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#901 | |
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diyAudio Member
Join Date: Oct 2001
Location: Denmark
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Quote:
Here they are. This is real life measurements |
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#902 |
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diyAudio Member
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mmmm - those 10W figures are higher than I expected - almost in valve amp land.
But valve amps can sound very good - do you have any further comments to make to convey to us the sound of this amp. For instance compared to your other best designs. Is it good for a simple amp or good by any standards ? thx mike |
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#903 |
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diyAudio Member
Join Date: Oct 2001
Location: Denmark
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I stick to my impression in post 836. I Will comment more later.
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#904 |
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diyAudio Member
Join Date: Oct 2001
Location: Denmark
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But maybe i should loan you an set you could return or buy when you have tested the Sound ???? Then we All have a second opinion...
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#905 |
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diyAudio Member
Join Date: May 2005
Location: Denmark
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The amp sounds very very good.. clean crisp and very very detailed in a true musical way. Not much can compete with this. I have built now 3 different versions of the SSA. this one is the clearly the best. It may not have the best specs, but then what is specs...?? sine-wave deformation..??
The pure simplicity of this circuit really makes it shine, less grain, less sand... I LIKE..!! |
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#906 |
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diyAudio Member
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thx Sonny,
Do you think it would work ok with + / - 25V supplies - biased to 1 amp / channel ? That's how my DC fetzilla are powered - so good comparison - could use my choke regulated PSU's. If I prefer my Fetzillas then I'll return the favour - if you like - once I make up some more - but I would strongly recommend using choke regulated supplies. At present my Fetzillas are the most transparent, detailed & natural amps I have ever heard - and it's hard to imagine something better - but I would be happy to be surprised.mike |
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#907 |
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diyAudio Member
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#908 |
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diyAudio Member
Join Date: May 2005
Location: Denmark
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Can't tell you why, but the horse may lie somewhere in the execution or.... this number three version of the SSA I have is currently the best of my SSA's, but still it lacks a little compared to Sonnys, In all respects it's actually better, more power, deeper base, better grip same level of detail but sonny's amp plays the music in a better way. It simply makes more sense. Now I'm not a measurement guy or a guy with an utter love for my own creations, but I do have access to some very very good equipment, superb cables and also a good collection of reference equipment. Sonny brought his amp, and what we have got whipped. My third incarnation of the SSA is closer and in some respects better, quite sure it measures better, but it lacks some of this special magic that Sonny's amp has.... could be the Drain output, that holds the magic..?? Still some work to do for me...
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#909 |
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diyAudio Member
Join Date: Sep 2007
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Sony and Michael I clearly believe your's sound impressions, since I know what kind of amps and systems you both have experienced so far. If you both says it is OK, I know it is so.
![]() Me also know what SSA/TSSA amps are capable of and that is the major reason why still digging further on into this topology. As a result, as you all know up to now, CSA was started. Before opening CSA thread, here's front-end, populated with resistors and semiconductors just for a taste. ![]() Andrej
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#910 |
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diyAudio Member
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I think that 0.1% low order distortion does not sound distorted for the ear. Of cause i would like to see better numbers but maybe conventional high feedback amps have other problems like energy storage ( settling time ) or there is interface distortion when the speakers are connected. I still listen to my TSSA version that is even simpler then sonnys and nobody is complaining. I use high sensitivity speakers though and under 80Hz my subs are active so the TSSA does not have to work that hard in the bass.
There has being discussion in other threads why some amps with high static distortion like tubes sound better to some people. Maybe a little bit of harmonic distortion is even good to make the music alive. There is a certain loos of harmonics on all recordings, may it be the truncated response of microphones or may it be strict bandwidth limiting in CDs. I know that arguing that way is waking in muddy waters but what the heck ! When it sounds good it is good. Last edited by Joachim Gerhard; 11th August 2012 at 06:36 PM. |
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