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#1 |
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diyAudio Member
Join Date: Jun 2001
Location: Calgary
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Has anybody looked at these as an alternative to relays or the Analog Devices muxes?
MPC507: 8-channel differential (or stereo) MPC509: 4-channel differential Pricing seems reasonable, about $8 CDN apiece. http://www-s.ti.com/sc/ds/mpc507.pdf |
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#2 |
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diyAudio Member
Join Date: Jun 2001
Location: Calgary
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OK then, how about any standard analog muxes for audio use?
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#3 |
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diyAudio Member
Join Date: Jun 2003
Location: USA
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> MPC507: 8-channel differential
These are second-source for a very old Harris Gates part. The series has been available for about 20 years, so it is probably not going to vanish soon. These used to cost a heck of a lot more than $8, though I do recall them falling past $25 quite a few years ago. Voltage handling is very good. ON-resistance is very high. You need to consider this in all phases of design. The last time I considered them, the ON-resistance promised more noise than I could accept in a microphone preamp. It is not a big issue in line-level work. However the resistance variation with voltage, while small, is not clearly specified. You typicially need a LARGE swamping impedance to mask Ron variations and get low THD numbers. In fact Ron for this heavily-protected part looks higher than I remember on the Harris parts. Note this TI tip: "Keep loading impedance as high as possible. This minimizes the resistive loading effects of the source resistance and multiplexer ON resistance. As a guideline, load impedance of 10^8Ω or greater will keep resistive loading errors to 0.002% or less for 1000Ω source impedances. A 10^6Ω load impedance will increase source loading error to 0.2% or more." They want you to use 100MegΩ load! The error they are discussing isn't what we call distortion: THD will be lower than static DC error. But clearly you want at least 1 Meg. Ah, TI has good Ron curves. Not very precise: drawn flat/level from -10V to +4.6V, but you can eyeball significant error above +5V. This may not be too important at line-level, and you may not need a super-high load impedance. |
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#4 |
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diyAudio Moderator Emeritus
Join Date: Jun 2002
Location: U.K.
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Yes, I used them in production about 10 years ago. They sounded OK to me and many others. Since then I've "regressed" to relays. They're faultless by comparison, but have a finite lifespan.
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#5 |
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diyAudio Member
Join Date: Jun 2001
Location: Calgary
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Thanks for the background. The datasheet does mention second-source, but a quick google didn't pin it on Harris.
I think NatSemi's audio handbook had a section on using analog muxes like the 40??, I'll check that out. Paul |
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#6 |
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diyAudio Member
Join Date: Jun 2003
Location: USA
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> quick google didn't pin it on Harris.
I don't know that Harris, or Gates, makes them any more. I think Intersil got the government contract and the tooling. The original part numbers start DG or ADG. Google "509 multiplexer" got me these hits: http://www.intersil.com/products/dev...o.asp?pn=DG409 http://www.intersil.com/products/dev....asp?pn=HI-509 http://www.intersil.com/data/fn/fn3142.pdf http://www.xs4all.nl/~ganswijk/chipdir/f/mux.htm |
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#7 |
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diyAudio Member
Join Date: Sep 2003
Location: Peer, Belgium
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I got some samples of the MAX397 (Maxim/Dallas Semiconductor). How do they compare to the MPC507? Thay are pin-compatible.
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#8 | |
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diyAudio Member
Join Date: Jul 2004
Location: Lyon (France)
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Quote:
Does this mean that you can't use them to source a power amp ? Power amps have input impedance more or less around 50k Having a 1k input source is still a problem ? |
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#9 | |
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diyAudio Member
Join Date: Oct 2004
Location: Jax, FL
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I got some sample of the mpc507 and was wondering if someone could answer the last question posted
Thanx Quote:
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#10 |
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diyAudio Member
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So for multiple source/output switching is this a dead end then?
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