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#1 |
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diyAudio Member
Join Date: Jan 2009
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Hi,
I designed, built, tested and listened to this amplifier. Its circuitry is a bit different, but I find it sounds very good (very difficult to tell it apart from a tweaked Linn amp using blind, level-matched AB switching), and it does not generate the excessive heat from a class A design. Its design is based on a non-complementary BJT circuit. It runs class AB, and uses current amplifying stages instead of voltage amplifying stages (VAS) to drive the output transistors. The output stransistors are in a totem-pole configuration, but run common emitter rather than the usual common collector (emitter follower) layout. The front end of the amplifier uses a differential compound pair (Sziklai). The first transistor after the differential pair is biased such that instead of cutting off sharply for class AB, it has an extended non-linear cutoff to minimize the impact of "crossover" distortion. This base circuit also compensates for the inherent non-linearity of the "gm doubling" of the output transistors when run class AB. The result is that over the entire operating range, the openloop gain of the amp doesn't vary more than 5-10%. Closing the feedback loop with about 60db of loopgain results low distortion. measurements using +21/-21 volt power rails: Output power (.003% distortion) 35 watts @ 4 ohms output power (.1% distortion) 45watts @ 4 ohms freq. response: 10Hz-50KHz +0-3db Low freq. limit set by coupling capacitor, can be eliminated for DC Slew rate: 5V/us (can be increased but requires 10uh in parallel with 10 ohms in series to load) Capacitive loads: stable (with 2V/us slew rate) with 1uf low-ESR load. Distortion (@ 1khz): 2nd harmonic below -90db for 35 watts or less 3rd harmonic below -85db for 35 watts or less higher harmonics below -90db for 35 watts or less Output stage protection: output voltage diode clamped to rails output current limited to 4 amps after 10ms DC on output: adjustable to zero, stable to a few millivolts. I enclosed the schematics and an LTSpice ".asc" file to show the gain linearity while the input is DC swept. Plot the derivative of the output voltage "d(V(Vout))". The circuit requires the Cordell models for MJL3281, 2N5089, 2N4403. I have used MPSA56 transistors extensively, and the SPICE model is on the ON Semiconductor site, or just use 2N4403's instead. MPSA56's were popular 'cause I had a whole pile in my transistor bin. The circuit is a bit of a fluke.... it originally was a class A design - one of the design iterations showed better performance running class AB! You can probably greatly increase the power output with higher voltage rails. I didn't need much power, and I had a pair of transformers scavenged from a few cheapy UPS's that would only do 21 volts DC. Feel free to use the circuit as you wish, please tell me if there's anything you think that might improve its sound. Paul G. |
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#2 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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I'm probably not clever enough to pick up on the subtleties of your overall circuit.
What I see is a dual VAS that has been cascoded. The VAS directly drives the output devices. What's special about that? Do you have sufficient current gain to drive a load? Particularly a speaker load. The +IN base sees 110k, the -IN base sees 9k1. I suspect you have to deliberately unbalance the input LTP to cancel out the input offset current and voltage and thus achieve near zero output offset.
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regards Andrew T. Last edited by AndrewT; 15th December 2011 at 02:35 PM. |
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#3 |
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diyAudio Member
Join Date: Dec 2005
Location: Los Angeles
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+ 1 on Andrew’s comments. About the only thing I see atypical about the circuit is the output stage bias feedback. One thing you could try doing is connecting the RC’s of C100 and C200 to the collectors of the 2nd stage cascodes instead of the collectors of the VAS’, may be able to run a lower value of C that way, possibly upping the slew rate. Just a thought, I'm sure you've worked a lot of angles of the design.
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#4 |
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diyAudio Member
Join Date: Jan 2009
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The output devices are current driven to give voltage translation from the positive rails, and to ignore the effect of the very different base voltages of the output transistors. The current drive allows the output transistors to both run at full gain - there is no feedback as you'd get with an emitter follower, since the base currents are unaffected by the emitter voltages. The cascoding of the driver transistors (Q100,Q200) ensures that the currents remain balanced despite the difference in pwr transistor bases.
The "magic" is in the 470 ohm (R100, R200) base circuit for Q100, Q200. The voltage across that resistor is developed by the input differential circuit. That voltage causes Q100 and Q200 to create collector currents, but the base voltage to collector current relation is non-linear (exponential). As the base drive comes from higher impedance, it becomes more of a current drive, and as such becomes more linear. In effect, you can control the degree of non-linearity of a transistor common emitter stage by the Thevenin resistance of the base drive. In this case, for a 400-500ma output transistor bias current, the value of R100, R200 seems to balance the non-linearity caused by the output transistors and gm doubling. If I replace the 470 ohm R100, R200 by a high impedance active load, there is a kink as both output circuits go into conduction, and the gain doubles as you'd expect in gm doubling. Note that gm doubling is much reduced in an emitter follower - as you'd expect when you apply the feedback formulas. Using the 470 ohm resistor gives an open-loop gain variation of 5-10% over the full range, compared to a greater than 2:1 variation when using a more conventional circuit. For a given bias current, there is an optimum value of R100, R200. I have some trouble trying to explain WHY this works, and how to predict the optimum values for R100,R200. During best linearity, it turns out that Vbe of the driver transistor matches Vbe of the output transistor over the full signal range, within a few millivolts. I am not sure what that signifies. Also, the optimum linearity occurs when R100,R200 are approximately the dynamic value of rbe for Q100,Q200. The other wrinkle is that the non-linearity allows a very gradual cutoff as the output transistors shift out of class A operation. It's very difficult to measure the precise cutoff point, and I don't see any bumps or nicks as the circuit transitions through cutoff. Measuring distortion at lower signal levels is quite difficult, since my equipment is limited to about -105db distortion. There was nothing I could see. I am relying on measured results, not simulated ones. I find that LTSpice did not give me results that were close in the case of distortion limits or high frequency stability, but its good enough to see what direction to go in. There is definitely enough gain to drive a speaker. The open loop gain of the circuit is about 2000-3000, as computed by LTSpice. When the feedback loop is closed the gain is 10, giving me a loop gain of 200-300, or about 50db. Because of the better linearity, I can use less feedback, and still get overall distortion products of about 90 db below full output. The driver transistors can supply 50-100ma into the MJL3281 bases. The output transistors have an Hfe of 150, yielding 8-15 amps. That is more than enough current for a 35 watt amp. The limiting circuit will allow high current transients, but will pull back when the average transistor current is greater than 4 amps. The speaker sees twice the current variation for each power transistor. The amp has inverting type feedback, so the input impedance is about 10k in parallel with R2 (100k). If you make the reasonable assumption that the main input is driven by a voltage source, both bases of the differential pair see about 9.1kohms AC impedance. You are correct at DC conditions. On the other side of the diff input, I should put a 4.7uf cap in series with R13 (9.1k), and add a DC path to ground, about 51 Kohms. That should improve the DC stability and the AC balancing. During the beginning part of the design I didn't use a coupling capacitor, and ran everything DC. That caused a few problems with some signal sources, so the capacitor went in, and I neglected to match the DC circuitry. Thanks for the tip! By the way... the reference designators (Q100, R200, etc) I mention are from the PDF files I attached above. The LTSpice circuit has quite different reference designators. Paul G. |
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#5 | |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Quote:
But look at the datasheet. There is no way hFE=150 when output current = 15Apk BTW, 45W into 4r0 would require a peak current capability of ~15Apk without much loss of output voltage, to make it capable of driving a 4ohm reactive speaker for all types of music. There is no point in testing to see if the amplifier can deliver 15Apk into 0r1. That is quite different.
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regards Andrew T. |
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#6 | |
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diyAudio Member
Join Date: Jan 2009
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Quote:
Without the cascode isolation, signals from the upper power transistor will feed back and unbalance the drivers. I tried moving the compensation circuit around (it creates a dominant pole), stability seemed best where it is now. It seemed that setting the open loop -3db freq. response to about 8kHz would give stability. The closed loop response is between 50-100KHz. There are two other compensation circuits (R54-C53, R12-C5), they were necessary to keep things stable with a 1uf across the load, running flat out. I chose a slightly slower more stable amp instead of a faster one with the R-L (10 ohm in parallel with 10uH) in series with the output. Paul G. |
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#7 |
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diyAudio Member
Join Date: Sep 2011
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I've gotta say, a pretty design
The only comment I have that might improve your figures is to lower the feedback resistance, if you can/want to afford a lower impedance input. I think it'd help reduce noise figures. Is it correct that the bias adjust has to be a multiturn for any sensibly accurate Iq adjustments?
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Negative Feedback: The Need for Speed |
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#8 |
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diyAudio Member
Join Date: Aug 2005
Location: K-town
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There appears to be a common mode loop, Q8 acting on the sum of the voltage drop across R50/51. This loop goes back to Q1, modulating the value of the CCS. I've used the same basic concept to bias a VAS, but not including the output stage. Interesting way of biasing quasi output stage.
BTW, J-fets are nice too, especially for CCS.
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All the trouble I've ever been in started out as fun...... |
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#9 | |
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diyAudio Member
Join Date: Jan 2009
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Quote:
It doesn't need any fancy 10 turn pot for bias adjustment. I use a single turn trimpot, and I use either an ammeter or the bi-colour LED circuit shown in the optional circuits above. Changing the output stage's current while monitoring the distortion shows a broad minimum of distortion. Setting the current plus or minus 100 ma from the 400ma optimum changes the distortion by one or two db. What really messed up the distortion was when the circuit oscillated at several MHz. The RF would not show up at the output (except as distortion as it changed amplitudes). Even with a 100 MHz 'scope, the RF amplitudes were barely visible, and they'd change depending on the audio signal. Once the circuit was properly compensated, a lot of distortion and sporadic RF disappeared. Paul G. |
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#10 | |
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diyAudio Member
Join Date: Jan 2009
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Quote:
The operating point is controlled by the current source in the long-tailed pair. It's quite stable, and D5,D6 are mounted on the transistor heatsinks to keep things from getting too hot. Just to be sure, I ran both channels full out into a short circuit, and let it cook for about 20 minutes. Once the shorts were removed, the bias current was maybe 100ma lower than it should have been, until things cooled down. Paul G. |
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