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#21 |
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diyAudio Member
Join Date: Jun 2002
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ALW:
Nice! ... Where can I get the pcb from? Bina |
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#22 | |
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diyAudio Member
Join Date: Mar 2001
Location: Brazil
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Quote:
Jan also had great experience with the Sulzer regulator, as he also designed a very simple and very smart DAC that used that regulator. On that design he was also one of the first I saw that starred separate ground lines (and power if I remember well) on the pcb. Another interesting concept which ALW mentioned on past threads was the importance of impedance and other curves being low but also flat, instead of being only low at certain frequencies and then going up. The Pooge regulator does that. About the three pin regulator chips, implementation is usually wrong on many DIY applications. E.g.: 7XXX regulators can (and should) have large caps at the outpjut for better specs. Variable regulators should have up to 150uF at the output only and large caps from the regulating pin to ground, in parallel with adjust resistor. Carlos |
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#23 | |
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diyAudio Moderator Emeritus
Join Date: Sep 2002
Location: The Netherlands
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Quote:
__________________
It's only audio |
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#24 | |
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diyAudio Member
Join Date: Mar 2001
Location: Brazil
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Quote:
They recommend tantalum and ceramic, which is usually rejected by most audio designers or enthusiasts. Audio applications are mostly a bit different from others, and this Forum is a place where such different implementations are suggested and applied. Though I doubt manufacturer's engineers stop by here or pay any attention to our suggestions. That has been widely mentioned on articles on CD player mods and why they used the audio chips they used. In any case, on the variable regulators datasheets I remember to have read warnings on not going over 150uF at the output and using protection diodes on the regulating pin if you use large caps, with no maximum warning. No warnings on maximum caps on 7XXX types that I remember of though. Carlos |
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#25 |
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diyAudio Member
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Most data sheets for integrated regs mention MINIMUM cap - not for low Z, but for stable operation. They often oscillate if there is too low a cap at the output. The cap is an integral part of the loop compensation.
Because these caps cost money & pcb real estate, there is a drive to make them stable with much less cap. One manufacturer uses the slogan "AnyCap (tm)" regulators, because they are stable with any cap, meaning whatever the ESL is. Very high quality film caps at the reg output may sound (no pun intended) like a good idea for audio, but because of the very low ESL they actually can also cause oscillations. Look up a data sheet for those modern, low-dropout (LDO) regs by LTI, they describe this very well. Jan Didden |
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#26 | |
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diyAudio Member
Join Date: Jun 2001
Location: UK
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Quote:
The reg above that Jan tested has o/p impedance circa 50-60uOHm at LF to about 1k, rising to 1mOhm at 20k, 3mOhm at 60k. Andy. |
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#27 | |
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diyAudio Member
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Quote:
Thanks for the reply. I will check it out. Randy |
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#28 |
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diyAudio Member
Join Date: May 2001
Location: London UK
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They recommend tantalum and ceramic, which is usually rejected by most audio designers or enthusiasts.
Audio applications are mostly a bit different from others ------------------------------------------------ There is nothing wrong with tantalum and ceramic in power supplies, although I prefer OSCons when I am not feeling mean. In fact, ceramics are mandatory in digital circuits. There is no hope in hell of using RTXs in a dac for decoupling and ceramic SMTs do improve sound. All high end tweaking companies use them, and the first Sony Esprit series use aerospace tantalums for low impedance in the power supply. |
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