|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Solid State Talk all about solid state amplification. |
|
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
![]() |
|
|
Thread Tools | Search this Thread |
|
|
#611 | |
|
diyAudio Member
Join Date: Sep 2006
|
Quote:
Now one could question the philosophy of it all. What we see is that an increase in the input gain provides an equivalent improvement in linearity. This seems logical, but in fact it simply means that the gain supplement provided by the CFP is clean enough to be used "raw", for example to reduce the errors of other parts of the amplifier (here, the output stage with its clumsy 2N3055's). So, why would you want to linearize something that is already better than the context it is going to be used in? I think that's simply sensible resource management. Now, you have the right not to like high open loop gains for ideological or other reasons, but that's completely different. As Renardson says: negative feedback works, it delivers the goods. Note that just for the fun of it, I have designed amplifiers and output stages not relying on global NFB, but these are exercises in style: they prove you can completely dispense with NFB and yet achieve ppm level distortion: UniGaBuf, a follower cut out to be a leader The Tringlinator: a MOS-based Tringlotron amplifier
__________________
Last edited by Elvee; 5th February 2012 at 11:42 AM. |
|
|
|
|
#612 | ||
|
diyAudio Member
Join Date: Sep 2006
|
Quote:
If I can find some samples, I'll try it just to make sure. Quote:
The PSRR is not huge, and it could in principle benefit from a (very) good electronic filter (gyrator), but it would have to be really excellent to make a difference and not to degrade other aspects. The output impedance in particular would need to be extremely low, even at high frequencies.
__________________
|
||
|
|
|
#613 | |
|
diyAudio Member
Join Date: Nov 2007
Location: Dallas
|
Quote:
Rest of the time in near B? R1 degens open gain for sure. Same thinking applies to comp, but you got at least one voltage moving at all times, so the other has something to comp against. (I had trouble comping complimentary version, because both drive voltages fold on the rails) B ain't exactly "differential" like an equal and opposite that would cancel in R1. ------- Noo, wait... maybe you are right? This is confusing... - Nope, I was right. In B, one emitter (Q5 or Q6) should be stuck at constant current, not at constant voltage. Voltage decided entirely by R1 and opposite emitter. R1 would be degenerating "differential" gain, because it is ping-pong single ended half cycle for all practical purpose... Very little common mode about it. Last edited by kenpeter; 5th February 2012 at 12:19 PM. |
|
|
|
|
#614 |
|
diyAudio Member
Join Date: Nov 2007
Location: Dallas
|
If the input pair collectors were both pegged 1 drop
from the bottom rail, comp across those collectors would have very little effect. It is only because R1 allows one or the other to move that it works at all. This is more likely why removing R1 makes unstable. A resistor in each collector circuit would provide the same voltage swing across the comp, without degen. Then maybe you don't need to CFP the input pair for more open loop gain, you already have it. Last edited by kenpeter; 5th February 2012 at 12:32 PM. |
|
|
|
#615 | |||
|
diyAudio Member
Join Date: Sep 2006
|
Quote:
Quote:
You have to play the game fairly, work the way a simulator does. The dynamic inter-emitter resistance remains the same, with or without R1. Since the operating current in Q5 and Q6 is 13mA, that resistance is ~=2*26*13^(-0.9)~=5ohm That resistance sets the transconductance of the stage in differential mode. The common mode transconductance with R1 is a bit smaller than 1/R1 when present, and 1/1.25 when it is absent. That's a big difference, and that's the only thing that matters for the circuit. The common mode exists regardless of the circuits operating conditions, and it has to be made stable, and preferably independent of the differential loop. Without R1, the mode mixing is maximal. Quote:
__________________
|
|||
|
|
|
#616 | |
|
diyAudio Member
|
Quote:
With 22k feedback, I did get two discrepancies: 55w effortlessly and much more on dynamic peaks. Dramatic decrease in temperature--It is efficient and cool. From this point of view, it seems that the people who are using fans might have too much watts to the heatsink instead of the speaker.
Last edited by danielwritesbac; 5th February 2012 at 04:02 PM. |
|
|
|
|
#617 |
|
diyAudio Member
Join Date: Feb 2005
Location: Watertown, NY
|
Changing the gain does not alter quiescent current, or power dissipation
|
|
|
|
#618 |
|
diyAudio Member
Join Date: Nov 2007
Location: Dallas
|
Together with common mode feedback, one emitter must be at constant current.
Simulation confirms this. Effective emitter resistance is, pluggin' numbers from the graph into my calc. Taking out the tilt and going by the hump in the middle. oh about 1.1K??? R1 clearly becomes significant to the differential by way of the other emitter. The other one, not jammed to constant current by a logic threshold, maybe a few ohms per your numbers. Last edited by kenpeter; 5th February 2012 at 08:35 PM. |
|
|
|
#619 | |
|
diyAudio Moderator
Join Date: May 2003
Location: Palatiw, Pasig City
|
Quote:
thanks Elvee.....anybody built one yet?
__________________
http://www.elab.ph/forum/index.php?topic=32688.0 |
|
|
|
|
#620 |
|
diyAudio Member
Join Date: Feb 2005
Location: Watertown, NY
|
Elvee, damn you! Now I have to build another Circlophone...
|
|
![]() |
| Thread Tools | Search this Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Need help with OB design - cheap, cheap, cheap | djn | Multi-Way | 38 | 30th May 2010 06:26 AM |
| Scosche SPL meter: Cheap find with potential, or cheap junk? | theAnonymous1 | Everything Else | 5 | 11th October 2006 03:40 AM |
| Alpine cda-9831 vs. 9833 vs. 9835 | cbecker33 | Car Audio | 3 | 10th December 2004 12:47 PM |
| New To Site? | Need Help? |