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#31 | |
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Account disabled at member's request
Join Date: Mar 2007
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Quote:
I've used power resistors before with an auxiliary transformer to power the soft start but that's like "stone age" compared to this.
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#32 | ||||
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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Quote:
Nice piece of kit , Love the chassis and the tranny isolation is the way to go. What design is the amplifier based on ? . Quote:
I'm at a lost here as i cannot technically dispute what you are saying , i can only recount my practical experiences and have found that consistent 2 ohm operation requires more capacitance than one would use in a 8 ohm operation amplifier. My question would be , how much is 2 much and how much is enuff . 1. Is 20,000 enuff ? what about 100,000 .... 2. Why not do it electronically ,applying just what is necessary for the load. ? based on your explanation, electronic regulation would seem like the only way to go .. 3. The supply voltage is very important and without a perfect supply wouldn't added capacitance make a difference ? 4. What would be your choice for low impedance operation , what would be the max uf you would run ? Quote:
25 years ago when doing club pro sound, Bryston supplied us with amplifiers , which were being operated @ 2 ohm . I had requested to add more caps and they advised against it , very much so. Prior to this we were using Dynaco 416's with there C100 added capacitor bank , no issues . Well we ended up having to send the Brystons back every 2 yrs for re-capping as they would start to get noisy and of course with there great warranty , it was done free of charge . send amp to Bryston , re-cap , play again repeat ... Historically over the years for me , a large bank of caps for low impedance operation makes a difference , maybe 220K is over board , but 70 K is 2 small for such low power operation in my books and currently anything over 50 -70 watts now and my amp takes on a grungy sound and get harsh , same as the Brystons, they did when they needed re-capping .. Quote:
Last edited by a.wayne; 7th November 2009 at 05:09 PM. |
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#33 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi,
this was posted in the Forum a few times. It made a bit more sense than what I had done previously with my power amps and so I adopted it. I have never been able to fault it since, other than putting up with a lot of flak from disbelievers among the Membership. Set the input filters' F-3dB about a decade wider than the frequencies you want to reproduce. Set the NFB filter more than half an octave lower than the high pass input filter. Set the PSU RC more than half octave below the NFB filter. I set any pre-amp's filters a further half octave to one octave wider than the power amp's. eg. 20Hz to 20kHz audio frequency range. input filters set to <=2Hz and >=200kHz, i.e HP RC>=80ms & LP RC<=800us NFB RC >114ms PSU RC >114*1.414, i.e. >162ms For 8ohm speakers this 20Hz requirement becomes >+-20mF/ch for 4ohm >+-40mF/ch for 2ohm >+-80mF/ch
__________________
regards Andrew T. |
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#34 |
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diyAudio Member
Join Date: Dec 2006
Location: Where the sky loves the sea
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a.wayne,
let me know the rail voltage and the max output current and I'll look at it tonight. |
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#35 | |
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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Quote:
Andrew , Huh! Way above me there Buddy , i will have to wait for PA and others to layman it a bit for me . |
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#36 |
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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#37 | |
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diyAudio Member
Join Date: Dec 2006
Location: Where the sky loves the sea
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Quote:
The AC line is an ideal voltage source sine wave 170V p-p. Inrush protection is 4R7 bypassed with a relay modeled using an ideal switch that turns on after 2 sec. The transformer is 3 inductors, with a coupling factor of 0.98 between them. See the .subckt in the schematic. The ratios of the inductances are set to get the proper output voltage, series resistances are a guess. I don't know if the values for L1, R1, R2, R3 are realistic, I'd appreciate any guidance. I haven't been able to find any transformer manufacturers who spec those parameters. Diode bridge is just the default diode model, same for the caps. The output stage is modeled using a voltage source, splitting it into + and - halves using ideal diode primitives, and driving ideal voltage controlled current sources. For these sims I set the gain to 16, i.e. 1V input -> 16A current into 4 ohms, to swing 64V max or 80% of the rail voltage. The cool thing is you can drive the voltage source with a .wav file. (I used "Return from Planet Egalica" by Dubblestandart, for anyone who's wondering.) I won't claim that this model is 100% accurate, but I think it is good enough to get a detailed understanding of the problem. It can be easily modified to use models of the the actual diodes, multiple caps and their ESR, etc. |
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#38 |
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diyAudio Member
Join Date: Dec 2006
Location: Where the sky loves the sea
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Here's two waveforms showing the rail voltage, the voltage waveform at the load, and the current in one of the diode bridge diodes for 70,000uF and 200,000uF.
In both cases the rail sags to about 60V. It never gets charged all the way to 80V because I haven't come up with a way to delay the start of the .wav file. But if there was excess current capacity upstream from the caps, it would get there. In any case, with 200,000uF the rail is a little smoother vs. 70,000uF but it still sags to about the same point, and the diode current "in use" is about the same. So this supports my earlier contention that additional capacitance, beyond "enough", doesn't do any good. Unless you're listening to recordings with very high peak to average ratios, maybe the 1812 Overture with real howitzers. Last edited by mightydub; 8th November 2009 at 05:49 AM. |
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#39 | |
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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Quote:
I should have the necessary parts for the soft start next week and then i will proceed to first test the new caps and then with all 4 caps for a total of 220K... I have noticed that different brands sound different , so first is to see if there is any degradation in the sound with the new type ( Brand) first with the same capacitance , then upping ... Viewing your results, there is a big difference for the first 4 secs. Then less so afterwords, the ripple is much smoother , now to see if we can hear the difference on some 1812 dubwise.. thanks MightyDub .. Last edited by a.wayne; 8th November 2009 at 06:07 AM. |
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#40 | ||
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diyAudio Member
Join Date: Dec 2006
Location: Where the sky loves the sea
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Quote:
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