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#11 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi |
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#12 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
dave
__________________
community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi |
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#13 | ||
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diyAudio Member
Join Date: Oct 2007
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Quote:
For example JBL LSP25: One LM3886 for the tweeter, two bridged LM3886 for the bass/mids. Quote:
For free Franz |
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#14 | |
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Man Of Action!
diyAudio Member
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Quote:
Hi Dave, Is this your honest evaluation? I just bought one a few months back, but haven't had a chance to use it yet (lack the amps and the speakers are still being painted, again). Did you give it a fair hearing? Many say that they are fine when set up properly. |
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#15 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
There is an entire DCX2496 modification industry based around this dicotomy... and a huge thread on this forum. This is another piece that has to be considered as a pre-built kit screaming out for mods, or as just another piece of test gear... certainly not worthy of putting into a hifi and listening to in its stock role. I do plan on getting one of my own but need to budget the time & money for all the mods needed. dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi |
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#16 | |
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Man Of Action!
diyAudio Member
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Did you have a modded unit at your disposal to try out for comparison? I have poked through the mod thread here and visited a few web pages covering various "improvements", but I'm sure some of these are smoke. There are a few making some money off of this also - I've seen modded units selling for up to $3000! This is ridiculous, IMO. I did do some testing when I received it to verify that it works properly, and I am very impressed with the results. This is a low noise, low distortion device. When I compare the output of my DIY analog 24db LR filters and how they butcher the waveform to the clean, undistorted waveform that emerges from the DCX, the contest is decided. This on top of bucket loads of functionality. I'll try mine out for audio eventually, and will probably be completely satisfied with it's operation and sound quality. My ears are not golden after all and I can live with the shame of settling for something that is "not worthy of putting into a hifi and listening to in its stock role". |
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#17 |
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diyAudio Member
Join Date: Dec 2004
Location: Next door
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Hi mhtplsh,
---There is nothing about damping factor improvement as i see. Kindly clarify.--- A negative resistance scheme does it as it concerns the amplifier output impedance. In fact, the damping factor goes negative. The effect is much more spectacular than any trick aiming at a high damping factor. About transforms, you are right, strictly speaking, they do not modify the damping factor : they only change the apparent Qec of a driver in a closed box. |
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#18 |
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diyAudio Member
Join Date: Dec 2006
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djk,
Here is the circuit modification as i understood from ur post. I hv not used the film capacitors. I hv used both capacitors with different value. Is this ok or i must use same value capacitors? |
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#19 |
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diyAudio Member
Join Date: Dec 2006
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just for a moment i would like to revisit the original question......
damping factor is Zl/Zo load impedance divided by output impedance. one simple way to measure it (but it has an error factor proportional to the output impedance) is to put a shorting plug across the input of the amp, and drive the output of the amp with a 10V sine wave fed through a 10 ohm resistor. the resulting voltage measured across the amp output terminals is the residual which is proportional to the output impedance of the amp. since the 10V signal is dropped across a 10 ohm resistor, there is a 1:1 relationship between voltage and impedance, so 1mV=1milliohm. a better method would be to drive the output terminal directly with a 1A AC current source (technically not a "constant current source", but the output current would be 1A rms into the output impedance of the amp). the current source drive would eliminate the error incurred by using a voltage source and resistor. better still, the source could be a triangle wave, so the result would be a linear representation of the output impedance (which in a class AB or class B amp changes nonlinearly around the zero crossing point). i have been doing some experimenting with output impedance, here's some of what i have found... output impedance is inversely proportional to a) the open loop gain, and b) the feedback factor output impedance is proportional to a) the closed loop gain, and b) the open loop output impedance (which is almost completely composed of the resistive losses in the power supply and output stage). in one experiment i had 10 ohm emitter resistors, but still an output impedance of 1 milliohm. probing the gates of the output devices (i used MOSFET outputs because the Rds(on) was easily determined from the data sheet) showed the gates being driven in opposite phase (to the applied signal) about 10V in order to maintain a very small (as close to zero as possible) output condition. keep this in mind... a speaker is a linear DC motor. if you take a motor (stepper motors are best for this little experiment, though almost any DC motor will do) and turn it by hand you can see a voltage developed by the interaction of the coils and the magnets. the stepper motor will actually produce an AC output, but a DC motor will produce a dc voltage that changes voltage with velocity and changes polarity with direction. this is back EMF. now introduce a short across the winding and try to turn the motor. it's much harder to turn because the back EMF dumps through the short and the resulting current flow sets up magnetic force in the coils which buck the magnets and resist motion. you can do this with a speaker. take a woofer (preferably with a very compliant suspension) and tap on the dust cover with your finger. you will hear it thump and you will feel very little resistance to your impact. now connect a piece of wire between the terminals and thump the speaker again. the cone acts very stiffly, and the sound of the thumps reflects this change. connect the woofer to an amplifier with the power off. you can thump the cone just as if it were open-circuited. turn the power on on the amp with no signal and thump the cone again. it will be as if you had connected a piece of wire across it. this effect from the amplifier is almost completely due to feedback sensing the back emf from the speaker as an error signal and making the amp do whatever it must to correct for it. so in essence an amplifier does exert some control over cone movement. one idea that has been tried, but it's difficult to keep the amp stable in many cases is to take the feedback tap off of the speaker terminals itself in the same way an open frame power supply uses sense wires to provide feedback at point of load for the regulator. this would essentially place the low output impedance directly at the speaker terminals with the amp doing whatever it must to keep the errors at zero. |
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#20 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
Now with a unit this cheap, with this much functionality, and with Beringer's rep for QC, ir certainly is possible that the unit you have, and the one i had are dissimilar. dave
__________________
community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi |
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