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#1 |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Transformer output usually placed in tube amps, to convert speaker impedance towards tube high voltages.
In front of me now lies a solid state power amp, no-feedback design, voltage is 0---+50V, but the output is using transformer, in push-pull mode. The final transisors are mosfets, driven by small driving transformer (the designer sure likes transformer) Big problem with the amp. When tested with pink noise, the curve is flat. Played with pop music, the sound is very good. But if played with piano sound (about 400-600hz), the sound becomes distorted, even in very low volume. At first I suspect the driver. Trace the signal with 500hz test tone, all signals are good sinusoidal until gates of final mosfet. In the gates, the sinusiodal are good. but in the Drain of the final mosfets (which drive the final output transformer), the sinusoidal becomes distorted. Looking at the output with scope, (speaker attached), the sinusoidal in the speaker is somehow not a good sinusioidal. How can I fix this? Is it possible that the no-good part is the final transformer itself? Oscilating at 500hz? |
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#2 |
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diyAudio Member
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No hints on what it is?? That way maybe someone has seen it before and has some thoughts for you...
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Ralph Electronics Tech. |
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#3 |
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diyAudio Member
Join Date: Feb 2001
Location: USA
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Very bad to drive transformer in push pull mode (like a tube amp).
Especially with an asymetrical signal like a piano. The core 'walks' to one side and then distorts. Cheap car stereo amps had this problem big time. Properly designed amps will run from ±V supplies before being connected to the transformer (McIntosh). It is also OK to use a cap coupled single voltage supply to drive a transformer. |
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#4 |
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Sin Bin
Join Date: May 2004
Location: Budapest
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The transformator must have a little air-gap, even if you use in PP, because you can't assure the absolutely perfect simmetry.
BTW, I like the idea. 50W from 12V supply... nice! |
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#5 | |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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Quote:
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#6 |
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diyAudio Member
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I think this kind of behavior is exactly what you should expect from such a nonsense design
MOSFETs show pretty non-linear transfer characteristics and when they are operated open-loop in such a flawed topology, they will add lots of asymmetric distortion to any asymmetric signal and this is potentially a source of DC applied to the transformer, that would require a *huge* gap to handle it Note that audio waveforms are almost allways of asymmetric nature even if they are high-pass filtered to remove any residual DC. Sometimes one side has half the peak amplitude than the other side of the waveform [Look at piano waveforms with the oscilloscope] I think the simplest way to cure that problem is to add some feedback to linearise the circuit and reduce the DC error seen by the transformer |
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#7 |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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I cannot jigsaw the core to put gap, or put C between mosfet and core. I attach the schematic, maybe it will help you guys helping me.
I think about giving RLC (like the one used in speaker to flatten impedance curve). Putting this in output windings do not help at all. Will putting in both push-pull windings will help? |
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#8 |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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About flux imbalance. The core is big enough. Why is it still distort in small volume level?
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#9 |
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Sin Bin
Join Date: May 2004
Location: Budapest
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No matter how big a closed iron core! It can be saturated by some 100 mA at n*100 turns. Even my SU175 (15 kg mass) core. No RLC network can help.
Feedback can be helpful, and it lowers the output impedance too, wich is now very high. Additionally, you should mach the transistors by transfer admittance. BTW: this is a common source class AB amplifier. Without feedback, it must distort. An idea: if I were You, I would connect speaker directly to drains. Smaller transformator, better coupling at high freq. |
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#10 |
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diyAudio Member
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Just a stupid question :
Is this schematic from an audio amplifier or from a switched mode power supply?. It looks like a push-pull SMPS with its control IC and its pulse transformer ![]() The only way to get this topology to work properly is to ensure no DC at all is applied to the transformers. In SMPSs applications this is acomplished by using the same duty cycle for both sides and adding some dead time to allow small errors to self compensate. In audio applications you have to sense the voltage applied to the transformer, integrate it and compensate for DC errors introduced by non-balanced distortion components [removing bias to make it work in class B would also help in reducing DC applied to the transformer, this is the same as adding dead time on SMPS applications, but distortion wiil increase a lot, specially since there is no feedback at all] |
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