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#21 |
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diyAudio Member
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Cool idea, very impressive!
Of course some hash will endup in the output, but certainly a creative solution! Single ended ClassA - ClassD style Have fun, Hannes
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fresh matched IRFP240/IRFP9240 fets || AlephJ/JX-kitsF5 transistor kits || Burning Amp BA-1/2 transistor kits |
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#22 | |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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Quote:
That's what I've been pointing, there is no voltage drop on current source, so it effectively works with half the voltage and double the current. |
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#23 |
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diyAudio Member
Join Date: May 2009
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Thanks Hannes!
In doing a "cost-benefit analysis" I have to try and weigh the "hash" you refer to. At the moment It seems to be an entirely subjective cost as I'm finding that the ripple present at the sense resistor is immeasurable at the loudspeaker. On the other hand, the objective reduction in dissipation is huge. With Class D the signal has to be accurately converted into a PWM train, and requires signal feedback to make it work in practice (I've not seen any designs that don't use signal feedback). For this reason alone I find Class D to be undesirable - no feedback is one of my key objectives. |
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#24 |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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P.S. You can reduce the dissipation further by supplying the output mosfet follower from a tracking step-down-regulator diven by input signal. That would become some incredible ultra-efficient single-ended class A design!!!
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#25 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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It's become obvious to me at least that I don't understand this.
In the ultimate implementation we could have a single ended follower that dissipates Vce * Ic and the other dissipations approach zero. That would be twice as efficient as a CCS loaded follower and 4times as efficient as a resistor loaded follower. |
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#26 |
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diyAudio Member
Join Date: Feb 2005
Location: Copenhagen
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QED047 - this is really a cool thing!
You should patent it.
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STOP - Hammertime! |
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#27 | |
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diyAudio Member
Join Date: May 2009
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Quote:
Although I suppose you might mean for the supply to change outside the audio band (very slowly?) so as not to interfere with the signal. Perhaps simply slave the supply voltage to the preamp volume control?But this would necessitate a switch-mode power supply design - which is a reasonably proposition but not one that is altogether appealing. Having said that, a buck regulator topology fed from a conventional transformer defining the maximum DC supply might be more palatable than a complete off-line design using HF transformers. I often wonder if anyone has thought about using a digital delay between two DACs to "prepare" in advance a suitable supply voltage for the output stage. Without such "premonition" a significant loss of response to low to high signal level seems inevitable. |
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#28 | |
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diyAudio Member
Join Date: May 2009
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Quote:
I really haven't invented anything here. Besides, I think patents suck big-time. They're only worth the money you have to defend them with - and I deplore the practice of companies patenting stuff that's not inventive but merely common sense to everyone (e.g. Color Kinetics patenting the use of RGB LED lighting when the properties of additive light have been exploited ever since Sir Isaac Newton played around with a prism). But you're right - half an amp based in this would be cool (to the touch) ![]() EDIT: If not already established, this thread may serve as evidence of PRIOR ART dating from July 16 2009 (just in case some idiot does try to patent it)
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#29 | |
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diyAudio Member
Join Date: Feb 2005
Location: Copenhagen
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Quote:
The CCS shifts between shortcircuit, and double the wanted pull down impedance with a 50% duty cycle smoothed out by the coil = result: continous current in the follower mosfet = class A sound! Yeah? But where is the oscilator?
__________________
STOP - Hammertime! |
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#30 | |
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diyAudio Member
Join Date: May 2009
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Quote:
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