Hi kronzilla,
I cant answer your first question but its not very likely with the standard off-the-shelf amplifier purchased from on-line retailers. There are too many potential issues - oversensitive (unnecessary?) protection circuit, bad design, poor implementation to name but a few. I might finish off the project I started last February to see if my re-designed SAB-800 version lives up to its higher performance LTspice simulation figures or should be relegated to the disco amp or mains re-generator duty that many use it for.
I cant answer your first question but its not very likely with the standard off-the-shelf amplifier purchased from on-line retailers. There are too many potential issues - oversensitive (unnecessary?) protection circuit, bad design, poor implementation to name but a few. I might finish off the project I started last February to see if my re-designed SAB-800 version lives up to its higher performance LTspice simulation figures or should be relegated to the disco amp or mains re-generator duty that many use it for.
Definitely over-ambitious in all respects 
. I am generally quite interested in single-board amplifier modules since messing around with Maplin Mosfet amplifier modules in the 80's. I will take a look at my LTspice simulations and stripped-down PR-800 to see how much work is required to get a working channel. However, I will pretty much always be constrained by the possible poor layout and limited ability to hack the original design too much. I quite like the idea of having the on-board PSU capacitors though the designer could easily have put a full-wave rectifier and Zobel protection network on-board too (see what I mean ). I believe that reducing inter-wiring or tracking to the bare minimum can pay sonic dividends through reduced resistance and thus higher peak currents. Something that was used to good effect on the Cyrus amplifiers, amongst others, and probably one reason why they sound so good. Watch this space for further details but not too closely
. I am generally quite interested in single-board amplifier modules since messing around with Maplin Mosfet amplifier modules in the 80's. I will take a look at my LTspice simulations and stripped-down PR-800 to see how much work is required to get a working channel. However, I will pretty much always be constrained by the possible poor layout and limited ability to hack the original design too much. I quite like the idea of having the on-board PSU capacitors though the designer could easily have put a full-wave rectifier and Zobel protection network on-board too (see what I mean ). I believe that reducing inter-wiring or tracking to the bare minimum can pay sonic dividends through reduced resistance and thus higher peak currents. Something that was used to good effect on the Cyrus amplifiers, amongst others, and probably one reason why they sound so good. Watch this space for further details but not too closely
Nice set up, switching power supply a bit unusual in an audio amplifier but if you are happy.... I hand-drew the circuit diagram for my own reference but don't want to publish online. The 6 -12VAC supply feeds the SCR over-current protection circuit and generates a supply rail about 8 -16V below the negative rail voltage, as it is referenced to the negative rail. Lots of users have problems with the SCR crowbar circuit being too sensitive so hopefully you will be lucky.
I hand-drew the circuit diagram for my own reference but don't want to publish online. The 6 -12VAC supply feeds the SCR over-current protection circuit and generates a supply rail about 8 -16V below the negative rail voltage, as it is referenced to the negative rail. Lots of users have problems with the SCR crowbar circuit being too sensitive so hopefully you will be lucky.
