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#11 |
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diyAudio Member
Join Date: Apr 2001
Location: Seattle, WA U.S.A.
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I like Cascoded output stages because of the fast transient response i hear and yes i agree with Mr Pass completely that cascoding can make the transistor more Linear because of constant Vce plus the Advantage of substantially lower miller capacitance yes this quality is also impotent in Emitter Follower's. I have found Cascoded output stages to be as prone to instability as the more popular CFP type BTW is not the Stasis circuit come sort of gene splicing of a casscoded and a multi-Transistor CFP output Topology ????? attached is a Diamond Buffer cascoded type of low power line level output stage.
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#12 |
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diyAudio Member
Join Date: Jul 2007
Location: South Worcestershire
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I came up with a similar bootstrapped diamond buffer variant about a year ago. See http://www.battletonphoenix.co.uk/buffer.pdf
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#13 | |
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diyAudio Member
Join Date: Apr 2001
Location: Seattle, WA U.S.A.
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Quote:
BTW Cascoding also substantially reduces the amount of high frequency EMI polution on the AC Mains even better than two cascaded regulation stages. |
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#14 | |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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Quote:
depends on which characteristics are most important often the drive impedance of the BJT or even MOSFET output device is a very nonlinear load to the VAS - cascoding the output Q with bootstrapped Vref from the source/emitter gives higher input Z and less nonlinearity for the VAS to drive - SS outputs are quite different form tubes with their much higher gate Z |
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#15 |
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diyAudio Member
Join Date: Aug 2006
Location: Taipei, Taiwan
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my reply is a little late, but jcx is correct - its more totem pole rather than cascode since Vce varies on both devices in sync with the output devices.
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#16 |
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diyAudio Member
Join Date: Apr 2001
Location: Seattle, WA U.S.A.
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It is my understanding that there are 2 types of Totem pole output stage topologies used lot in the early 1970's. With the Dynaco Stereo 400 long with early SAE and Sumo products representing what is often referred to as a Bootstrapped configuration using Resistive voltage dividers along with a pair of Large Value Electrolytic capacitor supplying the AC drive and thus performing the Bootstrap operation, if we then remove the capacitor and replace the Resistive voltage divider with a Current source and Stable Voltage Reference then we have what is referred to as a cascode configuration with the Voltage reference floating along with the Output wave form as is the case with the resistive network however in the second case the stable voltage reference keeps the DC Vce of the lower cascode transistors constant, This type of cascoded output stage topology is what is shown in Mr. Pass's Technical white paper on the subject previously mentioned. Any way that is my understanding of the different configurations.
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#17 |
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Banned
Join Date: Apr 2005
Location: Stockholm
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Peter,
in my view: cascoding originally was meant to extend the bandwidth in RF applications already in the tube era by decreasing the (sonically highly deteriorating) Miller capacitances in voltage amplification stages, but it provides significant improvements in numerous other ways and places, like the output stage. There is no justified reason to desist from using it. The cascoding device should be applied in grounded base configuration with (by definition) zero signal voltage at its base* and keeping Vds or Vce constant by a stable low impedance reference voltage. * The cascoding device should be bipolar or (discretely composed) Darlington. |
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#18 |
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diyAudio Member
Join Date: Oct 2006
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Thanks again for the interesting replies.
It is a bit surprising that with al the technical benefits that cascode output stages have, almost all designs (still) are normal CFP or EF. Or is the performance on paper better than in real life? What are the sonic benefits? Has anyone experience in this area? Peter |
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#19 | ||
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Banned
Join Date: Apr 2005
Location: Stockholm
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Peter,
Quote:
Quote:
The most remarkable compound is the CFP, combining these would certainly result in unbeatable linearity in the output stage, where usually high distortion levels occur. Look out for oscillations! |
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#20 |
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diyAudio Member
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Cascoding for the outputstage is not very practical in real life.
If you want best linearity, you use the transistor in a very small voltage range, thus small voltage swing. Consequently you have greatly reduced output power. It's the same for the cascoded power jfet; how much power can you get from power jfets, cascoded to about 5 volts to keep dissipation down? C'mon! If you enlarge the outputswing, you get reduced linearity. Next thing is that especially mosfets like high Drain-Source voltages for linearity, so usually it's better to drop the cascode and get the larger voltage swing. But of course feel free to build and see for yourself! By the way, read D. Selfs book, the outputstage does not produce so much distortion compared with the VAS or the input. While most here will not agree with his high-feedback attitude, he shows undebatable measurements. Have fun, Hannes
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