Go Back   Home > Forums > Amplifiers > Solid State
Home Forums Articles Links Blogs Register Donations FAQ Calendar Search Today's Posts Mark Forums Read

Solid State Talk all about solid state amplification.

We're saving for a new server - help us to serve you by Donating Today and become a friend with benefits!

Ads on/off / Custom Title / 2009 Tshirt / More PMs / Bigger Images / Advanced printing
Reply
 
Thread Tools
Old 3rd July 2002, 07:02 PM   #21
ergo is offline ergo  
diyAudio Member
 
Join Date: Mar 2001
Location: Tallinn, Estonia
Default Elektor amp 5/97 output stage

Have you seen this kind of output stage and how do you feel about this? (think IGBT into bjt or MOSFET)

I think there are several plusses here. One can set the output stage for 2X or 4X voltage amplification for example. This in turn means that voltage amp stage does not have to have as much voltage swing and can be cascoded or have a stabilised supplies taken from primary supply....

And then think if there would only be the final and driver stage which would form a power amp with 14-20X voltage gain..... A friend of mine came up with such circuit and it's in my next four months or so todo list

Ergo
Attached Images
File Type: png compact amp.png (8.3 KB, 316 views)
  Reply With Quote
Old 3rd July 2002, 09:13 PM   #22
diyAudio Member
 
Join Date: May 2002
Location: Cambridge, UK
Default Elektor amp 5/97 output stage

I've no seen anything quite the same as this before but it looks like a variation of the Class A+B topology. T15 and 16 look to be a fairly standard output stage (probably class AB) whilst T16 and 17 presumably provide additional (Class B?) power. I note the somewhat unusual inclusion of R30 though, which I assume allows T16 and T17 to provide voltage gain too. It is this aspect that I regard as the most novel.

Note that the driver is already cascoded by T12 and 13.

Ian.
  Reply With Quote
Old 4th July 2002, 03:39 AM   #23
diyAudio Member
 
Join Date: May 2002
Location: toronto canada
Default IAN McMILLAN

Here is the information you requested. Also look at my earlier thread to Alaskanaudio. The imput stage, consisting of a differential transistor pair TR1 & 2 and a current mirror, TR3,4, converts the differential imput voltage to a single output current. This current feeds the base of driver transistor TR9 and via the common base transistor TR8 feeds the base of the driver transistor TR10. The driver transistors supply their emitter currents to power transistors TR11 and TR12 respectively. Biasing and Class-AB control are achieved by means of a bias-control loop formed by TR6-9. Due to the buffer function of TR6 the base-emitter voltage of the power transistor TR11 is isolated from the bias control loop. This is done to avoid thermal or HF switching distortion problems mentioned earlier. This design is based on complementary/pnp transistors. Their parameters can be assumed equal to make the equations easier. The Class AB control is based on the well-known geometric Class AB control law. Ic8 x Ic9 = I²r (2) The DC collector current of the driver transistors is given by Ic9 = Ic10 which = Ir x the square root of HFE (3).

Collector terminals of the driver transistors TR9,10 connect to the output terminal to minimize driver dissipation and to prevent the power transistors TR10,12 from saturating. Power dissipation in the bias-control loop transistors is low compared to the dissipation in the output transistors. Hence, if TR6-9 share a small heat sink, thermal stability is achieved without emittor degeneration and switching distortion. The remaining dominent source of temperature dependence is the temperature coefficient of the power transistor forward current gain. This coefficient is approximately 0.6%/K to the power of 4. Maximum output current is determined by emitter current and the current gain of TR9,11 or TR10,12 respectively, Io (max) = plus or minus Ieh²fe (4).

It can be seen that, in contrast with many other designs, the maximum output current capability is symetrical. A problem with power transistors driven by a current source is that there is no turn-off resistor for them. Under high frequency, high-amplitude drive there will be a tendency for the effective bias current to rise dynamically. By using HF power transistors with a ft of 80MHz, this bias current rise is reduced to 60% at 20kHz at full drive.

In summary this Class AB common-emitter power amplifier incorporates a new current mode Class AB driver circuit to obtain good thermal stability of the quiescent current in the output stage. It also guarantees none-zero currents in the output transistor that is conducting the resisdual current, avoiding HF switching distortiion. Maximum output voltage is near to the rail-to-rail limit. Saturation in power transistors is avoided, resulsting in fast recovery from clipping. The circuit has an excellent stability due to a phase margin of 85 degrees with a B 1/34. There is more but I hope that this gives the salient points. So Ian all we need now is for you to put a su/sy on the front pretty please.
__________________
RW
  Reply With Quote
Old 4th July 2002, 05:02 AM   #24
diyAudio Member
 
Circlotron's Avatar
 
Join Date: Jun 2002
Location: Melbourne, Australia
Default Elektor amp 5/97 output stage

Output stage voltage gain is approx (R30+R29)/R29. Snip out R29 and s/c R30 and the gain drops back to unity. The ETI-480 amp used such a configuration but with bipolar outputs. I would expect the higher the gain the more critical the bias setting, i.e. you wind the pot to get some current and when it does start you would only have to *look* at the pot and it would alter the current a fair bit, depending on the gain.

GP.
  Reply With Quote
Old 4th July 2002, 07:38 AM   #25
diyAudio Member
 
janneman's Avatar
 
Join Date: May 2002
Location: Where Germany, The Netherlands and Belgium meet
Blog Entries: 1
Default Common source etc

Another advantage of the gain in the power stage is that the signal swing in the voltage amplifier stage is reduced. In this amp, it allows them to feed the Vas with an LM317/337. This makes for very cheap and simple stabilised supply for the pre-stages, rather than a more complex 40 or 50V stabilised supply if the output stage didn't have gain. Could that be actually the reason they put in the output stage gain?

Cheers, Jan Didden
  Reply With Quote
Old 4th July 2002, 10:08 AM   #26
diyAudio Member
 
Join Date: May 2002
Location: Cambridge, UK
Default Elektor amp 5/97 output stage

AMPMAN, thanks very much for the detailed answer. I haven't had time to digest it yet but will read your reply avidly just as soon as I am able. No doubt I will then have more questions.

Ian.
  Reply With Quote
Old 4th July 2002, 09:02 PM   #27
diyAudio Member
 
Join Date: May 2002
Location: Cambridge, UK
Default new class AB power amp

AMPMAN, I've now read your explanation of how the above circuit works pretty thoroughly. I get the general jist but sadly can't claim to have understood all the details. In particular I not't know to what the "r" in the various corresponds. I studied Electronics at college but that was a long time ago. Also you say that the bias control loop comprises Tr6-9. Did you mean this or should it be TR5-8? I have to admit that BJT and current-mode operation give me a headache. I'm more comfortable with FETs and voltage mode. Fortunately I also happen to prefer the sound of the latter, at least in general.

I also missed your plea for SuSy front end on the first reading. In principle this would not be difficult but I fear that practice might well be very different. SuSy requires simple circuits and this one does not really qualify. However, if you wish to try, simply follow the principle in the Aleph-X thread since the general topology of this and an Aleph are similar. You will of course have to produce a bridge design, i.e. replicate the output stage. Also the current mirror on the front end will have to go, or be modified since you will require both output phases. If you decide to go ahead then I wish you the best of luck. BTW, I'm not the expert on SuSy. Perhaps you had better ask Nelson (as the inventor) for his opinion?

Ian.
  Reply With Quote
Old 5th July 2002, 08:27 PM   #28
diyAudio Member
 
Tube_Dude's Avatar
 
Join Date: Mar 2002
Location: Aveiro-Portugal
Ampman

sorry but only now i can anserwer you, because i´m was far from home all this week.
Regarding the schematic i already know it because i´m a long time reader of Electronic Wireless World. It´s in fact a realy enovatif disign but what i have said regarding ampilfiers with high open loop output impedance i still mantain it.
When you talk about the article by Robert Cordell, i don´t know it, but i don´t belive in everythig that is written.
If you can prove my point make that experience with your amplifier.
- connet another amplifier through a 8 Ohm resistor to the output of your amplifier...Put some signal in the other amplifier and put the prob point of a osciloscope in the collector of Tr1.
you will see that the same signal is bieng amplified by your amplifier in reponse of a disturbance in the output.
Thats what i said about the intermodulation betwen the original signal and the reaction from the speaker.
But you d'ont need to belive me because i d'ont write in EWW.

regards

Jorge
  Reply With Quote
Old 5th July 2002, 08:51 PM   #29
diyAudio Member
 
Tube_Dude's Avatar
 
Join Date: Mar 2002
Location: Aveiro-Portugal
AMPMAN

One more point!
When you said that your amp have 0,030 Ohm output impedance and because that it will not be subjected to interface intermodulation distortion you are forgetting that, that impedance is obtained from the feedback . So as the open loop is very high the reactions from the speakers "fell free" for reaching the input LTP ...the ideal conditions for the interface intermodulation distortion to happen...this is not new...as i said Matti Otalla also have remarked that many years ago...

Regards

Jorge
  Reply With Quote
Old 6th July 2002, 12:00 AM   #30
sonnya is offline sonnya  
diyAudio Member
 
sonnya's Avatar
 
Join Date: Oct 2001
Location: Denmark
TubeDude

I hate to say it but a common collector will be subjected to the same phase shift in another way. The phase shift will show up in the previous stage.

A bipolar Junction Transistor is in general a current - current converter which in the perfect world is a linear transfer slope. So on the base of a BJT the phase shift will show up. Not as large but it will be there.

So if you Feedback loop has to compensate for the phase shift on the output or a phase shift in the the VAS stage because of a capacitive load.... This will be be the same result.....

Only a Common Emitter stage will be subjected to saturation. and it should be easier to control/minimize those swith glitches presented by class B and AB mode.

Sonny
  Reply With Quote

Reply


Hide this!Advertise here!

Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
Source follower and common source output stages slogan2112 Pass Labs 2 9th October 2008 09:19 PM
Why collector/drain output stages are so rare??? Leolabs Solid State 40 23rd December 2006 10:57 AM
single stage common-drain amplifier Music_Sg Solid State 4 4th July 2006 06:45 PM
Source for common mode chokes abj1 Tubes / Valves 7 24th June 2005 07:31 AM
common source class A amplifier weekapau Solid State 0 10th November 2004 07:32 AM


New To Site? Need Help?

All times are GMT. The time now is 06:45 AM.

Page generated in 0.25238800 seconds (88.22% PHP - 11.78% MySQL) with 12 queries

Copyright ©1999-2009 diyAudio