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#1 |
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diyAudio Member
Join Date: Jun 2009
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Time for a new great power amplifier, practical and simple yet advanced, production ready and fully protected. I believe in non feedback design, which in my opinion gives a lot of advantages matching my design requirements:
1) Naturally balanced inputs 2) Ability to drive real loads with high currents 3) Unconditional stable no matter load 4) Best sound possible, not best measurements 5) Very high reliability 6) Very low noise 7) Well behaved when overloaded The schematic looks complex, but if you take out the onboard power supply, DC servo and the full protection circuit it's actually very simple, just a jfet differential input, push-pull folded cascode driver and a two stage emitter follower output stage. The power supply is onboard, just connect a toroidal transformer with the right voltages. The amplifier is also fully protected against short circuit, high temperatures and DC on output, with a mosfet based relay. Some of the design decisions: 1) Single power rails. It would be better having the driver part running on higher voltages than the outputs, but I would like to be able to use simple standard toroidal transformers. I have still tried to get as high output swing as possible, resulting in output voltage swinging to 4V-5V under the power rails when loaded. 2) jfet input. I believe in shortest path, and the only way to have that "single stage" high current folded cascode driver with high input impedance is if using a jfet differential input, and I have chosen the LSK389 dual part to avoid matching parts, and for the very low noise. 3) Two stage output. Again the shortest path principle and for maximum output swing, when using the high current folded cascode driver and the newest and best bipolar transistors it can be done with great results. 4) DC Servo. Without global feedback then the DC drift is depending on the whole amplifer, not just the input pair, so a DC servo is unavoidable. I have then chosen a design using low power and controlling the jfet input constant current balance in order not to influence the AC performance of the amplifier. 5) Mosfet output relay. The only way to fully protect expensive speakers is to be able to disconnect them. I hate mechanical relays, but now it's time to use mosfet relays, the parts are now good and inexpensive, and the special photovoltaic optoisolator make it simple. 6) Bandwidth limiting, I don't want a short wave transmitter so I believe in limiting bandwith to 300 Khz. I also don't trust what's it's being feed on the input so I like to have a DC blocking capacitor there. Some measurements on a breadboard prototype with just one pair of output transistors and into 4 ohms load: 1) THD <0.5% at full power and 10 Khz, quickly going down to <0.1% at lower power levels. 2) 900 Khz !! power bandwidth without the bandwidth limiting capacitors. 3) Output impedance 0.45 ohm Practical Implementation: The schematic is designed for three versions, with output power up to 60W, 110W and 190W, using one, two or three sets out output transistors. I'm doing the 110W version first, if successful then the others will follow. The PCB is designed for directly mount on a heatsink, the 110W version to fit in a 2U case. I'm a surface mount guy and some parts nowadays are only available in SMT, so the PCB is mostly surface mount, I have tried not to use the smallest parts, limiting myself to 0805 and sot23. And except for the LSK389, all other parts are stocking at either Digkey or Mouser. I'm sending off gerbers for prototype PCB's now. When I'm done optimizing the design and if there are interest then I'm planning to start a small production and selling them a good prices.... Attached is full schematics and PCB silk screen print. All commercial rights are reserved, but feel free to use part or all for noncommercial purposes.... Comments and Feedback very welcome, but remember my design requirements.... |
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#2 |
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diyAudio Member
Join Date: Jun 2009
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More readable schematics....
Soren |
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#3 |
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diyAudio Member
Join Date: Jan 2008
Location: Virginia
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Not bad, I just don't like ZERO global feedback... As I don't like either TONES of fedback. 0.5% is good for what you did, just not good enough for my taste. Same with the output impedance - too high 5-10%. You still have local feedback (input stage R37) so... why not some global?
Maybe it was better just a little global negative feedback instead of killing the bandwidth for nothing with the cap. I like the PS, the servo, thermal protection. Not crazy about MOS-FETs "on" resistance series with the speaker - especially with no feedback. I would use a relay but that's me. Ah, and I would use a separate suply for the OpAmps, now are too "close" to the current sources, even with the 1uF caps on their rails... Last edited by SoNic_real_one; 14th April 2010 at 01:13 AM. |
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#4 |
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diyAudio Member
Join Date: Jun 2009
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As soon as you start with global feedback you:
1) Loose the natural differential inputs 2) Loose the unconditional stability 3) Loose the well behaved when overload And I don't consider R37 local feedback, it's just part of the differential voltage to current converter. But that might be a matter of opinion, I don't consider it feedback until you actually feed something back from an output to an input, in this case that would have been from the jfet drain to source.... In real world relays will have higher impedance than the two mosfets, and more potential for nonlinearity, especially when they get old.... The Opamp draw 7 uA with 221K on the output and the Comparators draw 9 uA each and only toggle when something bad happens, can't see how that in any way can affect anything.... Soren |
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#5 |
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diyAudio Member
Join Date: Nov 2006
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Very interesting soekris, good luck with the project.
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#6 |
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diyAudio Member
Join Date: Jan 2008
Location: Virginia
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1) Differential inputs are not something that important for final quality of sound. Same results can be achieved with SE feeds.
2) Loose the stability? Only if you drive pure capacitors you might start to look into phase margin. Especialy with moderate global open loop gain/negative feedback. 3) Just say no to overloading. I am more concerned with low damping factor and what that does to bass control. With non-linear distortions and what that does to the timbre (harmonics), but... that's me, no problem. R37 is local feedback, the curent in the source is deducted from the other side (that has a "natural" inverted phase) diminishing the output. That looks like (local) negative feedback to me. And seems to me that R52 and R53 should have reversed the values. Don't take it the wrong way, you have asked for comments
Last edited by SoNic_real_one; 14th April 2010 at 03:26 AM. |
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#7 |
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diyAudio Member
Join Date: Jun 2009
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1) Remember my design requirements, one of them are differential inputs, which I consider important.
2) As soon as you apply global feedback you need to control gain/phase, usually by slowing down the amplifier.... And there are real worlds load which are pretty demanding.... 3) In real world that might not be an option :-) I should said that I also have an eye to pro applications, where those things above do matter.... R52 and R53 is correct, R52 is sourced an additional nominal 800 uA from the DC servo, giving 8.8 mA though R52. Comments are very welcome, but it IS a non feedback design, as I don't see any need for global feedback, the pure THD is below what you can hear, and without feedback to get a lot of more important positive effects.... Although it would be easy to make it into a more regular amplifier with high open loops gain and global feedback, but why, there are plenty of those around, I want to make one that sounds great.... See also Pass's paper: http://www.passdiy.com/pdf/articles/...n_feedback.pdf Low damping factor is overrated, people forgot the impedance in the cables, bass control don't have anything to do with the damping factor, which owners of tube amps will attest to.... Anyway, the 110W version will end up a little lower, probably at 0.3 ohm as it have two sets of output transistors, the 190W version even lower. Soren |
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#8 | |
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diyAudio Member
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Quote:
![]() Anyway, your approach to avoid global feedback instead of learning to use it properly is nice. Lazyness is very powerful.
__________________
I use to feel like the small child in The Emperor's New Clothes tale
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#9 |
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diyAudio Member
Join Date: Nov 2006
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Eva and soNic_real_one, on this occasion I think you misunderstand the point of the project from soekris...
There are many, many amps on this forum with global negative feedback. (You might design them yourself, and you might be happy with them, and that is good for you). However the tube guys have found that 'open loop' amps can sometimes perform very well, and this project from soekris is a way to explore 'open loop' in solid state, with the benefit of reasonably high output power. I think it should be encouraged! Last edited by Gordy; 14th April 2010 at 12:26 PM. |
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#10 | |
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diyAudio Member
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Quote:
I don't care about what tube guys find out, they rarely use scientific methods so their findings are just not repeatable. Year 2010 state of the art electronics have absolutely nothing to do with them. On the other hand, how many of these tube guys can make a tube amplifier with true voltage source behaviour (less than 0.1 ohm output impedance across the whole audio band and less than 0.1dB tonal unbalance, which would usually require strong of global feedback?) If you can't get the result that you like, you can always persuade yourself and others into thinking that whatever else result you got is very good
__________________
I use to feel like the small child in The Emperor's New Clothes tale
Last edited by Eva; 14th April 2010 at 08:18 PM. |
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