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#61 | |
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diyAudio Member
Join Date: Jan 2004
Location: Koskenkorva Land
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Quote:
have read your reply and can understand your points. I'm not sure what the "non-linear voltage" at the base of the pre-drivers to the OPS means, maybe you are thinking of the current? However the pre-drivers are normally biased in class A and their task while providing better drive capability of the output transistors and also to "isolate" the relative high impedive VAS output from the non-linearity especially seen in the OP transistors which normally works in class AB and have a non-resistive load to work with. By letting the OPS to be "looser" and create higher order harmonics we have to realise the task will be taken over by the LTP to correct it anyway. Now I'm not really sure about the following statement: "...won't inject so many HF harmonics into the feedback loop." Do you mean the local feedback loop around the VAS transistor? The amplified Collector voltage being mostly of 2nd order harmonics is not what I tried to point out to be the problem but the non-linear intrinsic capacitance inside the transistor and by having a large Collector resistance value the voltage gain goes up and the intrinsic non-linear capacitance by nature appears to be so too and as the output of the LTP is not very low impedive it invites the distortion to occur. This is why I suggested to tie the collector to a firmer voltage node in which the designer can creates any suitable circuitry/solution as he/she prefers. Cheers Michael
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"If transistors are blueberries and FETs are strawberries, then tubes must be.. pears" Michael 29th January 2010 Last edited by Ultima Thule; 28th October 2009 at 09:39 PM. |
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#62 |
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diyAudio Member
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Let me offer another way to analyze my proposed VAS.
The two devices are both in common emitter configuration so they will act like integrators. The first one has no gain to speak of because of the emitter resistor so it also acts like a buffer providing current to drive the 2nd VAS. Since they both act as integrators we have a form of 'active pole splitting' which improves the overall distortion.
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"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed." Robert M Pirsig. |
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#63 |
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diyAudio Member
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I am writing a long post, I don't think "active pole splitting" is the only reason it lowers distortion.
- keantoken
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#64 | |||||
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diyAudio Member
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Imagine that we delete C8. Now the only way for voltage switching harmonics to enter the circuit is through Q7's Ccb. We have already eliminated half of our problem. The rest of the switching harmonics are current related. Also, I think the standard usage of Cdom is somewhat ineffective. it is current draw, more than voltage output, which causes stress on the output stage. Cdom references voltage output, not current output, and yet the whole LTP and VAS is a current amplifier (meaning that any stability issues caused by more or less current flow, which affect the LTP the most, are ignored by Cdom since the output voltage will always be the same regardless of the load). With Cdom referenced to Q7's collector, Cdom is more effective when more current is drawn. So say we put a 470n cap across the output. Output current will increase, so VAS current will increase, and therefore Ic(Q70) will increase, increasing the voltage swing at its own collector, increasing the amount of feedback Cdom provides to its base. This technique works very well for class B amplifiers, at least in the simulator. - keantoken
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