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#831 |
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diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
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Last edited by nigel pearson; 25th April 2012 at 12:03 PM. Reason: add info |
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#832 | |
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diyAudio Member
Join Date: Apr 2010
Location: Coffs Harbour, on the east coast
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Quote:
When the preamp was placed on hard surfaces such as a table, glass shelf etc. the audio would change from wonderful to old 78 record player in a flash, due to acoustic feedback so I do mean clown, for lack of testing. It was amusing, when some years later, the manufacturer and the UK hi-fi toy industry generally, began to promote Aerolam table tops, coned feet and special isolating shelving for every bit of kit. 'Not funny really, at the prices asked.
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regards |
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#833 |
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diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
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That's very interesting Ian . I had a NAC 12 which by then didn't have that .
If you ever get smooth box NAC 12 and NAP 160 together they have a magical sound . I don't find them as good used with other Naim bits . For example swap to NAC 42 . The other Naim products are not affected by this including later NAP 160 . My noise gate used a comparator and a simple relay also ( shunt ) . It was very reliable and apart from the click it was difficult to detect . The guy in Australia I seem to remember was Warren Stolmark or something doing Naim . My freind Martin Renwick wanted to do it . He would have been great . I have a Linn pre amp somewhere , it was made by Naim . If you ever want to talk 78's I'm very interested ( or ancient stuff ) . Not on this forum . Last edited by nigel pearson; 25th April 2012 at 12:45 PM. Reason: extra info |
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#834 | |
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diyAudio Member
Join Date: Apr 2010
Location: Coffs Harbour, on the east coast
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Quote:
Any comments on topology changes would be priceless.
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#835 |
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diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
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Ian . I will be honest with you and say I am not the worlds greatest fan of the pre-amps . Although they are super competent designs . The Martin Renwick I refer to introduced me to DNM pre amps of the 1985 vintage which I preferred used with NAP 250 . I think he was importer for Australia of DNM .
I did draw the pre amps years ago and have lost them . Do you guys insist on using tantalum caps like Naim did ( do ? ) . One tip with NAC 32.5 and similar . Leave the screws slightly loose into the feet . That was discovered by accident and makes the pre amp less microphonic . Sorry to hog the thread every one . . It must be 1.40 in Aus , hope I'm not keeping you up ? Just had another look . Nice simple distortion cancelling design , some of this I remember now . I tried to find the Stan Curtice stuff on this ( he designed Rotel RA 820 ) . Perhaps with better components it could come alive . The power supply doesn't look right although doubtless good . Last edited by nigel pearson; 25th April 2012 at 01:48 PM. |
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#836 |
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diyAudio Member
Join Date: Apr 2010
Location: Coffs Harbour, on the east coast
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Not at all (only 11.40
) - Warren Stolmack, I recall as a name only, Martin, no but we have >800km between thelargest cities and it's possible the agent operated from Melbourne as now - since it's the bastion of stereo hi-fi here. Thanks for the comment -'would like to explore that and the DNM matter at some other time. P.S. Member ljm-ljm produced that schematic and board so we can't say where in the PSU Naim started or finished. Perhaps he will post.
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regards Last edited by Ian Finch; 25th April 2012 at 02:15 PM. |
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#837 |
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diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
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[IMG]
[/IMG]Ian , I am very mindful of keeping things cheap . One of the debates raging in audio is what type of power supply rectifier diodes to use . Naim would have used simple big versions of what I show here in a 35 amp bridge rectifier . Regulations came in some years ago to suppress the diode noise . The simple 10 nF I show across each of the 4 diodes is what the testing house recommended . Many say this ruins the sound ( me ) . The 470R and 3n9 ceramic is an attempt to please everyone . In theory it should be better . Carbon composition resistors are best and solder close to the diodes ( difficult ) . The last example with 10nF 110R and 68 nF is supposed to be the best . Unfortunately this solution was for a particular transformer . However it must be better than nothing . I am research this at the moment so would love any feedback . The little neon bulb idea is just a bit of fun . The dotted resistor for valves . People pay money for mains conditioning equipment only to have a nasty little radio transmitter inside the amplifier , the rectifier diodes . Some use fast / soft recovery diodes without suppression . Last edited by nigel pearson; 25th April 2012 at 03:51 PM. |
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#838 |
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diyAudio Member
Join Date: Jan 2012
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Hello,
Is it possible to increase the input shunt resistor (22k as standard) to something like 47-50k? and also remove the 100k+10uF RC filter? (my source is capacitive coupled at the output) Regards. |
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#839 |
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diyAudio Chief Moderator
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Are fast/soft good enough on their own without rc snubbing them?
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#840 |
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diyAudio Member
Join Date: Mar 2007
Location: Oxfordshire
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Hi Salas . That's the question I had hoped for ! I suspect 470 R and 470 pF is about right for an ultra fast diode . I think the diode is BYV 28 200 I am playing with . What I suspect is that we can come up with a generic value which reasonably ignores transformer leakage inductance and capacitance . I want to keep away from a mathematical discussion as I feel this can be arrived at empirically and would be fun for the penniless to pursue . Note I stress carbon composition resistors and ceramic capacitors ( NPO / GOG ) . That's about 720 kHz and a sensible rise time . What should be noticed is better HF clarity . BYV 28 200 is a bit small for a power amp I should point out ( probably just about OK , cheap and very good ) .
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