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#1 |
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diyAudio Member
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I'm using a straightforward instrumentation opamp arrangement (three discrete OPA134) in a floating audio buffer, AC coupled input, fairly high impedence (~1M). unity to high gain (1-1000x). The performance thusfar is excellent and slightly exceeding hopes.
Conventional wisdom indicates I want a simple common mode/differential mode RF filter on the front. However, the OPA134 only has a gain bandwidth product of 8MHz to begin with and following the generic 'rules of thumb' about the filter settings (DM filter corner at 10% of GBP, CM caps < 10% of the DM cap value), that already solidly cuts into the audio band. Due to the fairly low GBP of this opamp... are the filter caps actually needed at all? The application is actual test & measurement (an instrumentation op amp... being used in instrumentation! :-) so the input should not be assumed to be controlled or controllable. Dirty signals shall abound. I'm concerned only about the theoretical RFI filter in this post; there's considerable additional active input protection in the design and I'm assuming it to be completely orthogonal for the time being. Thanks!
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"My name's Monty, and I break things." "Hello, Monty!" |
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#2 |
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diyAudio Member
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Yeah, you probably need RF filtering, and probably not just on the signal inputs.
"The overall input filter bandwidth should be at least 100 times the input signal bandwidth." See Chapter 7 of "Op Amp Applications Handbook" (Walt Jung, Editor Emeritus), which should still be on line, free, at analog.com. (They also describe how to actually test for RFI effects, using a signal generator, which should be able to tell you whether or not you need the input filter!) You'll probably also be interested in Chapter 2 (and some of the others no doubt!). Here's the link: ADI - Analog Dialogue | Op Amp Applications Handbook You'll probably also want an RCR "T" filter on the output, which is yet-another input for RF. Use low-value metal film resistors, for lowest noise, preferably 10k or less (and well matched 1% or 0.1% ones, not to mention well-matched capacitors) for the input filter and something on the order of 100 Ohms for the RCR "T" output filter. Keep the filter components as close as possible to the input, output, or power pin they are supposed to protect, and, in the case of the CM/DM input filter, lay them out symmetrically, over a large ground plane if possible. You might also want to add a small resistance (probably less than 100 Ohms; maybe 33 Ohms; or maybe a ferrite bead; you'll have to test it) just upstream from each set of power supply bypass caps, i.e. for each power supply pin, since chips' power pins are also RF inputs. Depending on the application, you might also want to consider using coaxial cables for the input and output signals. Last edited by gootee; 27th November 2009 at 03:48 AM. Reason: corrections, duh |
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#3 | ||
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diyAudio Member
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Hi!
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I'm concentrating on the input buffer first tho, and in this case it is both battery powered and shielded (fully inside a metal box). The only thing exposed outside the shielding is the input leads. Batteries, converter, etc are all inside the metal box. Would I still need to worry about the power supply pins and buffer output in this case? I know I've set it up as something of a stupid question, but occasionally one can learn from asking stupid questions, and I'm not certain I know the answer.
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"My name's Monty, and I break things." "Hello, Monty!" |
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#4 | |
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diyAudio Member
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Quote:
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#5 | |
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diyAudio Member
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I'll be borrowing an RF signal generator to test out the circuit susceptibility to RF input.
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"My name's Monty, and I break things." "Hello, Monty!" |
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#6 | |
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diyAudio Member
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Quote:
It depends, somewhat, on what all is inside the box. But I think that you will probably still want to have something like the standard 10uF electrolytic and 0.1uF ceramic very close to each opamp power pin. Those aren't just for filtering. They're each sort-of like a point-of-load power supply, meeting surge- and pulse-type demands for current that the inductance of the PS wires might otherwise affect, which also helps to keep the power for the other chips smoother, because of things like V=L(di/dt) voltages that would get induced across the PS wires or traces. Along those same lines, you will also want to design your ground return system carefully. That's also covered in the Jung-edited book that's downloadable at the link I gave previously, as well as in, among other places, the classic, must-read Application Note, AN-202, "An IC Amplifier User’s Guide to Decoupling, Grounding, and Making Things Go Right for a Change", which is available as a free PDF download, at Analog Devices, Inc. |*Converters Amplifiers Processors MEMS A/D Converters Analog to Digital Video Converter Temperature Sensors Analog Device RF Amplifiers Differential Amplifiers Digital Signal Processing Thermal Management D to A Converters Micro. Tom |
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#7 | ||
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diyAudio Member
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I'll be using some high-current output buffers elsewhere, for those, absolutely power decoupling (10uF/.1uF). I was asking more along the lines 'are the decoupling caps useful for additional stability?' and 'do they help prevent cross coupling through the supply?' Quote:
In any case, the design in progress has to interface with other equipment at 10-15 points and so its easier to keep every block balanced/floating, even the interconnects between blocks on the same board, and star ground it all. The only single-ended signal paths are the external ones coming in/going out to consumer equipment, and even then I'm floating the send/return 'ground' as an unbalanced REF. Sometimes, brute force is the answer :-) Thanks for the time and answers!
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"My name's Monty, and I break things." "Hello, Monty!" Last edited by xiphmont; 29th November 2009 at 08:31 PM. |
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#8 |
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diyAudio Member
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Yup. Differential is often the best way to go, if you can. And star grounding used to be kind-of an obsession, for me.
I would probably still decouple the power pins, unless the opamps aren't doing anything (and probably even then). The article at the link below has what appear to be some more-concrete examples for layouts. I haven't studied it and don't know if it has a lot that's applicable to what you're doing. But it looks like it might be helpful, for someone, some time, at least. http://www.analog.com/library/analog...-09/layout.pdf And you have probably already seen AN-539, from analog.com. But, if you haven't, it's about in-amp errors and error budgets (which all might also have been covered in the Jung-edited book that I linked to, earlier); incredibly boring stuff. Last edited by gootee; 1st December 2009 at 02:16 AM. Reason: Editing. Duh. |
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#9 |
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diyAudio Member
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[having now spent lots of modelling and experiment time with opamps and strong RF inputs...]
One more 'stupid' question. The Analog design documents by Jung mention repeatedly that the input stage BJT/JFETs of an opamp have a tendency to rectify strong beyond-GBW signals. This has been recycled into multiple ADI documents, but the implications are mostly left to the reader to figure out. The text states: "Depending on the device operating current, the interfering frequency and its relative amplitude, these differential pairs can behave as high-frequency detectors. As will be shown, the detection process produces spectral components at the harmonics of the interference, as well at dc! It is the detected dccomponent of the interference that shifts amplifier bias levels, leading to inaccuracies." From that point on, the documents only ever talk about dc offsets introduced by RF rectification. However, if the input stage is behaving as a detector (as stated) wouldn't it be demodulating the interfering signal, not just producing a DC offset? Eg, a 60MHz AM carrier modulated with a 5kHz envelope would be demodulated by rectification, dumping a 5kHz signal into the input stage, correct? I've tried the concept out experimentally, but unfortunately my signal generators are producing an AM signal that's too 'impure' to be of much direct use. Also, if rectification is happening, it looks like other distortion effects within the opamp have more to so with accidentally demodulating the signal. Thoughts?
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"My name's Monty, and I break things." "Hello, Monty!" |
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#10 |
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diyAudio Member
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Unless we know what a chip's internal circuits look like, all we really know for sure is that "bad things can happen" if the wrong RF gets into the chip.
Basically, ALL p-n semiconductor junctions will rectify RF, to some extent at least, resulting in some DC, and probably other nasties, or even a demodulated AM radio signal. Any stray DC in there could make the chip operate "incorrectly" (by changing internal DC bias points, etc), which, unless we know the internal circuit, could be "anything", except what we want. Strong too-high-frequency RF will easily completely disable many types of sensitive electronic systems. So the magnitudes of the potential problems are probably significant. And I have read accounts, in the Chipamps forum, of radio stations' audio coming out of chipamp systems, at a listenable volume. The basic solution is to keep the unwanted RF out of the system, using coax, shielding, proper grounding, and filtering. It can be difficult. I would certainly want to have RF input filters to try to keep out everything above my frequencies of interest. Have you experienced a particular problem or are you just trying to make sure the design is solid? |
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