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#21 | |||
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Hi, Mike,
Quote:
How about folded cascode VAS? Is it creating the same thing as VAS in post #1? Quote:
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If 2nd harmonic is just "not detectable" instead of giving "nice sound", what is really happening in SET tube? There is measurement comparison with SET tube amp (CARY 300SEI) with "very good figures" amp. SET amp gives very bad measurement result. But in listening test, this SET excells the other amp. Every test subject says the same. If this is not caused by 2nd harmonic, what cause this SET sound "NICE"? |
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#22 |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Just finished prototype of my own idea in post #1. IT WORKS as audio power amp.
BUT, the servo type doesn't work. It seems the voltages in the 1M resistors drop so much, that the servo cannot see what happens in the output stage. Maybe other kind of servo will work for this, but not the servo in #1. The one that works is the conventional VR type. I put VR in base of Q2, to set the reference voltage for Q1. (100k, left to -15, right to+15, CT to base of Q2)---> it needs manual adjustment. I'm afraid of DC offset drifting with heat, but from 1/2 hour, it looks steady. I'm glad that this Q1-Q2 arrangement can made a signal depended current path. So there is another option for this front end current switch besides differential pair. Q1 and Q2 works as 1 way current path. Differential works as intersection of 3 current path. If differential pair cancels 2nd harmonic, hopefully this 1 way current path doesn't. Maybe can lead to "good sounding amp" not "good measurement amp"? |
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#23 |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Hi lumanauw,
I did these checks on ordinary VAS, i checked symetrical and asymetrical design. The symetrical design has 2 times the gain, which is logical. I will check your design this evening... "So 2nd harmonic is not adding "Niceness". It's just not detectable." On a PCspeaker, yes. I have to make this test again, with the PC connected to the Stereo... Maybe my ears are not good enough for a representive test. (This i Psychoacoustic, varies between different people) Maybe it's not only 2nd harmonic, but a specific combination of 2nd & 4th ? Because i want to know this, i will build a SE-ClassA, not tube, i am not familiar with these devices. Does anybody know if the jFet-model in Spice is accurate ? Because if it is, it would mean that jFets have a far better transfercurve then BJTs (Audiophile !) In Spice they produce nearly no 3rd order, only 2nd order, and no highorder harmonics at all. If it is, i would make a SE-Amp nearly FET-only. Mike |
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#24 |
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diyAudio Member
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Referring to Post 1:
Your servo circuit can't work this way ! You don't have a reference for Q1 (resistor to ground), or your reference via Q2 is not 0V but 2*0.7V (check V at the base of Q1) Your DC-servo is in the inverting mode ? I think that Q1 must "run" with more current, about 1 or 2 mA. Your design is a CFP input, folded cascode VAS. Maybe you can post your new design, or at least your new Q1 reference to see what's wrong ? For CFP: Have a look here ... Post 42 And graphs here ... Post 46 My actual design is a little different but it's sounds music ! Output stage not yet choose ...
__________________
Richard Perez |
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#25 | |||||
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Quote:
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#26 | |
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diyAudio Member
Join Date: Apr 2004
Location: Gütersloh
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Quote:
The MOSFETs have the advantage of having a much higher max voltage (>100v), while jFets are up to ~40v. But jFets like sk170 have a much higher gain, nearly as high as a BJT. I checked the behaviour of a diffamp fed with a plain resistor from a low railvoltage. The 3rd harmonics nearly stay the same, but the 2nd harmonic explode. (in my testcase from 10nV to 1mV, tested with jFETs) Mike |
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#27 |
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diyAudio Member
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Hi, lumanauw.
Differential mode cancels 2nd harmonic only if you sum the ouput signal from the collectors of the differential pair. In your case, it's just a Common Emitter in CFP config. For your CFP, the current in Q1, depends on what you plan for this stage, it depends of your choice for Q1/Q2 and their Hfe. You can start with 2mA (1/10 of Ic Q2). Sorry about DC-Servo ! When i wrote this, on last post, i forgot that the output is "out-phase". If you want to go at the end of your idea, maybe you can fix the problem with 2 diodes in series between the base of Q2 and the 1k from the IC, you need two resistors (10k) between the diodes and +V / -V to set the current (5mA). In this way with a trim between these diodes and the center to the base of Q2 you can adjust the offset. The op-amp in this circuit will "always go" for 0V at his output (0V reference). If you prefer, you can set the + input of the op amp at -2*Vbe.
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Richard Perez |
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#28 | ||
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Sorry, my English is bad.
Quote:
Again, sorry my English is bad. Quote:
I found something interesting. I played CD of classic guitar instrument. The sound of the guitar seems have more "vibration" and "depth" than usually. Is this mean the "nice 2nd harmonic" is added to the amp (or at least not canceled as in ordinary 3 stages amp)? Trying to get closer to the destination---->Nice sounding SS amp. I've heard SET amp, Manley 300B. It sounds nice. But for me too small power. |
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#29 | |
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diyAudio Member
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Quote:
I think Jfet with no source resistor only produces 2nd but in the real world Jfet alway is wired with a resistor http://www.its.caltech.edu/~musiclab...per-crobat.pdf |
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#30 |
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diyAudio Member
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Hi, lumanauw.
I got time to check your circuit, and tune it. For the moment, forget my last post, it was just some design advises. I think this general diagram should be ok. R8 in my schematic, is just for simulation, remove it and insert your output stage bias between I3 and Q4. You can replace I1 by a resistor between base and emitter of Q3 about 330 to 680 Ohms, for 1-2 mA of current for Q3. I use OPA 627 or AD 743 for DC-servo but you can do it with an TL0701. A small amount of local feedback is provided by R3,R4,R5, for stability and linearisation. THD 2 about 1%, is really not important for the quality of sound, most significant are the higher order harmonics 5,6,7 etc... even at very low levels.
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Richard Perez |
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