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#81 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Oh? JC = John Curl! Delayed realization...
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#82 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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So, anyways, I see Roadbagger already has AX7's on the bottom, and AV7's on top.
This mismatch is a very good if you are driving a grid into A2 that needs pullup grunt more than pulldown. But this same mismatch of slew capability could behave very weird if driving Schaded FET (Translate "Original Zen" for Zenmod) Triode emulator with a big capactive gate, Schade (fake Mu feedback from the plate) prefers driven fed from a fixed symmetrical impedance. Symmetry of slew capability into the next stage can be put to advantage in such cases (and others), and is not an option to be dismissed lightly! But lets take SRPP one step further, replacing our top device with a BJT "ring of two" or BJT+MOSFET "Aleph" style current source. Basically a fake depletion mode device with very high transconductance follows the voltage of the lower, plus a fixed voltage offset. The SRPP resistor sets the quiescent current, nothing changed about that... Load tapped up the top of SRPP resistor, this drives nothing like a real tube anymore. You gots waaay too much pullup, and still no better pulldown. At the bottom end of the SRPP resistor, behavior dumbs down to a simple CCS. And here, the triode's plate gets no power steering assist whatsoever... But right in the middle (assuming the top follower impedance is pretty near zero), you got this magic node where you get exactly the same assist as-if you had another virtual Triode in parallel. Even if the device above isn't a triode, it now forces itself to become one! But since it must fake this from the other side of push-pull, its actual behavior is not that of a follower, nor is it complimentary, but that of a true anti-complement. An Anti-Triode emulator... A vacuum triode need not be anywhere present to make productive abuse of a circuit with this behavior (again, see Aleph if anyone doubts). Sorry all the Nelson Pass ref's. Not one to be accused of following the Curl Camarilla, I try to translate into Zenmod-eese for the as-yet Anti-Triode challenged... Same thing only different. Other side of the sand/glass curtain. And all that... Tar and feathers are the only crucial components. Last edited by kenpeter; 23rd November 2009 at 09:27 PM. |
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#83 |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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my Papa is smarter than your Nelson ! tnx to thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; BAF Forum & Gallery;I'm dumb
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#84 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Lemme see if I can dumb it down to a picture...
R1 and R2 would be approximately the same. This should drive the next stage more like a pair of 12AX7 in SE parallel would. Not as-if push pull or SRPP... This is how an anti-compliment works! Insultramentary my dear Watson... Abused MJE350 to mismatchify the upper device. Without it, the "midpoint" might have been hidden inside the upper Triode's cathode resistance where we can't easily connect. Any circuit that acts like a depletion mode will do. More then one way to skin a cat... Last edited by kenpeter; 24th November 2009 at 12:03 AM. |
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#85 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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And regarding AV7's atop AX7's, does this achieve anything stacked AX7 could not?
I mean, you are having to cut back bias current on the AV7 to the limits of the AX. If you can't slew down any better for it, does it "lower the impedance" or anything else?? Even with theoretically infinite Gm above, you can't symmetrically slew any better than 2x what the lower tube alone can do. And makes no sense to chose any "help" ratio bigger than 2:1, due the limit of pulldown current. Your Anti-Triode help ratio is high as the SRPP resistor vs cathode follower resistance allows, but is it REALLY able to give the help you have asked of it, or already over the 2x hedge and into the la-la-land of asymmetrical impedance? But you might could fix either situation by paralleling a CCS with the lower triode. But then, would we lose our minds and want that current source to become yet another parallel helper too??? The Auntie of Anti is another emulator... Etc etc... Where does it all end??? And what of the SRPP drive totems in the WSFB??? What is thier "help" ratio? Are they driving anything (like a grid in A2) that wants or needs the asymmetry? If no, then why tap the top end of the SRPP resistor? Was that the best tap point you could possibly have chosen? I'm not saying for sure it isn't, just that its maybe worth asking the question. Last edited by kenpeter; 24th November 2009 at 02:50 AM. |
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#86 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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And before pointing out the fact I've also tapped the top end in my Differential
White Cathode Follower. That actually was about as close to the middle of the SRPP resistance (counting the cathode) as I could get. So sometimes the top is the middle, or sometimes close enough, but not always... Abusing high Gm on top takes a lot of the mystery out of where the middle lies... Last edited by kenpeter; 24th November 2009 at 03:05 AM. |
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#87 |
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diyAudio Member
Join Date: Sep 2009
Location: San Jose Ca.
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Apparently, judging from the above, the concept was missed here, and since a picture is worth a thousand words, here is what's really going on with the front end. Maybe less coffee would help............
__________________
There is SOUND, and then there is the sound of SOUND |
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#88 |
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diyAudio Member
Join Date: Sep 2009
Location: San Jose Ca.
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The 1-1AMP preamp was shown earlier in its simplified version, This is the test unit. In answer to request offline
__________________
There is SOUND, and then there is the sound of SOUND |
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#89 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Rfeedback and Output should both perhaps be tapped at the SRPP midpoint?
This would yeild the highest possible slew rate that could still be symmetrical. Where within the SRPP resistor is this midpoint? Don't rightly know the cathode follower resistance of an AV7 off the top of my head... The real difference is when driving a challenging load. An SRPP with symmetry of slew might only attenuate the signal. An SRPP without slew symmetry will almost certainly distort, and possibly even rectify DC. Maybe you get away with it because you have loop feedback? Or maybe your load isn't challenging enough to reveal the issue? But is it really ideal to lean upon a loop to fix an error that doesn't ever need be created in the first place? Better to lean upon coffee. Last edited by kenpeter; 24th November 2009 at 06:21 PM. |
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#90 |
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diyAudio Member
Join Date: Sep 2009
Location: San Jose Ca.
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This design provides a low plate load impedance for the dual triode differential stage to the effect of removing the miller feedback to this pair. The following stage is what is normally referred to as a transimpedance amplifier, current in and voltage out. The approximate 2:1 difference in the device Gm of this "op-amp" pair linearizes the stage gain and slaves the Ib of the lower triode allowing some gain modulation of the upper current source. I think you may not see the vast dissimillarity between what you keep referring to, and this circuit. There is little frequency limiting here or distortion overall. The intermod performance here is down near -90 to -100 db. Though I happen to be a proponent of zero feedback amplifier topologies, there are some chains of gain that, when locally Gain confined, maintain transient response linearity indemic to the stage being fed back. "You loose nothing, you gain precision". The only "challenging load" in an amplifier should only be the final transducer commonly referred to as a speaker. That part is far removed from this discussion.
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There is SOUND, and then there is the sound of SOUND Last edited by Roadbagger; 24th November 2009 at 09:29 PM. |
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