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#1 |
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diyAudio Member
Join Date: Jun 2011
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Both NAP-140 and JLH1969 are classic power amp. I have built both a JLH1969 and the NAP-140 clone. I like both of these two amps, they sound much better than any of the commercial amp available to me. However, by comparing the two amps, I find the NAP-140 is kind of lacking bass, and also might be having higher THD. A respected professional has ever pointed out there are flaws in the NAP-140 clone schematic(see fig.1), and he also provided a "corrected" and "improved" design(see fig.3). Now I have given away my 1969 to my best friend. I want to modify the NAP-140 to have better sound than the 1969, in terms of THD at high output power, and bass performance. I have some specific questions on the schematic. Can any body help to answer?
Fig1. NAP-140 Clone Schematic ModelSimulation.jpg Fig2. NAP-140 Clone Simulation(occilating at high freq. around 100kHz) nap140simulation20khzwaveform.gifnap140simulation2.gif Fig3. Improved Schematic nap140improvedsimulation.gif Fig4. Simulation for the Improved Design nap140improvedsimulation20khz.gif My questions are 1) Is there any logic and theoritical explaination for the simulation result? Why the amp occilates at around 500k-800kHz? 2) What is the 68uF capacitor across TR5 for? What happen if I increase or reduce the capacitance? 3) I suspected the 68uF(actually 22uF in the Clone kit) capacitor along the negative feedback line to the tround would affect the base. I replaced Nichcon Muse 22uF with a 220uF electrolyte. Now I have deeper and lower base, but it still not tight and clean. Is there a way to improve? 4) Both channel DC offset at output is less than 5mV at quencent. However, when the amp is approaching to the full output power, the DC offset at the output is some times over a few hundreds mV(I know these because my speaker protection circuit come into play, which usually requires over 800mV DC). What is most likely the cause of this DC offset? How to improve it? The PSU is a 200W 34v+34v transformer with single bridge(10A) and two 14000uF reservoir for both channel. Last edited by jazzclassics; 18th February 2012 at 05:44 AM. |
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#2 |
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diyAudio Member
Join Date: Jun 2011
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For the DC offset in question 4, I suspect it was caused by power fluctuation on the rails. Will it help to add power regulator to stablise the power supply to the input and VAS stage?
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#3 |
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diyAudio Member
Join Date: Jan 2006
Location: nea makri athens greece
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---simulation cannot tell you much about the sonic signature of one amplifier
---highly experienced users with very powered software tools might be able to convert the info to a usable product regarding the sound ---The schematic of figure 3 will not operate properly its way too simplified and there is obviously beyond other mistakes very wrong choice of parts ---finally since you are constructing the amp from scratch why not convert it to a full complementary which now days will be better, more stable, faster and more tollerant than a quasi
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SERVICE ΕΝΙΣΧΥΤΩΝ ΚΑΙ ΙΑΠΩΝΙΚΩΝ ΜΗΧΑΝΗΜΑΤΩΝ ΗΧΟΥ www.eastelectronics.gr |
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#4 | |||||
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diyAudio Member
Join Date: Aug 2008
Location: Vancouver, Canada
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Hi,
In my opinion, you'd better use the original version, not the NCC-200 and for sure not the improved circuit 3. Quote:
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In addition, it may be the imbalance in the differential pair currents. How did you come with 1.4kohms value? This is not a good value with the given current source current. I'd suggest to stick to the 1k/22k combination and only change the 620 ohms resistor to 560 ohms for better matching with the transistors that are used nowadays in the current source circuit (TR3). I wouldn't recommend any degeneration resistors bigger than 22 ohms for this circuit, or you'll need to sink more current in the current source. Good enough for the NAP-140 Last edited by Ruwe; 18th February 2012 at 08:38 AM. |
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#5 |
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diyAudio Member
Join Date: Jun 2011
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hi Sakis,
For diyers, quasi-complementary pair is an easy choice that simply easier to construct due to parts availability. Diyers, such as me, normally do not have instruments to match power transistors. Why you think "full complementary which now days will be better, more stable, faster and more tollerant". I would like to see some theoritical ground. Could please provide some reference? Thank you. Last edited by jazzclassics; 18th February 2012 at 01:27 PM. |
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#6 |
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diyAudio Member
Join Date: Jun 2011
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Ruwe,
Thank you very much for your answers. Many the parts are not available, which prevent me to construct a unmodified NAP-140. Also, by using modern transistors, can we reproduce the sound of an original NAP-140? Or can we even get a better sound by using modern parts with the same schematic? With regard to the cap around TR4, mine is a 56p. I see most of the design using 39p-68p. By the way, in my construction, I use Hitachi 2SB649 for the TR4. Could there be a better choice? My measurement show that the static current through TR4 is 7-8mA, which produces 300-400mW. Normal To-92 transistors could not sustain and work stably under that condition. So did my first and second construction, both a 2SA1145 and a BC556C with heat sink have been used for TR4, both blowned away. Here are some datasheet for those interested. The schematic for my first and second construction. h140.pdf 2SB649 datasheet 2sb649.pdf 2SA1145 & 2SC2705 datasheet 2sa1145.pdf 2sb649.pdf BC546 & 556 datasheet BC556.zip BC546_7_8.pdf IRF540N IRF540N.pdf The "Improved" NAP-140 Schematic NAP140MosBoostSch.JPG LTspice Simulation - AC sweep for the "Improved" NAP-140 NAP140MosBoost_AC-Sweep.JPG From LTspice simulation result, that modified circuit does have very attractive performance
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#7 |
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diyAudio Member
Join Date: Jun 2011
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LTspice Simulation - 20kHz Sine for the "Improved" NAP-140
NAP140MosBoost_20kHzSine.JPG NAP140MosBoost_20kHzFFT.JPG Any comments? If you have more actual measurement/simulation result of NAP-140, I welcome you post them here.
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#8 | |
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diyAudio Member
Join Date: Aug 2008
Location: Vancouver, Canada
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Quote:
IMO, the original circuit without the degeneration resistors is correctly designed in this regard. And the current is just enough to drive Tr4, which is enough driven itself to drive the drivers at their specified currents. It's deceptively simple schematic, but anything has a meaning, it's not over-engineered, but the designer definitely knew its craft. I think it was additionally fine tuned during lab tests (for example the R/C groups in the driver bases). Of course all that with their choice of transistors. Tr4 is a critical one. I don't know which one is the best choice. I use ZTX792A. Generally, the right choice is highest possible bandwidth with the highest possible gain, plus enough current/power capability, which is usually self excluding. The role of the drivers is also very important, considering the fact that Tr4 drives them and is loaded by them. Same considerations are valid for them as well. My choice is MJE243/253. Regards Last edited by Ruwe; 18th February 2012 at 05:14 PM. |
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#9 |
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diyAudio Member
Join Date: Jun 2011
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Ruwe,
Thank you very much. Your answers are quite enlightening. I will try some different combination of transistors and capacitance for the TR4 and the cap. |
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#10 |
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diyAudio Member
Join Date: Jun 2011
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Prior to my third time to take the amp apart, I have done some simulation work. As Ruwe pointed out that there might be some occilation due to inappropriate cap/TR4. So I tried to build a Spice model with solely bjt.
The revised schematic NAP140BJTABR.JPG Simulation 50K Square Wave NAP140BJTABR-50kSqW.JPG Simulation 20K Sine Ware & FFT NAP140BJTABR-50kSinW.JPGNAP140BJTABR-50kSinFFT.JPG I have tried different combination of Q5 and C5. The result show that different Q5 does not make much difference as long as it is a high Ft small signal device. Meanwhile, the C5 introduce distortion at high freq. The higher the capacitance, the bigger the distortion. From the above simulation graph, we see that C5 is best as removed, given the output pair is low Ft transistor such as 2N3055. By the way, I have very limited bjt/mosfet models in my LTspice library. Does anybody know where to get more models? Thanks a lot. Last edited by jazzclassics; 19th February 2012 at 10:20 AM. |
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