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#1 |
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diyAudio Member
Join Date: Jul 2005
Location: milan
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hello designers!
was born a new theory that you can not ignore since VAS the transition more delicate for signal need natural Compensation for those who want a sound round OF COURSE FOR COMLEMENTARY ARCHITECTURE there is the problem of actual similarity of the couple (even in the life of humanity) a solution is to use pairs of low-power because they are much closer and a stadium load to mosfets because reduce emphasys of driver Another solution is to offer an identical load to mirror current (also have voltage gain) the new bright idea is to use a double NFB in order to manage the different gain separately before they mix in current stage NOT in VAS as floating mode
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#2 |
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diyAudio Member
Join Date: Sep 2005
Location: Trnava, Slovakia
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Something wrong seems to me in schematic, if GND means ground.
Grounded driving point (common point of 100R rersistors)of output devices (drivers loaded with 100ohms to ground??), drivers and ouput transistors outside of NFB.. |
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#3 |
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The one and only
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You can take a look at the F5 for another example.
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#4 |
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diyAudio Member
Join Date: Jul 2005
Location: milan
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Hello
GND on mosfets drivers is forced for TNFB (TwinNFB) reference you can joint to transistor on output it's not important current stage is free from NFB because don't have gain in Voltage Nelson I have seen F5 there are two NFB because it's balanced this Sound's Revolution Amp have two NFB, one one each rail for auto-adjusting different gain of PNP/NPN in separate devices for better error-control maybe (never tested) Regards
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#5 |
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diyAudio Member
Join Date: Aug 2005
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Been there, done something like that, not really thinking about doing it again sometime in my recent amps.. (maybe much later)..
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#6 |
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diyAudio Member
Join Date: Jul 2005
Location: milan
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but in this case maybe see the GALACTICA VAS of course in Class A biasing
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#7 |
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diyAudio Member
Join Date: Jul 2005
Location: milan
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need just in Voltage
a local feedback the aim is to reduce the work of the input operational stage
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#8 | |
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Account disabled at member's request
Join Date: Jan 2006
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Quote:
That is current limiting protection. Tha aim to prevent the output stage from going ffzzzttt. Cheers, Glen |
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#9 |
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diyAudio Member
Join Date: Jul 2005
Location: milan
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but do you think it's intelligent
modify sensibility of this stage to have double local feedback ( one for each rail ) ? http://cgi.ebay.it/Bal-Class-A-Power...742.m153.l1262 http://www.esafono.it/a700.pdf Regards
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#10 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Stee
just some friendly advice. First, you learn how to design some basic amplifiers, with transistors: this will give you knowledge to know more what we can do what we can not do what is good what is not good what is really problematic what we never should do what is usually the best to do After this, you Stee, can start making Mark Levinson clones, copy And maybe one day even some great & working amplifiers based on your own interesting ideas. But to get into the same league as Mark Levinson is not what some new diy hobbyist will make very quickly. Some would get close .. after many years. Some would never make it .. no matter how long it takes. What I have seen so far, is five or 10 ideas per day .. only those posted and not many of them would work in reality. It is good to have ideas but what is the use, if they go nowhere? you tell me regars from Lineup Lineup Audio Lab - a few good amplifier ideas & designs based on knowledge & experience
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