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#31 |
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diyAudio Member
Join Date: Dec 2001
Location: Ottawa, Ontario, Canada
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I have the BOSE Spatial control receiver from the late 70's and early 80's. This baby is Saaaaweeeettt Sounding. Well, at least the nicest sounding solid-state amplifier that I've heard. I've also hear a denon and Marantz, however, the speakers connected had terrible shrill so I couldn't really listen to the amp, just shrill.
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#32 |
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diyAudio Member
Join Date: Jun 2001
Location: Flanders, Belgium
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Adding higher harmonics is what they describe in maths fourier analysis, visit this site to hear and to have an idea what upper harmonics can do to your signal:
http://www.jhu.edu/~signals/listen/music1.html related to fourier: www.univie.ac.at/future.media/moe/galerie.html |
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#33 | |
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diyAudio Member
Join Date: Apr 2008
Location: Carlisle, England
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Quote:
For my guitar work I prefer a good overdriven valve amp. For disco work I prefer a SS amp for a clean powerful sound. For guitar work I use a 4 by 10 inch cabinet. For disco work I use a 2 by 12 inch full range plus an 18 inch woofer.
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http://www.murtonpikesystems.co.uk PCBCAD40 pcb design software. |
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#34 |
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diyAudio Member
Join Date: Jan 2009
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Speaker.
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#35 | |
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diyAudio Member
Join Date: Aug 2005
Location: K-town
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Quote:
![]() My EC hexfet amp sounds ******* wonderful. Not harsh at all, but full and crystal clear. Even as a single monoblock, it is easy to hear the separation of instruments in the music. Having low overall distortion, particularly PIM and IMD really do the trick when it comes to "sound". IMVHO, a bandwidth of >400KHz and very high damping (by-product of the EC) really helps too.
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All the trouble I've ever been in started out as fun...... |
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#36 |
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diyAudio Member
Join Date: Feb 2004
Location: Recife - Brasil Northeast
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But really, serious, the speaker can make that..not kidding.
of course there are other reasons, but i think, mainly the speakers can do that, some of them have better trebles, or mids, or bass. There are things in this life that we go searching for sophisticated and complicated reasons, when the real thing, the real answer for our needs, is easy to see..we are addicted to complicate a lot. I am making some experiences here and i could see i can make any amplifier brigth, warm or everything you want, only tweaking passive crossovers Simple that way. regards, Carlos
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My Youtube channel; http://www.youtube.com/user/destroyersoueu?feature=mhee Last edited by destroyer X; 9th December 2009 at 09:46 AM. |
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#37 |
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diyAudio Member
Join Date: Apr 2004
Location: Norwich, UK
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Sheetrock is better known as Plasterboard (in the UK), or Drywall in the US.
Drywall - Wikipedia, the free encyclopedia |
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#38 |
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diyAudio Member
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nigelwright7557, I think you may have set the record for dragging up an old posts - seven years six months.
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Greg Erskine |
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#39 |
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diyAudio Member
Join Date: Dec 2009
Location: office
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It's the cables
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#40 |
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diyAudio Member
Join Date: Nov 2009
Location: algeria/france
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assuming that the speakers are matched to the amps outputs,
an amp will be warmer than another if even order harmonics are favoured...if odd harmonics are favoured, then, it will sound bright.. a musical instrument produce both even and odd harmonics, the odd one give brillance... |
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