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#11 |
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Banned
Join Date: Apr 2002
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I hate them too, man.
Ren |
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#12 |
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Warp Engineer
On Holiday
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For SE Class A output stages MOSFET's are SWEET!
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#13 | |
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diyAudio Member
Join Date: May 2001
Location: London UK
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Quote:
bright - lightly biased Class B/AB stages; some opamps; cheap metal film resistors; some metallised pp caps; most cheap lytics; hf noise or oscillations in circuit adds brittleness warm - polyester caps; oil filled ones; some class A stages. Just a few descriptors from experience |
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#14 |
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diyAudio Member
Join Date: Nov 2001
Location: Montreal, Canada
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fmak, are you telling me you like the sound of polyester caps? I've always heard they were the worst poly cap. Sometimes I have to use them due to cost though...
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#15 | |
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diyAudio Member
Join Date: Jul 2001
Location: The Netherlands
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Quote:
You can try to build a analog octave device.. used for guitar effects.. look at http://www.geofex.com/ gr, Thijs |
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#16 | |
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diyAudio Member
Join Date: Mar 2002
Location: Dublin, Ireland
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Quote:
I have done subjective experiments in audio in the past and they are very difficult to design so that they give you unbiased results. The best way to go about it would be to capture some suitable music samples from a CD and then pre-process them using something like Octave running on your PC (free Matlab clone found at www.ocatave.org). If you are not familiar with DSP there is a steep learning curve to using programs like this but they are hugely powerful. You then would need to perform double blind tests using processed and unprocessed versions of the same track and analyse your results later. You have to be very meticulous to avoid biasing the results but if you go for it, I'd love to hear your results. DocP |
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#17 | |
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diyAudio Member
Join Date: May 2001
Location: London UK
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Quote:
No, just that they are warmer than pp |
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#18 |
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diyAudio Member
Join Date: Feb 2002
Location: Perth, Australia.
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Distortions spectrums and tiny abberations in static and dynamic frequency response, and source and load dependance, and slew rate limitation.
0.1 dB frequency response ripple is audible and apparent. Also reaction to noise input. Noise spectrum input and load noise spectrum can both be modified and substantially alter the percieved sonic character of a system. Regards, Eric. |
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#19 |
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diyAudio Member
Join Date: Jan 2002
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<b>What makes an amplifier "bright", "warm", or "neutral"?</b>
Bright: uses thoriated tungsten tubes Warm: turned on, esp if uses tubes or SS class A Neutral: beige chassis
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#20 |
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Banned
Join Date: Feb 2002
Location: Dallas,Texas
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Way to go Brett! Maybe the only honest rational answer possible to such a broad question. All one has to do is design amplifiers for about 10 to 20 years for the real answers to this question. I would not even dare to propose an answer and I don't think anyone else in his right mind would either as there are thousands of things that can effect this highly subjective classification.
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