy
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Audio enthusiast/hobbyist |
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#2 |
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diyAudio Member
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Link dead!!
The resistor i assume must be of a very low value...Will not alter damping factor very significantly!!
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SivanandBalan |
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#3 |
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diyAudio Member
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As Nick explained to me, it's purpose is to increase stability of the amp. I have to admit that this is a common practice in almost every topology, sometimes combined with paralell inductor. Few amps I have built had the same circuit on exit, but I also don't quite understand purpose of it.
Can it be that amp sees more impedance flatt load with this resistor? I am sure somebody with greater knowledge would explain this. |
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#4 | ||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
It is one way to implrove the stability margin of the Amplifier. Often a large value resistor with a parallel inductor is used, but I felt this arrangement, borrowed from Naim, is preferrable. Quote:
Sayonara |
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#5 | ||
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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Quote:
The purpose is to define a load for HF by uncoupling the actual load (hence inductor) and coupling a resistive load (hence resistor in the R-C boucherot cell). This makes it easyer for the amp to work on reactive loads at HF because they are actually uncoupled from the output of the amp. Quote:
That being said, wether that fact means anything in a given installation is very debatable. Let me give 3 examples: 1) amplifier with small R in series with output driving a regular speaker system - in general, the crossover series components will have much higher resistance than the small R. So, the small R effect will be completely negligible. 2) amplifier is part of an active speaker driving a woofer - in general, you want as little influence of amplifier's small R because it alters the response of the speaker (you get a peak at the resonant frequency). 3) amplifier driving an overdamped speaker enclosure (Q factor too low). A series resistance, sometimes 10% of the nominal Z, is commonly used to increase tge Q factor and change the speaker characteristic so you get more usable bass. If the resistance is too high, you end up with case 2, above. In other words, you need to be aware of the effect of a series resistor at the output, and evaluate it's virtues or shortcomings depending on your application. Still, if the resistor has very low resistance, it will be a negligible influence, but also it will not do much for stability, if anything. In fact, using a low R inductive resistor may well prove to be a good idea because you get the stability because of resistor inductance uncoupling the load. |
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#6 | |||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
Quote:
Further, the electrical damping of ANY driver is limited by the voice coils DCR. As long as any series resistance remains below around 1/4er of the drivers voicecoil DCR the change in electrical damping is at best notional and no worse than the production tolerance for many drivers. Quote:
Sayonara |
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#7 |
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diyAudio Member
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It is much more understandable now. Tnx. ilimzn, since we are living in the same town I invite you to saturday meetings at local audiofil club. One can discuss some interesting thigs there.
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#8 | |||
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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Quote:
Quote:
Still, I would have to agree - speaker motor design is very often a showcase of truly incompetent engineering. I really can't see how a shorting ring or protruding pole piece can make a speaker THAT much more expensive... Quote:
However, once you start with active boxes, the difference is felt and needs to be accounted for. As I said, just one thing you cannot dismiss out of hand. After all, I've used relatively high DCR series inductors on purpose in one of my boxes to get the characteristic I wanted I just prefer lumping the required components where they intuitively go, it's much easyer to combine amps and speakers that way on an equal a basis as possible |
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#9 |
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diyAudio Member
Join Date: Feb 2001
Location: USA
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"but I felt this arrangement, borrowed from Naim, is preferrable."
Yamaha did this too on their CR620/820/1020 series of receivers made in 1978~1980. They used 0.12 ohms. Pre-echos of the AKSA to come, they also used a bootstraped VAS and an EF II output stage. These were spec'd at less than 0.1% distortion from 20hz~20Khz, from phono in to speaker out, at any power level from 100mW to full rated output (and 0.05%IM). Have we really made much progress? |
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#10 |
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diyAudio Member
Join Date: Sep 2001
Location: Melbourne, Australia
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Hi DJK,
I believe the speed of the output stage, and methods of reducing crossover, have made modern Class AB PP amps better. There has also been progress with the speed of the voltage amplifier, and more accuracy with lag compensation. All these things have improved the sound, but significantly, by technological convergence, the topology remains pretty much the same. Cheers, Hugh |
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