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#521 | |
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diyAudio Member
Join Date: Mar 2003
Location: Northwest
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Quote:
If the recording still sounds very good after having been through dozens of cheap op-amps, can't it still sound very good after passing through one more cheap op-amp (in your CD player or pre-amp)? And yes it is an old argument. It doesn't go away because audiophiles don't have a credible explanation why things matter so much on the smaller (playback) side of the signal chain but don't matter nearly as much on the bigger (recording) side of the chain. |
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#522 |
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Tetsujin
diyAudio Moderator
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Eric, just remember the story of Clever Hans.
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"We all feel like that, Reggie, now and then, especially when Spring is upon us, but few of us would care to put it on our cards." — Sir Archibald Clerk-Kerr |
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#523 | ||
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diyAudio Member
Join Date: Mar 2002
Location: Aveiro-Portugal
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Quote:
One more case of subjectivism...in who must i believe??? in you or him?? That's the problem of subjetivism!! One man ceeling is another man floor!!
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Jorge |
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#524 | |
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diyAudio Member
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Quote:
In this case you should rather say: one mans floor is another mans ceiling
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#525 | |||
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diyAudio Member
Join Date: Mar 2003
Location: Northwest
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#526 |
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diyAudio Member
Join Date: Mar 2003
Location: Northwest
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An episode of the Candid Camera TV show did a fake wine tasting where they had four filled wine glasses in front of four different bottles of wine. They had various subjects come in to taste each of the four and offer their comments and opinions. They all gave very different descriptions of each one, and were disbelieving when told afterwards that all four glasses were poured from the same bottle!
Yeah, it's wine, not audio, but it shows the incredible psychological bias us humans display in subjective matters. It's hard to argue something very similar does not happen when listening to amplifiers. The above example strongly suggests if we took the same amplifier circuitry (say a Gainclone if you like) and "hid" it in four different high-end large well known chassis and let a group of GoldenEars audition them under whatever non-blind conditions they wanted, I have no doubt they'd all hear plenty of differences between them. I'd further suggest their opinions would align around the external appearance of the amplifier. If one chassis was from a Pass XA series amp, I'm sure the comments would lean towards what the community praises (and/or dislikes) about Pass amps, etc. Finally, I'd suggest if you conducted this test blind, all the perceived differences would indeed disappear because there were none to begin with! Think about it. You never gave me the link SY, but it appears you had something like this in mind back in December (i.e. the "Tube-O-Later")? |
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#527 | |
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Tetsujin
diyAudio Moderator
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Quote:
But I'm not sending that box to Fred, he knows what to measure. This gimmick is for a listening test.
__________________
"We all feel like that, Reggie, now and then, especially when Spring is upon us, but few of us would care to put it on our cards." — Sir Archibald Clerk-Kerr |
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#528 |
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diyAudio Member
Join Date: Mar 2003
Location: Northwest
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Christer asked:
SY, since I think it is relevant to this thread, has anything happened to the experiment you and dorkus were planning before Christmas? And you responded in this post: http://www.diyaudio.com/forums/showt...381#post150381 My impression was you were planning to use Radio Shack parts inside a fancy looking box or something like that and see how many GoldenEars would think it sounded wonderful but I'm just guessing? Is there a previous thread on this? In what forum? |
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#529 | |
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Account Disabled
Join Date: May 2002
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Quote:
....i agree...... cheers. |
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#530 |
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Tetsujin
diyAudio Moderator
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Ah, OK, that clears it up. The experiment I propose goes like this:
Inside a sealed box, there's a switch (very high quality) and two pairs of high pass filters, with the corner frequency being rather low (like 10 Hz). One pair is made from cooking-grade components, steel leads, low price, too easy to get and pay for to be any good, but measurably OK. Call it "Radio Shack," if you like. The other pair is super-duper fashion-audio parts, preferably hand-made by Japanese monks and carrying an enormous price tag. treated with magic goop, if available. The two are checked to make sure that the transfer functions are tolerably close, with the Radio Shack stuff trimmed if necessary. The switch has, say, 20 positions. Position 1 is Radio Shack. Position 2 is Japanese Zen Master. The other positions are randomly wired to one or the other, with a key sheet kept by a neutral party (I suggested Nelson Pass, but he wisely stayed far, far away form that discussion). The box is sent to someone who firmly believes that he can hear the difference between Zen and Radio Shack. He can pick any 10 of the switch positions and take as long as he likes to decide which are Radio Shack and which are Zen. He can do it any way he wants except measuring. Alone, with his wife, with his audiogeek buddies, whatever. He returns the box to me and sends his list of guesses to the score-keeper. The score keeper will provide me with the raw score and I can then send the box to the next victim. If overall, the scores are random, that's an interesting piece of data. If one person scores significatly above chance, the test is repeated with the remaining 10 positions. If that same person scores significantly above chance again, it's pretty probable that there is audibility and that we're not dealing with so-called "lucky coins."
__________________
"We all feel like that, Reggie, now and then, especially when Spring is upon us, but few of us would care to put it on our cards." — Sir Archibald Clerk-Kerr |
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