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#1 |
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diyAudio Member
Join Date: Dec 2006
Location: Florida, USA
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Hi. I recently acquired a Realistic DX-160 Communications Receiver, made around 1975. The audio circuit does not work -- the chip is bad. I am going to order a new replacement chip. My question is concerning what I think are bandpass filters surrounding the chip. Can anybody help me determine the nature of these and why they are there? See the image of part of the schematic containing the audio circuit. If needed I can provide a datasheet of the chip. The schematic contains the values of the parts.
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#2 |
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diyAudio Member
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OK I'll take a shot. There seems to be more than nessisary parts around that chip. Because this is a communications reveiver perhaps they are doing some audio emphasis -demphasis depending on the type of station. They may even switching the tone automatically. I would be intrested in seeing the datasheet.
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"You can keep your insurance baby nothing is guaranteed" -Tom Petty |
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#3 |
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diyAudio Member
Join Date: Apr 2011
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A communications receiver might well have some sort of filtering to make the most of poor signals. The datasheet would be of help in figuring it out. Google draws a blank on it, BTW.
Are those uPC20C chips still available? Better grab one while you can. |
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#4 |
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diyAudio Member
Join Date: Dec 2006
Location: Florida, USA
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No, the uPC20C is obsolete. Mouser has a replacement -- the NTE1075A. I will attach the datasheet for that one.
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#5 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Hi,
HAM radios AFAIK are designed to maximise speech intelligibility with very poor signals with loads of interference. Often the interference is in ranges you don't need for intelligibility but much higher in level than what you wan't. It gets in the way, so chuck it away and only use the ranges you need. Not the sort of radio you'd want to listen to music on, basically, but it allows signals to be understood you would not be able to understand unfiltered. Some I understand have some very clever DSP adaptive filtering. rgds, sreten.
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There is nothing so practical as a really good theory - Ludwig Boltzmann When your only tool is a hammer, every problem looks like a nail - Abraham Maslow Last edited by sreten; 1st December 2011 at 12:56 AM. |
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#6 |
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diyAudio Member
Join Date: Dec 2006
Location: Florida, USA
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Thank you, sreten. That helps me understand why all the filters are there.
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#7 |
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diyAudio Member
Join Date: Apr 2010
Location: Coffs Harbour, on the east coast
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I've listened to a few DX160s over the years before synthesised tuners were adopted. I wouldn't say the audio was particularly filtered as in a serious comms. receiver, as they made a fair AM receiver too. It is usual in budget receivers to carry out bandpass filtering primarily by the IF bandwidth. Post or audio filtering for various impulse or wideband noise, is by intermediate adjustable/switchable filters.
Unlike modern, one chip audio amps, most early ones needed a bucketload of external caps to make them even function. The likelihood of RF leaked into the audio and mussing up the amp's operation might be a good reason for placing filters there.
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regards |
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#8 | |
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diyAudio Member
Join Date: Apr 2011
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While trawling the interweb, I found the following bit of info that might be of some use.
Quote:
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#9 |
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diyAudio Member
Join Date: Dec 2006
Location: Florida, USA
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@ ingenieus -- Thanks for the link, I saw that already. Unfortunately it applies to the newer ones that use a different audio circuit. The chip and everything is different. But thanks.
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#10 |
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diyAudio Member
Join Date: Nov 2004
Location: Germany
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For one thing, the output coupling cap (C66) certainly is on the meagre side for speaker operation. That one should be like 470..1000µ then. C63 seems to be a bootstrap cap, enlarging this by about the same factor seems worth a shot. For everything else, the NTE datasheet is not detailed enough.
In general, I wouldn't trust average quality mid-1970s electrolytics too much any more. If the unit should still be using carbon comp resistors, these should be checked for upwards drift, too. |
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