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#1 |
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diyAudio Member
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Thanks to someone on another board for this trick. Though I'm not sure he was certain of the mechanism. The simple source follower/phase splitter has a deep null of seconds (the dominant normally) at a "magic" bias point. Really quite remarable since the cancellation flips phase it can be an infinitely deep null. The point I got was around 1.5mA of bias (circuit shown).
Yes the null is like an impedance bridge so it is sensitive to everything, you can even tune it with supply voltage. The modulation of Cgd works with the input capacitance to make a voltage cancelling the Vgs seconds. Remember sin(f)**2 makes cos(2F) so the phase is just right. I know G-Ohm resistors aren't for everyone (could probably get away with a little less here). I wonder if this explains any listening impressions, probably not except for microphones.
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#2 |
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diyAudio Member
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Sorry that's 51pF, makes it even more mic specific.
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#3 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Can you show some graph (simulated or real)
where we can see the benefit of this. I am sorry I can not see the actual benefit we get. And how big is this benefit. But probably it will lower distortion in some respect. The usual before & after, with & without ![]() would give us a hint how good this works. Regards
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lineup |
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#4 | |
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The one and only
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Quote:
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#5 | |
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diyAudio Member
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Quote:
__________________
Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#6 |
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The one and only
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Here's a curve I took once which serves as an example, a 2SK370
operating as a follower biased by a CCS driving 10K at 1 KHz. The higher distortion curve (1 V output) is with +15V/-15V supply, and the lower is +13V/-15V, which is about .0004%. When you look at it, the 2nd is gone, and 3rd plus a little noise and some scattered higher harmonics are what remain. The potential differences become more dramatic as the load impedance goes down. This works on self-biased complementary followers as well.
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#7 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Are you discussing gain stages, followers, or both?
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#8 |
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The one and only
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This example was a follower, but you can see the same phenomenon in
Common source applications. The 2nd harmonic dues to variation in Ids is cancelled by the variation in Vds. |
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#9 | |
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diyAudio Member
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Quote:
In the microphone application I was fooled by the fact that the voltage coefficient of the Cgd, which is modeled, will show this effect in simulation. In reality this just moves the point of null.
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#10 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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I first saw this effect demonstrated by Bascom King, formerly an 'Audio Magazine' reviewer back in 1972 or so. We made a microphone input stage using this 2'nd harmonic null cancellation technique in Switzerland for a studio board, in 1975, that probably is still in operation. It is amazing that it works, but it certainly does. It is just such a hassle to get and keep the null. I just used it as a common source input, but I will have to study the follower examples more closely.
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