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#1 |
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Banned
Join Date: Feb 2007
Location: Dublin
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Has anybody built this & can give their impressions?
What changes are needed to the schematic on GP's webpage for the 25W version which uses FQAF5N90 900V 90W MOSFETs running in parallel. |
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#2 |
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Banned
Join Date: Feb 2007
Location: Dublin
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Uh! So nobody has built one of these?
What's putting people off - the large heatsinks needed for the Class A dissipation? Or the 6 CCS circuits needed? Or something else? I believe the sound as described by Gary Pimm himself is cleaner than the tube based Tabor amp which is saying a lot! |
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#3 | ||
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diyAudio Member
Join Date: Aug 2002
Location: victoria BC
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Quote:
Quote:
If this is the amp that I heard in Portland during the week of VSAC08 , "clean" wouldn't begin to describe it. There was opportunity to hear some very interesting gear at the show, but this is quite simply the most visceral and concurrently invisible amp I've heard in 45yrs of listening. With that special CD of live broadcast feed of "Carmina Burana", I have no words to describe the experience, other than transcendental and paradigm shifting. Of course there was a lot more of Gary's soul and brilliance in the system than just this single piece. Yup, it's a toaster alright, and probably not appropriate for any less than a very accomplished builder.
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you don't really believe everything you think, do you? community sites t-linespeakers.org, frugal-horn.com commercial site planet10-HiFi |
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#4 | |
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Banned
Join Date: Feb 2007
Location: Dublin
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I didn't know GP was at VSAC08. Did he have a room or was he in with somebody? I know John Swenson was there with his BDT preamp (which uses some of GP's CCS circuits).
Did the amp look like the attached - this is the "Big" amp version (25W) & here's his description: Quote:
Chris, tell us more about the GP equipment you heard, please |
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#5 |
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diyAudio Member
Join Date: Aug 2002
Location: victoria BC
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Gary attended the show, but didn't display product.
Thanks to Bud Purvine, it was a too-short visit to Gary's secret lab in the heart of urban Portland that resulted in this epiphany. Due to Gary's rally-class driving and the crazy traffic, I doubt I could find my way back even with a GPS - but then my brain was still trying to process what I'd experienced, so I'd probably have been a traffic hazard in my own neighborhood. As for the system, I don't recall too much discussion regarding the transport ( IIRC, a generic CD or DVD player) and DAC. The "pre-amp" was a passive transformer volume control unit, with dual outputs to the Tabor running the dual mids and ribbon tweeter with passive XO, and Behringer XO, the latter driving another generic SS amp (Parasound?) to the subs. Needless to say the name plates on any of the equipment not handbuilt by Gary were probably meaningless anyway, as they were all highly modified, including more than a few pieces of O'Netic iron.
__________________
you don't really believe everything you think, do you? community sites t-linespeakers.org, frugal-horn.com commercial site planet10-HiFi |
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#6 |
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Banned
Join Date: Feb 2007
Location: Dublin
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Tell us what you heard though!!! Edit: Cross posts - so it doesn't seem like this amp was featured in what you heard? Sorry, I reread your post & see the Tabor mentioned!
Also, I was thinking of combining John Swenson's BDT preamp with interstge trafo with GP's SS Tabor output stage. Does anybody think this is a runner? |
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#7 | |
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diyAudio Member
Join Date: Aug 2002
Location: victoria BC
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Quote:
Soundstage that easily expanded beyond the boundaries of the room, and effortlessly real dynamics, without the major colorations of large horn based systems that were available to hear at VSAC. Depth and layering of voices in that absolutely stunning recording of the Carmina Burana that bordered on hyper-realism. Since I've never availed myself of the opportunity Live performance of a large choral work as this, and had only heard some of what I thought were "decent" commercial recording of this piece, I had no idea the mass and visceral impact it could achieve. On a couple of recordings I thought I was familiar with (for example Rodrigo y Gabriela "Stairway to Heaven" and "Orion") there were subtleties of texture, timing and space between the notes that just made more emotional sense.
__________________
you don't really believe everything you think, do you? community sites t-linespeakers.org, frugal-horn.com commercial site planet10-HiFi |
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#8 |
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Banned
Join Date: Feb 2007
Location: Dublin
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BTW, which recording of Carmina Burana are you talking about?
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#9 | |
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diyAudio Member
Join Date: Aug 2002
Location: victoria BC
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Quote:
This is not an official commercial release. If I have my story straight, it was a performance of the San Francisco Symphony and local choirs, broadcast live over FM, as well as recorded for rebroadcast through associated classical music FM stations. The version that I heard was apparently recorded from one of these FM transmissions. That this degree of astounding fidelity and musicality was available over the air is nothing short of amazing. I love my local NPR FM station (KPLU), who broadcast some wonderful live jazz performances, but nothing I've heard yet approaches this particular performance.
__________________
you don't really believe everything you think, do you? community sites t-linespeakers.org, frugal-horn.com commercial site planet10-HiFi |
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#10 |
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Banned
Join Date: Feb 2007
Location: Dublin
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That's very interesting - I've herad people say to me that some FM broadcasts are stunningly realistic but never experienced it myself!
Is this recording available through any, ahem, "unofficial" channels? So, still no builders of this amp? - I'm sure there are some tube Tabor builders! - I know Shoog has done his interesting version of Tabor clone, which I'm hoping to hear soon. |
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