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#1 | ||
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frugal-phile(tm)
diyAudio Moderator
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Split from here Sealed Enclosures
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dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#2 | |
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diyAudio Member
Join Date: Jan 2006
Location: Herne
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#3 | |
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diyAudio Member
Join Date: Jan 2002
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THD: level, spectrum and how the spectrum changes with level. Also class; AB has worse distortion with decreasing level. Noise: irrelevant in any well designed and implemented design NFB; use of or not, level of NFB and how it's implemented Output Z: can be of use if factored into some designs. Needs to be minimised in others. Balance in PP CCTs: needs to be maintained under dynamic conditions. How you achieve that will sound different Clipping behaviour: Amps should never clip, but when they do, how do they behave and how long before they settle. Component quality: I find it better to design assuming there'll be as little NFB as possible. Design: Linearity, linearity, linearity. And headroom Power Supply: it's in series with the amp so make it as inaudible as possible + a myriad of other little build details. |
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#4 |
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Account Disabled
Join Date: Dec 2007
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when it comes to amps i think that all good ones are the same, but not all "hi-fi" amps are good ... in fact most probably aren't.
if you have a solid amp that is flat 10hz - 50khz with 0.01THD, 2 ohm stable and with 10 times the power that you actually need then i think it should be transparent in the system. such amp does not have to cost an arm and a leg. my QSC Audio PLX seems to be just fine and it costs about 35 cents per watt. i had some other amps that were simply useless though (a Technics from around 1997 and a NAD probably from around same time). people would have me believe that the NAD will sound good even though its specs are weak simply because its british ... not so. apparently brute force still counts for something. apparently being british cannot make up for having 10 times the distortion, 10 times the noise, 10 times the output impedance, half the bandwidth and 1/10th the power. i think in practical terms there are 3 problems with powering speakers: 1 - PA amps have loud fans 2 - PA amps are too big to run tweeters actively off of 3 - i like PA amps |
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#5 | |
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Account Disabled
Join Date: Dec 2007
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i would love to use a class A amp in theory, but in practice no serious company (like Crown) will bother producing a class A amp because of how impractical it is. in practice i would rather use a class H amp of an excellent design and low cost than a class A amp of a poor design and high cost. of course if you want to design and build your own class A amp then clipping will be a concern. |
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#6 | |
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diyAudio Member
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I knew I was going to strike someone’s nerve with “Amp makes no difference” remark. Unless we are talking about hopeless 1-watt class A tube design, I stand by my point. 99% of solid-state amps out there, given the fact that isn’t driven to clipping (as I mentioned before, “having enough power”) aren’t very much distinguishable in sound. Blind test have proven it number of times. I have been through about 8 blind tests, listening to the amps ranged in the price between $300 and close to $7000. No audible difference was found (5 more people participated in the tests, tests were done on 2 pairs of commercial speakers, ranged between $4500 and $5000 in price). Does it mean they will measure the same? Not at all but our hearing is much less sensitive then an oscilloscope. “Can’t you hear that?!” becomes useless with equipment covered up. I have 1500 square foot shop and a SPL meter. If you want to prove me wrong, bring it. I will be first one to say, “I was off beam”. I am not even going to go into solid state vs. tube argument but the point is that Speaker system makes the biggest impact on the sound reproduction! Why? Because unfortunately, there’s no ideal speaker system out there yet. They are all colored and have different frequency ups and downs and of axis response. In fact, room-speaker interaction gives it an infinite number of possibilities in coloration = character of a speaker. The audible differences between electrostatics, magnetic planar type, horns, open baffle and as we talking about ported vs. sealed enclosures are major. It is first intelligent to consider, which type of coloration you prefer (ported or sealed in this instance) and perhaps think of enough wattage later, based on the efficiency of the driver and the impedance behavior of the speaker. I always build my speakers with the impedance compensation to make amps life easier and prevent the impedance from dropping down below 3.5-4 ohms and jumping over 20 ohms at cone resonance. |
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#7 |
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diyAudio Moderator
Join Date: Nov 2005
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I have heard clear differense between good amps and VERY good amps, although very small differense its enough to make it very important...if quality matters more than quantity
No matter how well a speaker is designed, a good amp may in many cases be the very key to nirvana of sound But some speakers demand fore more stable amps than others Sure, you can do a setup where it probably doesnt matter much, but that doesnt make it a general rule BTW, 5-7000USD worth of amp doesnt automatically mean its any bit better than cheaper ones Speaker technology has changed rapidly and today its probably much easier to find a good speaker than a good amplifier...but thats only pure speculation |
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#8 |
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Account Disabled
Join Date: Dec 2007
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Difference between NAD and QSC is like night and day. NAD sounds like FM radio between the stations and yet many people recommend it so its entirely possible to buy an amp that is supposed to be good and wonder why your speakers sound miserable.
just because its easy to make an amp sound transparent doesn't mean that even most amps are made that way. instead a lot of people don't want to buy amps with op-amps in them (like QSC) so they go for fully discrete designs (like NAD) and in a discrete design there is a temptation to cut corners by throwing out some parts (to save money) and then you're left with an amp that sounds just barely good enough for most people buying it not to notice how bad it is. if audiophiles could get over their religious beliefs maybe things could start to improve, but i think the 99% figure is way off ... maybe 10%. |
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#9 | |
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Account Disabled
Join Date: Dec 2007
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i will venture to say that it will never be easier to find a good speaker than a good amp ... but thats only because speakers are nowhere even close to being "good enough" today. |
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#10 | ||
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frugal-phile(tm)
diyAudio Moderator
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Quote:
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dave
__________________
community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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