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#1 |
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diyAudio Member
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I've noted here that this is a contraversial topic so I'd like the forum members to provide their opinions on where the most benefit is likely to be derived when making a mono channel supply for their amps. Below are five examples which could all be considered "mono" powered amps so pick your favorite and state why you expect an audable difference?
1. Everything separate, even the lines to the outlets. 2. Common delivery but separate transfomers, rectifiers and caps. 3. Common transformer but everything separate after that. 4. Common transformer and double bridge but everything separate after that. 5. Hybrid combination based on greatest bang for the buck. |
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#2 |
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diyAudio Member
Join Date: Apr 2003
Location: Brantford, ON
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#2 is the true "mono" p/s setup, the rest are improvisations
DIRT® |
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#3 |
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diyAudio Member
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JOE DIRT
What are the sonic advantages of using two transformers as opposed to one? |
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#4 |
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diyAudio Member
Join Date: Jan 2003
Location: Dortmund, Germany
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Hi!
At least in car-hifi, "true" mono supply designs are being used in order to minimize (that is, get entirely rid of) the influences of one channel of the stereo music signal on the other channel -> stability (for example, if a "strong" bass impulse is only heard on one channel, normally the voltage of that channel would drop a little bit because of the needed power, therefore influencing also the power available to the other channel, but if you use separate supplies, only the voltage of the "demanding" channel would drop, while the other stays "stable"). So far I have not used a "true" mono supply, only what you describe under pt. 3 for my P3A (500 VA toroid, but seperate rectification and smoothing). But I'm a student on low money , so who knows what crazy stuff I would build if I had the money for it... a P3A with 150.000 uF on each rail, built entirely of BG caps... Bye, Arndt
__________________
************************ A Sacrifice For Freedom |
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#5 | |
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diyAudio Member
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Quote:
__________________
www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#6 |
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diyAudio Member
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Cradle22
If the power delivery is the issue, isn't this a function of the size of the transformance as opposed to it being divided? Peter Daniel How are you my friend, its been a while and from my reading I can see that you've progressed nicely in your art, Congratulations! Now, is the soundstage improvement better focus or greater size? This is important because what you're hearing may be phase delivery timing issues that appear to increase the soundstage at the expense of resolution. |
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#7 |
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diyAudio Member
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For the record, I happen to be in Cradle22's camp and believe a single transformer has the potential to sound better than multiple transformers in a mono amp scheme but I'd like a robust discourse to see if my opinions and their logic hold up.
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#8 | |
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diyAudio Member
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Quote:
__________________
UrSv Those who say it can't be done should not stop those who are doing it. |
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#9 |
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diyAudio Member
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UrSv
Nice to see you here |
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#10 |
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diyAudio Member
Join Date: Dec 2001
Location: Earth
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i have tried option 2 3 times, even though i assume they are dual mono but sharing mains, a buzzing sound is heard from one side. This doesn't happen if i just connect one side of the amp
(2 monos in one) oppose to the dual mono same chasis and same mains. Recently i built a real monos-separate chasis and separate trans but sharing the same distribution block for ac mains but 2 power cords are used. i couldnot hear any buzzing at all. |
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