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#1 |
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diyAudio Member
Join Date: Jul 2002
Location: Tokyo, Japan
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Since inverting-mode circuits seem to be gaining in popularity recently, I decided to post a circuit which is fairly simple and may be interesting for someone. The idea itself is old, but I don't see many circuits utilizing this method today.
The core idea is to use the gates/bases of JFET/BJTs for the signal inputs (per normal practice), but route the NFB loops through the sources/emitters of the same devices. If nothing else, this should allow one to utilize various inverting feedback configurations without having to rely on high-impedance series-input resistors for fear of loading down the source component excessively. Obviously, this theme can be combined with many other ideas - complementary input stages, cascoding, active loading, folded cascode or current-mirror second stage, higher rail voltages, multiple output devices, etc. No oddball devices have been used, and resistive loading has been used throughout, so it should be fairly easy to make. I settled on Toshiba for all of the semiconductor devices, and there are only 4 types of active devices used. Note I haven't built this yet, but I think that the values should be reasonably close to functional. But please be prepared to do at least _some_ tuning/troubleshooting/tweaking. Apologies in advance for any errors. regards, jonathan carr
__________________
http://www.lyraconnoisseur.com/, http://www.lyraaudio.com |
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#2 | |
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On Hiatus
Join Date: Nov 2002
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Quote:
Filename: jcarr_BTL_FET-AMP_v1.gif It is in size to fit a 1024x768 screen. I call it v1 - version 1. Also have put - jcarr and his website URL - as added text into the image. ----------------------------------------------- Thanks Jonathan! on behalf of us all. /halo - and the rest of the pack will come after you, if the amp doesn't work
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#3 |
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diyAudio Member
Join Date: Jul 2002
Location: Tokyo, Japan
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Halojoy:
>and the rest of the pack will come after you, if the amp doesn't work< You are an excellent designer, my friend. Already you have deduced the reason why I set the voltage rails at +/-15V. If you want to be careful, +/-12V could be an even better starting point... ROTFLOL! jonathan carr
__________________
http://www.lyraconnoisseur.com/, http://www.lyraaudio.com |
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#4 | |
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On Hiatus
Join Date: Nov 2002
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Quote:
When the first one to test this amp in real life posts his results and findings. I guess it will be one of them pass-boys. They are the ones having piles and piles of MOSFETs & JFETs along most walls in their livingspace. ![]() And their bathtub is filled with 100.000uF Electrolytes - big as BEER-CANS. Their kitchen drawers and wardrobes are full with Toroid transformers, so BIG & HEAVY that it takes 2 fullgrown men, to move them some inches at the time. They will probably be in touch here in a couple of days. /halo - thinks them pass-boys are some special kind of species
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#5 |
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On Hiatus
Join Date: Nov 2002
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Here is Jonathan's interesting Amplifier!
Balanced 2SK389 JFET in - Bridged MOSFET out !!!!!!!!! ![]() - What more do we need? larger image in the zip above or at my collection below /halo |
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#6 |
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diyAudio Member
Join Date: Sep 2002
Location: Sweden
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For the audio archaeologists, I found a somewhat peculiar
variation on this method when reverse engineering a friends old preamplifier a while ago. Instead of feeding the signal back directly into the source circuit, there is a BJT in series with the source, and the feedback drives this BJT. Maybe there is some good idea behind this, but it seems to me that this is likely to introduce unnecessary non-linearities. The design from the early or mid 80s and Sentec are not even in the audio business anymore, so I guess I won't do any harm to post my schematic of it. Note that I have broken the feedback path in the drawing, and marked it with "a". |
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#7 | |
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On Hiatus
Join Date: Nov 2002
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Quote:
The same you can find as a general design-idea at 4QDTEC. In fact the name 4QD refers to this basic configuration of amplifier. 4 transistors(Q) design. -------------------------------------------------------------- The basic circuit princip, opamp, is found on this page: http://www.4qdtec.com/opamp.html ![]() Here in a preamp version: http://www.4qdtec.com/preamp.html ![]() Same cofiguration used in a Low Distortion 30Watt PowerAmp: http://www.4qdtec.com/pwramp.html ![]() /halo |
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#8 |
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diyAudio Member
Join Date: Sep 2002
Location: Sweden
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Thanks Halo, I did not know about that site. Interestingly,
the site owner says about this design that "It is a circuit which is original to me and I have never seen its like used elsewhere!" It is not clear, however, if he "invented" it himself, or got it from somewhere, this somwhere being the only place he has seen it. Unless he invented it 20 years ago, it obviously was around before, though. He also makes an interesting remark that the input NPN and PNP transistors actually form a LTP (diff. pair). Well, that seems reasonable. It should be noted, however, that the Sentec design I posted differs by using a JFET/BJT combination. It pretty much boils down to the same principle, but it seems it would have made more sense to use two JFETS then, or two BJTs. I am sure there was some clever intention with this, though. I actually remember visiting Sentec, together with another friend, when this amps was new and we discussed it with them. Of course, we did not know the topology of the amp then, but I remember the guy we talked to giving a good impression. They seemed to take a lot of care in selecting components for instance. I even think he said something about inventing some new electronics theory, which could have been related to this input design, perhaps. Anyway, they seemed very proud of the input stage at the time. |
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#9 | |
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On Hiatus
Join Date: Nov 2002
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Quote:
The great poopularity of the longtailed pair is much due to the low offset. This avoids the use of either input or output capacitor. Or avoids both of them. It is also great for the input bias resistor, only to be connected to ground, common, in a dual supply circuit. (gives Power Supply Rejection without filters). The idea of using one JFET and one BJT is to me obvious. I have had the same idea myself, when I first visited 4QD-site some years ago. If you select a current where g-s voltage is equal negative as the bjt is positive (0.7 volt) you cancel the DC-offset between input and output. This means you can have the amplifier DC in DC out, and only use one input resistor to common. This is the hard part: Of course you will have to find both a JFET and BJT smallsignal transistor, that work well at that same current, with the same amount of opposite voltage drop. jfet n + bipolar p OR jfet p + bipolar n Jfet have negative Vgs Bipolar have positive Vbe /halo |
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#10 |
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diyAudio Member
Join Date: Sep 2002
Location: Sweden
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Halo,
I don't quite see the advantage. It would be much easier to match a complementary pair of BJTs or a complementary pair of JFETS. The Vgs of a JFET at the operating point is usually higher than the Vbe of a BJT. I never had a chance to do any measurements on the amp, and I haven't tried to calculate anything on it or simulate it, but my guess is that the feedback signal would normally have a negative DC offset in order to match up the Vgs of the JFET. It seems to me that using a pair of devices with different characteristics as a pair will introduce unnecessary non-linearities. Well, what do I know. Maybe some of the gurus can figure out why they did it this way. |
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