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#1 |
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diyAudio Member
Join Date: Jun 2004
Location: Knoxville
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Hmmmm Just sitting around thinking...would something like this work for audio? Assuming the
darlington output arrangement has a beta of at least 2000min.
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#2 |
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diyAudio Member
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I think it would work, but remember that you have 4 extra transistors in the signal path and each of them introduces an additional pole in the open loop transfer function... ie : more compensation required for stability
If you like the advantages of operating the input stage and the VAS with +-15V supplies I strongly recommend an output stage with floating power supplies As an example, this is how QSC does it in most of their amplifiers. Note that grounding collectors makes any insulation between output devices and heatsinks unnecesary |
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#3 |
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diyAudio Member
Join Date: Jun 2004
Location: Knoxville
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Great point Eva, about the compensation needed, makes it sort of pointless to be serious about. Suppose it might make a good oscillator.
Interesting that the audio goes through the voltage source. It looks like you would need two power sources for that circuit because if the low voltage was regulated from the high, there would be no reference for 0V for the low. |
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#4 |
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diyAudio Moderator Emeritus
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Looks like it would work for audio. What is the purpose in the first place?
After the level shifting (current mirror), you put 2 CCS (with 220ohm resistor at emitors, up and down). Why dont you put the VBE multiplier in the current mirror, and omit the 2 ccs? |
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#5 |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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There are many circuits similar to this using an op-amp as the input stage. It's possible to make them stable by applying heavy frequency compensation around the input stage, i.e. turning it into an integrator, and keeping the gain of the output stage reasonable.
The point of such circuits is usually to get a high-voltage output from an op-amp. I don't see any particular reason to make a discrete version.
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https://mrevil.asvachin.eu/ |
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#6 |
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diyAudio Member
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The QSC circuit works as it is, it doesn't require regulated supplies, it only requires good layout. Note that the output stage works as two controlled current sources
Having a front-end powered witn +-15V supplies has a lot of advantages, it allows to use low-noise high-beta high-bandwidth low-voltage transistors, even JFETs, and it does not require any cascoding for high power output, so component count is much smaller PSRR is dramatically improved since the +-15V supplies are now regulated and current sources may be achieved with simple resistors. Furthermore, the VAS is no longer a VAS since it operates at constant Vce so there is no VAS distortion due to miller effect Overall, the component count in the signal path is reduced and the bandwidth is improved. It only requires separate power supplies for each channel, and a lot of people are already using them Note that I'm considering the discrete version, not the op-amp based version that features not so good performance but extreme simplicity |
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#7 | |
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diyAudio Member
Join Date: Jan 2004
Location: Koskenkorva Land
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Quote:
Hi Eva, are the comments regarding the schematic you posted in post #2 I am suspicous with the floating powersupply of +-50 VDC, the powersupply must be very carefully designed, not espsecially to differential mode disturbans from the mains, but to common mode disturbans And the earthing is also very critical, both signal and mains earthing! Further the output signal is loaded depending on the PSU impedance in the whole audio frequency range, and feedback will be sensitive too to disturbances. Irrespective of the frontend voltage there is up to 100 volt Vce. I don't agree thereby that the VAS (if are talking about does 2 transistors drived by the opamp) don't see any varrying Vce voltage, the floating voltage is jumping up and down up to +-50 Volts with the audio signal. Well, the bandwith is gone since the voltage is changing a lot over the VAS. All in all the circuits easy looks realy cheats the eyes! Regards Michael
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"If transistors are blueberries and FETs are strawberries, then tubes must be.. pears" Michael 29th January 2010 |
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#8 |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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hi cunningham
I would like to mention that your current mirrors between 'low voltage' and 'high voltage' sections seem to work in class B, don't they? |
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#9 | |
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diyAudio Member
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Quote:
I think the circuit is actually cheating at your eyes. Everything you mentioned already happens in any standard class B or AB amplifier The drivers and the output devices allways suffer from miller effect and the power supply is allways part of the open-loop transfer function of the amplifier And common mode filters are also required in standard topologies to prevent RF currents to flow between signal ground and mains line, but nobody uses them anyway I've experimented with this topology using discrete front-end and EF output, and the only drawback I've found is that it requires separate power supplies and good layout Obviously you haven't still tried it, so I suggest you to experiment with it first My test circuit looked like that : But I used only one pair of drivers and two pairs of output devices due to lack of money. The bread-board prototype worked fine driving 4 ohms with +-85V rails [experimentation is currently interrupted also due to a chronic lack of money] I experimented >30Mhz local oscillations on the output stage until I got a proper layout, and 2.5Mhz global oscillations until I found proper compensation [dominant pole plus pole-zero for 9dB/oct rolloff], this helps to figure out the bandwidth of such a circuit At the end we get something like a 1000W@4ohm circuit with the performance of a 100W@4ohm one |
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#10 | |
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diyAudio Member
Join Date: Aug 2004
Location: Behind you
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Quote:
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https://mrevil.asvachin.eu/ |
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