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#1 |
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diyAudio Member
Join Date: Oct 2009
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Hello all,
I'm still having trouble grasping a basic amplifier concept I'm hoping you can help with. I'm thinking out loud here so bear with the lecture. With a common emitter/source amplifier, as most of you will know, it is common to add an emitter resistor (Re) and collector Resistor (Rc) to stabilise the gain and make gain more or less independent of transistor variations. So gain essentially becomes Rc/Re (within reasonable limits). So we now have a circuit that can be used in multiple amplifiers and perform in much the same way despite transistor variations. One way to improve linearity and reduce distortion is to replace Rc with a constant current source, which if well designed has essentially infinite output impedance. This means that gain theoretically becomes infinity/Re, but obviously gets limited by the transistor transconductance and other transistor properties. So my question is, how do you make a simple current sourced common emitter amplifier operate independently of transistor variations? I need to make two channels of an amplifier, and each has a current sourced common source jfet input. How do I make both input stages have the same gain without either removing the current source or resorting to a LTP input? Any advice you can provide will be appreciated! Regards, Greg. |
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#2 | ||
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diyAudio Member
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Quote:
Av= GmRl Where Rl= 1/Hoe || Rc || Ri (next stage/load resistance) 1/Hoe being the inherent collector dynamic resistance. You can usually ignore it with minimal errors since Rc is usually ~an order of magnitude smaller. An active load can increase gain by making: Av=~ (1/Hoe)Gm (no load) Quote:
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#3 |
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diyAudio Member
Join Date: Jun 2005
Location: Zürich
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Active load techniques are not particularly useful without feedback for the reasons you mention. They are mostly seen within opamp topologies where global feedback stabilizes the operating point.
Samuel |
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#4 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi,
the active collector load will almost certainly not have constant impedance across the whole passband of the amplifier. This results in gain that varies with frequency and confirms SG's need to apply NFB. JLH shows a variety of one, two and three transistor amplifiers with different ways of providing AC feedback and DC feedback. All these circuits appear individually in other papers, so far I have only seen the collection of them in "The Art of Linear Electronics" Where else can we find a comprehensive collection of feedback scenarios for the one to three transistor amplifiers? |
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#5 |
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diyAudio Member
Join Date: Oct 2009
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OK thanks, I will get JLH's book and look into local NFB options. In the mean time I'm going to play with some simulations and build some test circuits.
Greg. |
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#6 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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JLH's The Art of Linear Electronics is out of print.
It was published by Newnes isbn 0-7506-3746-3 I consider this my best electronics reference book. Better than Horowitz and Hill and the ARRL handbook. It is a good complement to Self and/or Cordell. Those 5books + a number of briefer pamphlets & small paperbacks cover most topic I need to consult. |
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#7 |
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diyAudio Member
Join Date: Apr 2010
Location: Coffs Harbour, on the east coast
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Chapter 3 of Self's recent title "Small Signal Audio Design" is all about discrete amplifier circuits in the standard categories of single, 2 and 3 transistor amplifiers and opamps. It's yet another book but this one is right in the audio ballpark with up to date analyses.
As a comment, the book is light on theory whilst retaining essentials and thorough on evaluation and choices as would be necessary for any DIYer to make. BJT in this chapter only. The publishing details and a little more on discretes are on The Douglas Self Site
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regards |
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#8 |
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diyAudio Member
Join Date: Oct 2009
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OK thanks all, I will track down those books. Ordered the JLH one already.
Greg. |
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#9 | |
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diyAudio Member
Join Date: Oct 2009
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Thanks Miles,
Quote:
Well I don't know really. I just assumed they would need to be pretty close if they're for the L and R channel of the same amp. So you think I'm worrying too much then and that I should just build it as is and match Vgs as best I can? |
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#10 |
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diyAudio Member
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^
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