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#1 |
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diyAudio Member
Join Date: Dec 2008
Location: Toronto, Canada
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Because I still have more fingers on my hands than I have projects on-the-go, I thought I'd start another, and overwhelm myself! :banana:
So, for a looong while, my favourite downtown surplus shop has had this beautiful blue Leitch rack-mount gear kicking around; I thought this one (an FR-664 Distribution Amplifier) had the looks to serve as a home for my headphone amp build. The corners (small to large radius corners) and grill were what caught my eye. The face is cast and slides out to open up--I'm using this feature to my advantage, hiding the plugs and switches behind the grill to maintain the cool looks when it's not in operation, then just flip the front down to turn on and turn up! And here's a proposed layout that I've got in my mind. I plan to have a barrier between the sigma22 + transformer board and the epsilon22 backplane, to separate the power and audio sections. (possibly one piece of steel, or two piece with an air gap between them for isolation) |
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#2 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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sorry to see you've bought the "3-channel" hype
in that space dual mono, dual polarity supplies should easily fit with split bobbin EI xfmrs you may well want some iron between the ps and amp boards but the line rejection, channel separation and "gnd contamination" performance would be much better than "3-channel" with a single toroidial xfmr supply could be cheaper than stuffing a 3rd amp board too you can search for my (jcx) posts on head-fi with "3-channel" and "active gnd" for an engineering based critique of "3-channel"'s failings Last edited by jcx; 12th June 2010 at 04:19 AM. |
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#3 |
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diyAudio Member
Join Date: Dec 2008
Location: Toronto, Canada
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I didn't buy into any hype. I bought the b22 board, e22 backplane, plus all matched transistors, sinks, CCSs, etc. including parts for the s22 board (had to buy the board separately) for $cheap, shipped. Thanks for the suggestions, but I'm doing what I can within my means
All I've left to buy are resistors and caps, and I'm buying them in five-and-ten quantities anyways, so the extra cost for the third channel is virtually non-existent. When everything's done, I can put it in or take it out of circuit and see for myself which sounds better to me--thanks for the suggestion, you've got me thinking now. I am using a Plitron dual secondary 30V 300VA transformer for the supply and I plan to condition the incoming 120V. I hope to include binding posts for speakers and a I've plans for a switch circuit to flip-flop between speakers and headcans I've read that the active ground can help with the reverse currents induced by speakers' spiders running the coil back thru the magnet. jcx, have you much to say on that subject? Last edited by thefragger; 12th June 2010 at 04:41 AM. |
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#4 |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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#5 | ||
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diyAudio Member
Join Date: Dec 2008
Location: Toronto, Canada
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Quote:
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Have I misinterpreted the purpose of the third channel from the description provided? I'm trying to learn as I go, here... Last edited by thefragger; 12th June 2010 at 04:59 AM. |
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#6 |
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diyAudio Member
Join Date: Jan 2010
Location: UK
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Hi, I don't think you have misinterpreted, but I do think that you have 'bought some marketing'. Anyway that amp is well regarded so you are certainly going in the right general direction!
So, ground... most people here tend to regard the best ground as being ground. If you separate the left and right shared ground into two separate grounds, and keep them separate all the way back to the power supply 'star' point, then you will find really good performance from just two channels. I am sure many headphone fans like to call it 'balanced', but is not; it is just normal separation like speakers. (You certainly do not need a bridged amp, which again many mistakenly call 'balanced'). You will need a 4-way socket, such as a 4 pole XLR (...or possibly 2 x 3 pole XLRs, but they are a bit big). One layer of steel should work as a shield... but remember to ground it well. Finally... invest in a good quality volume control with decent left / right matching. Your case looks classically cool, so you have all the ingredients of a super little project... so the best of luck! : ) |
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#7 | ||
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
It perpetuates the myth that an active ground causes return currents to bypass signal and power supply ground (which was started by a user named Morsel who got the whole "active ground" thing started). The return currents flow through the signal and power supply grounds with an "active ground" just as they do with a conventional ground, only they take a more circuitous route getting there. The "active ground" myth has people believing that the return currents either dribble out onto the floor or evaporate into the ether. They don't. An an "active ground" offers no particular benefit over a well-executed conventional ground. Quote:
se |
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#8 |
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diyAudio Member
Join Date: Dec 2008
Location: Toronto, Canada
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Thanks Jen-B very much for your comments; that sounds like an interesting design, however I'd imagine a recable would be in order for my headphones to make use of such a layout.
Thank you for the explanation, Steve Eddy. I understand that the current has to flow back thru the circuit, but doesn't the active ground do anything in terms of bolstering and stabilizing the ground reference? I think I will try to build the amp with the three channels, just to see what everyone else is talking about (I already have the expensive bits for it) and if I don't like it I'll just take it out, I don't think that should cause me any problems. In any event, if I were to build this with XLR connector (/connectors, be it one 4-pin, or two 3-pin) plus a normal 1/4" jack, as Jen-B has outlined, would it be possible to implement a switch which would joint or separate the L and R channel ground just before they hit the jack? In essence, a switch that would require toggling to change between the XLR jack(s) and the 1/4" plug, or would I run into ground loop issues? (I don't think I would, but I figure I'd ask) Diggin' this dialog we've got going on Last edited by thefragger; 12th June 2010 at 02:10 PM. |
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#9 | ||||
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
The ground reference is ultimately nothing more than a singular point. A node in the circuit. There's nothing to "stabilize" or "bolster." And whether "active" or passive, all the return currents flow through that node. Quote:
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Since the B22 boards only have one pad for the output, you're not going to be able to tie them all to that point unless you're using some rather small gauge wire. So you might want to use a tag strip and bring everything together on one of the tags. ![]() Just make sure you don't use the tag that's tied to the chassis. Quote:
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#10 | |
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diyAudio Member
Join Date: Dec 2008
Location: Toronto, Canada
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Quote:
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I'm familiar with tag boards--they're used a fair bit in tube amps. There's any number of ways to split the wiring--I could use screw down terminals and cram the wires in, or I could crimp two wires to a female pin in a plug if I solder on a header to the board, or just put a long pin at the output and wirewrap, etc... that decision can wait Alrighty, so a piece of 3/16" ~ 1/4" thick (chosen for ability to drill and tap the edge for mounting) steel plate should be fine for PSU hum isolation from the b22 boards if I put the whole shebang in one box, then notch an edge to let the power supply wires run through (rather than feeding thru a hole and crimping on the other side, for modularities' sake). I gotta crack open the CAD suite and see what I can come up with... |
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